Galeria by Antonio da Motta is an architectural, versatile and luxuriously upholstered daybed. It brings a contemporary functional form, accented with elegant details, to living or bedroom spaces. Hand-tied and sprung, the seat is comfortable, minimal and keeps its form beautifully. The upholstery sits on a raw shagreen platform that is raised by sculpted bronze legs, while semi-precious buttons hold the round cushions in place. Finishes: Natural Chocolate Shagreen | Ecru Woven Fabric | Cocoa Chenille Fabric | Aventurine | Bronze Patina

Woven copper lanterns based on cock-fighting baskets. The copper will slowly patinate and become darker. Available wired for indoor use or with waterproof re-charcheable lanterns for outdoor. Finishes: Copper, Fibreglass Dome

A group of five bronze candleholders inspired by the shapes and contours of straw when used in European roofs; the edges jut and overlap at the eaves where the birds live. Once lit, candlelight plays on the textures beautifully. Finishes: Burnished Brass

A powerful uplight; translucent carved stone makes a sophisticated accent to the textured bronze column of the Shangó Floor Lamp. The ribbed onyx cuff is the prelude to the tall cup of amber-toned Onyx Marble. Finishes: Dark Onxy Marble, Bronze Patina

Cast bronze boxes seemingly bound tightly. Finishes: Bronze

Sculptural forms cast from the architecture of tropical orchids. Tendrils branch upwards and thick labellums fan outwards to create balanced and sensual lines Finishes: Bronze

A glowing evening sun shimmers. Hewn legs cast in lost wax bronze support a dramatically elegant top. The straw marquetry is dyed by hand in our own workshops to five subtle tones of Burnt Coral before being inlaid in a sunburst pattern. Designed by Antonio da Motta, the inspiration draws from Yoruba ideas of power and belief. Finishes: Burnt Coral Straw, Bronze Patina

An elemental form is rendered in striking textures and finishes. A cast brass dome is entirely covered in lacquered eggshell and suspended inside an oval void and lifted by an elegant tapering stand to create a hauntingly beautiful ring of light. Finishes: White Eggshell, Polished Brass, Bronze Patina

The text of a wonderful poem by WH Auden, 'The More Loving One' becomes the structure of this lantern. In the poem Auden muses on unrequited love - how he would choose to love even if it was not returned; as we might love the stars above us. Finishes: Polished Brass, Ivory Linen

An African Violet was the inspiration for this bronze sculptural form of sensual curves and falling lobes. Astrid Dahl creates rich organic works for Alexander Lamont, inspired by the delicate petals and leaves of tropical flora.

Overlapping fronds of patinated bronze interconnect to make an open vessel lined with pure gold leaf. Finishes: Bronze

Gold light pours out from behind a totemic black bronze mace floating at the centre of a wide cast bowl. The sconce was inspired by ideas of power and belief from Africa. Finishes: Gold Leaf, Bronze Patina

Inspired by modernist Brasilian architecture, the Lucio is raised on three sculpted bronze legs that lift a 12-sided column of hand-polished Peking glass in either Amber or White Jade. Available Finishes: Bronze Patina, Peking Glass - Amber Bronze Patina, Peking Glass - White Jade

Three panel screen framed in solid patinated brass. The main face is covered with a gesso material developed in our workshops that exudes the texture, lustre and cracquelure of real ivory. The reverse is covered with dark wenge veneer and the hinges are high quality Japanese double-folding types. Finishes: Antique Ivory Gesso, Wenge, Patinated Brass

A shield of bronze that mirrors the marquis diamond cut. With a richly sculpted texture in bronze, the sconce creates shafts of light emanating in lines and points. Finishes: Polished Brass, Bronze Patina Polished Brass, Silvered Bronze

A toad signifies the call to return or come home in Japanese folklore. Bronze. Finishes: Bronze

Ligne wall panels bring plains of soft colour and precious leaf indoors underpinned by a rhythmic linearity. Finishes: Beechwood Bronze Ebony Mercury Gold Argento

Rich natural pigments animate parchment panels to create a captivating tall screen. The reverse in limed oak perpendicular panels. Edges and hinges in solid patinated brass. Finishes: Ochre Parchment, Patinated Brass, Limed Oak

A striking 4-panel black screen. Light moves and tones change as one views this screen in ebony straw marquetry. The verso is covered with natural Wenge veneer that has been lacquered and hand-polished to a rich finish. Base in solid patinated brass. Finishes: Ebony Straw, Wenge, Patinated Brass Natural Distress Shagreen, Wenge, Patinated Brass

A beautiful 3-panel screen designed by Antonio de Motta, bringing Brazilian curves and flair with playful use of negative space and texture. Finished in silvered straw marquetry and grey Koto veneer. Finishes: Ebony Straw, Wenge Silvered Straw, Koto

Ravens are kept inside the Tower of London and are symbols of that great city. On a visit to London when I was about 6 I went to the Tower with my parents and was pecked by a Raven. It became a bird of mythical and actual ominousness and has always captivated me. Finishes: Bronze

Polished round wall sculptures create contemporary statements on walls large or small. We can advise on arrangements for the wall. Finishes: Aluminium

Bronze Koi carp appear to swim naturally across surfaces large and small. We can advise on arrangements for the wall and floor. Finishes: Bronze Patina

Wall sculptures based on a Japanese painting of fish where the tails flowed out widely and serenely in the water. We can advise on arrangements for the wall. Finishes: Bronze Patina

Clams create a sense of shells washed up on the shore. Their naturalistic form makes light and shadow on interior walls. Patinated brass with attachment system that allows placement in any position. We can advise on arrangements for the wall. Finishes: Bronze Patina - Deep Blue, Polished Brass Bronze Patina - Deep Blue

Bronze fronds in ten shapes and sizes bring a natural element to vertical surfaces. Cast in bronze and patinated. Fronds can be attached to the wall in any direction. We can advise on layouts for installation. Finishes: Bronze Patina - Chestnut

A bronze disc with linear sunburst is a strong wall feature that ages beautifully. Bracket included for easy installation. Finishes: Bronze Patina

Graded tones of bronze and ebony straw are combined in the Havana wall panels to create a tailored pattern of shimmering lines.

A banana leaf cast in bronze makes a wonderful natural statement. Finishes: Bronze Patina

A Siamese moon on the water that gently ripples in the breeze. Precious leaf in varying tones covers a gently cracked gesso. Finishes: Mixed Gold, Gesso, Polished Steel

An impression of the long paddy fields as one comes down to land at Phnom Pehn or Saigon. Mesmerizing reflective patterns in straw marquetry move as light changes. Steel rim. Finishes: Verdigris Straw, Polished Steel

Leaves floating down from the ceiling. Teak leaves overlapping in plaster are suspended by three square-form chains available in gilded brass, black bronze patina or polished brass. Finishes: Gesso, Antique Gold, Brass Gesso, Unpolished Brass Gesso, Bronze Patina

Layers of natural gold mica hang from a stainless steel frame and filter the light on this strikingly elegant contemporary chandelier. Finishes: Gold Mica, Polished Steel Black Mica, Black Powder-Coat Steel

Contemporary yet ancient, a luminous play of rings and ovals in rare materials. The hand-ground and polished interior of these sculptural pendant lamps creates a ring of liquid light in either an upward or downward plane. The cupola is cast brass covered with lacquered eggshell. The suspension ring, unique chain and ceiling bracket are dark bronze. Finishes: White Eggshell Lacquer, Bronze Patina, Polished Brass

Made from intricately inlaid beetle carapaces collected in the rice fields of Thailand, the Scarab Candle Sconce creates a mesmerizingly iridescent light. Strong sculptural elements in cast brass support a tapered candle. Finishes: Beetle Wing, Burnished Brass

Made from intricately inlaid beetle carapaces collected in the rice fields of Thailand, the Scarab Candle Sconce creates a mesmerizingly iridescent light. Strong sculptural elements in cast brass support a tapered candle. Finishes: Beetle Wing, Burnished Brass

A powerful bronze orchid propagated to live on a wall emits a striking light and form. Wrapped in its petals and delicate gold-lined folds the Labellum is a unique piece inspired by the beauty and architecture of rare orchids. From an original sculpture by South African sculptor Astrid Dahl for Alexander Lamont. Finishes: Gold Leaf, Bronze Patina

A voluptuous form creates a lustrous wall light. The light is emitted from behind an inner droplet that ebbs into the lower space. Bronze with pure gold leaf interior. Finishes: Gold Leaf, Bronze Patina

A tall and curvaceous glowing bronze wall lamp is cast in two halves and floats on arms that lift it from a gilded circle. Polished Brass, Gold Leaf, Bronze Patina

A potent small sculptural wall sconce in lost wax cast bronze and an inner surface of pure gold leaf. Finishes: Bronze Patina, Gold Leaf

A sculptural bronze wall light that was inspired by shields from the furthest islands of the South Seas. Finishes: Bronze Patina

A slice of natural parchment lined in pure gold creates a wonderful contemporary wall lamp. Finishes: Natural Parchment, Gold Leaf, Bronze Patina

A lost wax bronze leaf sconce that has been finished in pure gold leaf. Finishes: Antique Gold, Bronze Patina

The Forêt wall panels have generous lines of straw criss-crossing the field of vision to create a strong sense of depth and the sensation of being drawn into a forest. Finishes: Beechwood Bronze Ebony

An elegant bronze sculpted stem holds a shade covered with either shagreen or straw marquetry, and lined with hand-applied pure gold leaf. Finishes: Bronze Patina, Gold Leaf, Burnished Metals Straw Bronze Patina, Gold Leaf, Ebony Straw Bronze Patina, Gold Leaf, Natural Chocolate Shagreen

Peking glass creates the most beautiful light quality. An elegant octagonal candle lantern made from thick blown glass and base and top in cast brass with a dark patina. Finishes: Peking Glass - White Jade, Bronze Patina

A voluptuous lantern made from hand-blown white Peking glass. The glass has natural inclusions and bubbles that are inherent in this large size and give uniqueness to each piece. The glass is laboriously polished using jade-cutting methods. Finishes: Peking Glass - White Jade, Bronze Patina

A powerful sculptural lamp in bronze that creates a sculptural drama of light, texture and shadow. Finishes: Bronze Patina, Ivory Linen

Inspired by the idea of building with stacked irregular objects curved on every surface; an impossible task. The play of movement, balance, tension and texture creates a sculptural yet whimsical floor lamp. A single gilded disc adorns the centre. Linen shade. Finishes: Bronze Patina, Gold Leaf, Ivory Linen

A tall totemic floor lamp that expresses its fluid, dancing form in cast bronze, accented with hand-applied mercury gold. Finishes: Bronze Patina, Mercury Gold Leaf, Ivory Linen

Acrolith; a type of sculpture from the ancient world that combines a simple and a precious material. In this case white calcite is embraced by bronze to create a unique lamp of dark and light; opaque and translucent. Finishes: Natural Calcite, Bronze Patina, Ivory Linen

Tall bamboo-like spires in varying tones have been interwoven with fine polychrome details that give a subtle crafted pop to this simple natural design.

Mica flakes of silvery black are applied piece-by-piece and abraded to create depth and lustre to this architectural pair of lamps that glow cooly. Bronze feet. Linen shade. Finishes: Natural Parchment, Bronze Patina, Ivory Linen

Pierrot is a dancing arrangement of musical whimsy and silent mime that moves in the light between shaded tones of taupe and chocolate. Made from intricate straw marquetry using tonal groups to create lustrous subtle contrast.

A surface of lines that rises, swells and falls like the wake of a ship. Corrugated and gliding, Drift makes gentle patterns that mix tonality and light creating contemporary artwork for rooms and accent walls. Available in Verdigris and Wisteria.

Inspired by the acrolith sculptures of ancient Greece that beautifully bring together precious and simpler natural materials, a black bronze sculptural tower is completed with individually hand-shaped parchment-wrapped blocks to create a unique and striking light. Finishes: Natural Parchment, Bronze Patina, Ivory Linen

A lamp that is contemporary and simple is elevated by the most gorgeous materials. The Demi-Monde floor lamp is raised on a cast bronze base that elegantly flushes with a tapering column of natural ivory shagreen split by an inset bronze channel. The top gracefully curves up to a double-head bulb, linen shade and bronze finial. Finishes: Natural Speckle Shagreen, Bronze Patina, Ivory Linen

The sublime texture of muted unpolished shagreen is most alluring when the form is simple yet strong. Linen shade. Finishes: Natural Speckle Shagreen Unpolished, Ivory Linen

Inspired by drums from the South seas, alluring cones of natural parchment are finished and detailed with dark patinated brass. Linen shade. Finishes: Natural Parchment, Patinated Brass, Ivory Linen

Straw marquetry hand-dyed from ebony to pale tones is inlaid to create an ombre feathered pattern in smokey tones on a striking column. The lamp rests on a bronze base. Linen shade. Finishes: Natural Ombre Straw, Bronze Patina, Ivory Linen

Monumental uplight in sculpted cast bronze Finishes: Bronze Patina

The form of the Lithe Uplight is feminine and slender; the bronze finish has a mottled texture. The interior cup is edged with gold leaf. Finishes: Bronze Patina, Gold Leaf

An elliptical shade floats above either a pool of Natural Speckle shagreen or a sunburst oval of Beechwood straw marquetry that catch and reflect the light. The tapering structure is cast in bronze and finished in a dark patina. Available Finishes: Bronze Patina, Ivory Linen, Natural Speckle Shagreen Bronze Patina, Ivory Linen, Beechwood Straw

Sun shining through a lattice was the inspiration for Soleil; the gorgeous reflectivity of straw allows different plains to hold light or shine forth. The linear form gives a sense of depth looking through to evening sun.

Simple and luxurious - a perfect sphere of shagreen lit from above. Linen shade. Finishes: Natural Speckle Shagreen, Bronze Patina, Ivory Linen

Hide and Seek is a vision of dimensionality created with extremely precise skills. Brown, red and natural straw are applied in ‘boxes’ of lines that move and deepen dramatically as light infuses them.

The Aphrodite is the sensual meeting of ivory shagreen and bronze in a form that is voluptuous and timeless. Finishes: Natural Speckle Shagreen, Bronze Patina, Ivory Linen

A monumental marble rock has been roughly chiseled and then gilded to bring the light of white gold or pure gold leaf to the textures that happen as the stone is broken. Pieces differ slightly. Available Finishes: Black Marble, Ivory Linen, Antique Gold Black Marble, Ivory Linen, Antique White Gold

An Architectural form that mixes wonderful materials. An ivory parchment column with natural chocolate shagreen shade lined with pure gold leaf and supported by bronze arms. Four sockets hold up to 40W bulbs. Finishes: Ivory Parchment, Natural Chocolate Shagreen, Bronze Patina

A lost-wax column tied-up with thick ropes creates a powerful sculptural presence for lighting. Linen shade. Finishes: Bronze Patina, Ivory Linen

Layers of bronze create an alluvial sculpted lamp base. Originating from the idea of the geological layers of the ages the lamp is subtle and monumental at the same time. Finishes: Bronze Patina, Ivory Linen

Inspired by a poem written by the Trinidadian poet Derek Walcott. The cast brass text circles the column of the lamp as a visual meditation on the idea within his poem 'Love After Love'. My interpretation of this poem is that it considers the essential spirit that lies within us - the consistent friend that has accompanied us throughout our unique and beautiful life - ourself. Finishes: Polished Brass, Ivory Linen

Inspired by an antique ring, the quilt texture brings a soft reflective bronze surface to a simple column lamp. Finishes: Bronze Patina, Ivory Linen

Contemporary perfection in natural materials. Large shagreen skins wrap this lamp base along its curved spines, exposing the delicious nature of the material in a modern form that is split along a dark cast patinated void. Finishes: Natural Speckle Shagreen, Bronze Patina, Ivory Linen

Dramatic Braszlian hardwood forms an octagonal base and capped with a cast bronze top. The result is a simply striking lamp that exudes a sense of craft and material sophistication. Available Finishes: Ivory Linen, Louro Preto Wood Ivory Linen, Natural Distress Shagreen Ivory Linen, Natural Parchment

A unique sculptural lamp formed of charred wood that has been tightly bound by lines of woven bronze. The interplay of grain and pattern create a sense of power and energy appropriate to a source of light. Finishes: Burned Ash, Patinated Brass, Ivory Linen

Mica flakes of silvery black are applied piece-by-piece and abraded to create depth and lustre to this architectural pair of lamps that glow cooly. Bronze feet. Linen shade. Finishes: Silver Mica, Bronze Patina, Ivory Linen

The sublime texture of muted unpolished shagreen is most alluring when the form is simple yet strong. Linen shade. Finishes: Natural Speckle Shagreen Unpolished, Ivory Linen

An elegantly simple meeting of drum- forms in ivory-toned parchment and dark bronze creates a timeless table lamp. Finishes: Natural Parchment, Patinated Brass, Ivory Linen

Perle Wall Tiles create luxurious wall surfaces using the myriad beads of natural enamel that make up stingray skins.

A lamp inspired by the beautiful form of the Japanese ‘warosoku’ temple candle. The lamp is made in either ‘Opium Lacquer’ – shagreen covered with five layers of red natural lacquer – or ‘Ivory over Ivory Shagreen’ – ivory shagreen which has been lacquered white. Finished with a smooth patinated base and inverted parchment or linen shade. Available Finishes: Ivory Over Ivory, Ivory Linen, Patinated Brass Opium Lacquer Shagreen, Faux Parchment Shade, Bronze Patina

Straw marquetry hand dyed in ebony to pale has been inlaid to create an ombre feathered pattern in smokey tones. The lamp rests on a bronze base. Finishes: Natural Ombre Straw, Bronze Patina, Ivory Linen

A lamp impossibe not to touch and admire up close. A cast brass egg is covered with lacquered eggshell and lifted on a base of subtly textured bronze. Finishes: White Eggshell, Polished Brass, Bronze Patina

Inspired by the mosaics and tiles of ancient Rome, Tryst has a classical aspect alongside a contemporary sense due to the lightness and reflectivity of straw. The feeling of of shapes emerging and plains receding creates a wonderfully alluring drama. Available in a natural palette or in tones of Wisteria and Verdigris.

A stunning, tall translucent stone vase that was hand-turned and polished, sits on a monumental bronze studded base creating a dramatic, natural lighting element. Antonio da Motta was inspired by African mythology in designing this lamp. Finishes: Amber Calcite, Bronze Patina

A slender bronze base and stem holds a rigid shade that emits a lustrous glow. Finish options for the shade include Natural Chocolate shagreen, or Bronze or Ebony straw marquetry. All are lined inside with pure gold leaf. Finishes: Gold Leaf, Burnished Metals Straw Gold Leaf, Ebony Straw Gold Leaf, Natural Chocolate Shagreen

A geometric and sinuous form that sits beautifully indoors or out. Cast in six parts, with a hand-blown glass cover. Finishes: Bronze, Handblown Glass

Three different candleholders made with rock crystal, rich with inclusions and raised on bulbed bronze feet. The curvaceous bowls are carved to hold taper and pillar candles. As vessels of light, rock crystal refracts and reflects most elegantly In any situation - dining, hallways or living rooms. Finishes: Rock Crystal, Bronze Patina

Perfect, smooth reflective dishes hold naked flames within deeply textured patinated brass table sculptures. Finishes: Bronze

Candleholders inspired by brass weights in six sizes dramatically finish any dining setting without taking much space on the table surface. The candles are raised higher than the sitters faces creating elegant functional light. Also wonderful as a group on consoles and coffee tables. Available Finishes: polished brass; black brass; nickel plate.

With their smooth spherical forms these candleholders appear to have drifted onto the table where they gently float above the surface. The five forms sit beautifully together, subtly different in scale, made with honed black marble and solid turned brass. The Float Candleholders are smooth to the touch and reassuringly weighty. Finishes: Black Marble, Polished Brass

The Étoile wall panels bring depth of colour and visual excitement to interior surfaces with asymmetric straw marquetry sunbursts in Beechwood, Bronze, Ebony and new Mercury Gold.

Inspired by the chiaroscuro painting of Francisco Goya, a golden bowl of naked flames is lifted on long burnt bronze textured legs with polished and faceted polished feet. Included is a separate candle-holding frame that enables varied candles to be held securely and for easier cleaning. Available Finishes : Bronze Patina, Polished Brass

Boxes inspired by the flat-topped pyramid form of the Mayan temples Alexander saw aged 16 on a wonderful trip to Mexico. The meticulously finished inlaid straw marquetry and abalone shell is applied in geometric patterns that create strong dimensions alongside the tapering sides. This divine box is made from Walnut and raised on silvered brass feet. Finishes: Straw Marquetry, Mother-of-Pearl, Silvered Brass Feet, Walnut

A set of boxes combining fine woodwork and metal casting skills. Deeply textured tops with iconic forms as the 'handles' sit onto finger-jointed boxes of solid oiled walnut wood. As a group the pieces give a warm and whimsical yet finely worked sensibility. Finishes: Brass, Walnut Wood

In these boxes, inspired by light under water, layers of straw have been applied and then rubbed through to reveal surfaces reflecting beneath. This special technique is applied onto Walnut cubes raised on silvered feet. Finishes: Burnished Woven Straw, Silvered Brass Feet, Walnut

A large box covered with antique ivory tusk gesso - the handles gilded. Interior of pure sienna lacquer with a parchment tray. Such a box could elevate the daily ritual of emptying ones pockets and putting mundane things away for the night. Finishes: Antique Ivory Tusk Gesso, Lacquer, Gold Leaf, Parchment Opium Lacquer Shagreen Red, Fine Crackle Gesso, Parchment, Gold Leaf

Labirinto I and II layers the natural vibrancy and reflectivity of straw marquetry in Beechwood or Ebony with fine lines of hand-applied Mercury Gold leaf or Silver leaf. As light - or the viewer – moves, different iterations of the design become visible; a tribal textile appears with strong archaic lines that then fades as the metallic lines appear creating a precise graphic sensibility. The more you look at Labirinto, the more deeply you are drawn into its three-dimensional world

Hand-carved from solid wood into the shape of a clam shell, this deceivingly simple box is covered with many layers of natural black lacquer inside and out and sanded to make a perfect fit. Finishes: Teak, Natural Lacquer

A palmwood base sits surrounded by a finely cast brass frame inspired by coral. Finishes: Bronze, Palmwood

A long tray with an edge cast from straw textures. Within is a surface of exotically-figured Lacewood from Brazil that brings a subtle silkiness to the pattern. Finishes: Burnished Brass, Lacewood, Walnut Wood Veneer

Cast brass handles accent the distressed shagreen interior and solid Sathorn wood tray. Finishes: Natural Distress Shagreen, Bronze, Sathorn Wood

Gently uneven and textured edges in cast brass delicately reflect the mottled texture of Brazilian Lacewood. Finishes: Burnished Brass, Lacewood, Walnut Wood Veneer

Inspired by the forms of cars of the 1930's, an elegant tray is made from natural parchment stretched over a curving form and supported by solid brass. Finishes: Polished Brass, Parchment, Walnut Wood Veneer

A mighty chunk of rock crystal is carved by hand to create an ice bucket or bowl seemingly made from solid ice. The rough cut form and inclusions inherent in 'cristal de roche' give a wonderful elemental aspect to the chicest bar accessory. Finishes: Rock crystal

Rock crystal is carved to create handsome whisky tumblers that have gentle variations in their thickness. Their profiles make distinctive and unique drinking vessels that are a pleasure to have and to hold. Sold as a boxed pair. Finishes: Rock crystal

Wine glasses carved from solid rock crystal to create undulating luxurious drinking vessels that call to mind drinking goblets of antiquity while at the same time being strikingly contemporary and simple. Sold as a boxed pair. Finishes: Rock crystal

A beautiful surface of polished details. Lace requires meticulous care and attention in creating fine cracks that are consistent but not too consistent. The idea is to build a linear tracery that is full of tiny imperfections and make a constantly varying texture and interest in the surface. Burnishing with agate stones polishes the surface by hand before a protective clear layer is applied.

"Libation" is the ritual act of pouring a liquid as an offering. Inspired by the horn libation cups of China, these rock crystal bowls have softly curving forms that give grace to the clarity and inclusions of rock crystal. Finishes: Rock crystal

Rock crystal jars, rich with inclusions and thick clarity are sent to Southern Thailand where each jar has an individual woven lid made from the famously fine Yan Lipao grass. The unique combination of Finishes creates a luscious object to serve as both storage and decoration. Finishes: Rock crystal, Yan Lipao

Sculptural objects that contain and emit light; these large deeply faceted objects have been hewn from rock crystal blocks rich with inclusions. Random faces have been gilded to bring a vivid contrast to the water-like clarity of the quartz. Finishes: Rock Crystal, Gold Leaf

Organic, twisted wood is cast in bronze, lacquered and gilded before being rubbed to accentuate the texture. Finishes: Bronze, Gold Leaf

Woven rattan creates an irregular round vessel structure that is lacquered and polished to a velvety finish. Finishes: Woven Structure, Natural Lacquer

A pair of bowls that represent the beautiful curves and forms of shells. Finished with a patina that is applied by fire and hand that takes 6 days to build up. Finishes: Bronze

Molten pigmented glass in multiple layers is hand-blown and once cooled, the facets are slowly ground smooth using the same technique as jade polishing. Finishes: Peking Glass

Molten pigmented glass in multiple layers is hand-blown and once cooled, the facets are slowly ground smooth using the same technique as jade polishing. Finishes: Peking Glass

Textured bronze globes lined with pure gold create a vessel that seems to emit its own light. Winner of a UNESCO award for design and craft excellence. Finishes: Bronze, Gold Leaf

Like a challice, the gently curving form is modern but exudes a spirit of antiquity. Cast bronze vessel with dark patina and gold interior. Finishes: Bronze, Gold Leaf

The surface texture of these bronze vessels is rough and ancient. The gold interior emits a wonderful light. Finishes: Bronze, Gold Leaf

Cool and smooth - a voluptuous organic form in bronze. Finishes: Bronze

Strong organic textures and simple forms in patinated bronze. Finishes: Bronze

Inspired by the works of Sonia Delaunay, this enigmatic design by Antonio da Motta presents large fluid shapes and lines within curvilinear fields of rich natural colour reminiscent of his Brazilian homeland. It is presented in two colourways: Sonja I; a blend of warm taupes and browns. Sonja II; vibrant Brazilian greens and yellows.

I wanted these bud vases to lean over, almost fall, and talk to each other and be both sharp and soft. Finishes: Bronze

A subtle, veined natural leaves forms this delicate piece cast in bronze. Finishes: Bronze

A cast bronze sculptural vase with an open structure inspired by strongly woven bamboo. Finishes: Bronze

Bronze vases that were inspired by geology - depicting the layers and folds and crust of the earth in their texture. Finishes: Bronze

A group of bronze vessels that play on a sculptural idea of 'bondage' whereby knots and overlaps create an open structure full of tension. Finishes: Bronze

Umbra Vases evoke the dark side of the moon; the shadow side where our darker energies lie. As a sculptural expression of this physical and meta-physical concept the vases' form and texture is simple and yet potent. Finishes: Bronze

Bronze bowls inspired by African baskets. On the outside, these cast vessels have a dark woven texture while the inside has smooth pale silver leaf. Beautiful as a group. Finishes: Burnished Silver Leaf, Blackened Brass

Round rings of grained ivory parchment are wrapped around a voluptuous form that is finished and lined with solid polished brass.

A sunburst of straw fans out in gorgeous gold cast brass creating a sculptural and functional vessel. Finishes: Burnished Brass

Vases combining linearity in form and texture. Patinated brass. Finishes: Burnished Brass

Sculptural forms cast from the architecture of tropical orchids. Tendrils branch upwards and thick labellums fan outwards to create balanced and sensual lines Finishes: Bronze

Sculptural forms cast from the architecture of tropical orchids. Tendrils branch upwards and thick labellums fan outwards to create balanced and sensual lines Finishes: Bronze

Like ancient leather, the Poche vases have swollen and cracked during the sculpting. With gentle curves and the marks of movement and age, these chic vessels adorn quietly. Finishes: Bronze Patina

A wall of conceptual and contemporary art? Rising and falling in subtle natural tones, Stepping Stones creates a trompe l’oeil of three-dimensional repeating plains that makes a unique accent wall.

The banana flower is encased with wonderful thick leaves that curl and roll as they dry. South African sculptress Astrid Dahl has created the Musa vessel for Alexander Lamont as an undulating bowl that sits in tropical splendour on any piece of furniture. Finishes: Bronze Patina

Raw and planetary the Lava Vases are like orbs in formation. Beautiful as sculptural pieces or when supporting wonderful arrangements of flora. The Lava vases suggest the elemental forces of the universe with richly-applied patina over strong and beautiful textures. Finishes: Bronze Patina

In rock pools and coral reefs, soft anemones hold onto rocks as the tides rise and fall; opening, closing, moving with the water. The vases suggest this form-changing idea and their patina and shapes change as viewed from different sides. Finishes: Bronze Patina

A sophisticated mirror in complimentary Finishes. Natural shagreen is framed by black lacquer. Finishes: Natural Distress Shagreen, Black Lacquer, Mirror

A group of mirrors or wall sculpture. Like meteors or ancient discs, they seem to be formed from molten rock, exposing precious metals within. Finishes: Mercury Gold, Bronze Patina, Mirror Pure Gold, Bronze Patina, Mirror White Gold, Bronze Patina, Mirror

Inspired by Monet's mirror pond, water-lillies are cast, assembled and gilded. The piece has a delicate, Art Nouveau sensibility. Finishes: Gold Leaf Patina Bronze Patina

Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry

Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry

Inspired by an early twentieth century bracelet, the inter-locking elements of the mirror-frame's structure presented a wonderful technical challenge. Finishes: Silvered Straw, Calligrapher’s Silver, Mirror Beechwood Straw, Calligrapher’s Gold, Mirror

The Gemstone Mirror takes the jewel-like colours and reflective beauty of natural dyed straw and applies it in a faceted pattern.The mirrors are framed by solid patinated brass. Finishes: Patinated Brass, Mirror, Aqua Straw Patinated Brass, Mirror, Burnished Metals Straw

Finishes: Patinated Brass, Mirror, Gradient Straw Patinated Brass, Mirror, Natural Speckle Shagreen, Natural Chocolate Shagreen

A piece of sculpture to sit upon. Distressed and generous with sinuous structural lines. A gentle lip protrudes to support the seat cushion. Hand-woven Thai silk finishes the top. The bronze patinated surface has a gently worn finish that comes forth when observed. Finishes:Raw Silk, Bronze Patina

Sculpted and alluring lines of Rye straw are cast, rubbed and polished to reveal their glowing contrast. A handsome bench that is comfortable and inviting. Camel woven fabric. Finishes: Camel Woven Fabric, Burnished Brass Camel Woven Fabric, Bronze Patina

Cast bronze block with honed surface and corners makes an elegant stool or side table. Finishes: Bronze Patina

Inspired by a bracelet, this stool is made from dancing and contrasting oil-rubbed steel and polished stainless steel that interplay and strengthen the piece. The top is covered with hand stitched natural nappa leather in a subtle lie-de-vin color.

There is an industrial sensuousness to this stool; something between a roller and a corset. The tiny panels of shagreen give a sense of movement and pattern that is topped and bottomed with rich slabs of softly bulbous cast aluminium. Finishes:Natural Chocolate Shagreen, Aluminium

Fan corals are whispy, beautiful, shimmering natural forms. We used the pattern to create a light bronze stool that is comfortable to sit on and striking to behold. Finishes:Grey Velvet, Bronze Patina

A round seat of haunting beauty (and real comfort) that catches the light and the myriad forms of fan coral. Gorgeous around a sofa, or near a window, allowing one to sit in the direction desired. Finishes:Espresso Woven Fabric, Bronze Patina

Part horse-hoof, part bamboo stem, this bronze stool has substantial proportions making for a broad and comfortable seat. The legs are supported by delicate bamboo spandrels. The top cushion has been upholstered in charcoal velvet. COM available. Finishes:Grey Velvet, Bronze Patina

Rye straws were used to make tapering structural forms and then cast, rubbed and polished to create an alluring base. Ecru woven fabric covers the comfortable and inviting seat. Finishes:Ecru Woven Fabric, Burnished Brass

An elegant desk/vanity inspired by the 1920's. The pure form has been up-dated with the subtle combination of natural parchment panels and shagreen drawer and back panels. Patinated solid brass feet. Finishes:Natural Parchment, Natural Speckle Shagreen, Bronze Patina, Maple

Origami lines. A console table that was inspired by the idea of paper and sharp folds. The folded lines enter the volume of the console giving rise to striking angles, corners and light. This console is shown in Natural Chocolate Shagreen.

Contemporary folded lines in luxe Finishes. The Facet console was born from the idea of a table made from paper and the strength and architecture created by tapering lines and folds. This table is shown in Natural Speckle Shagreen. The feet are bronze.

Sheets of dark steel like origami. A unique pairing of folded forms in a singular material that float together. Patinated steel gives great durability and a strong monochrome, contemporary sculptural essence. The Twin Etched Consoles are an inseparable composition of function and faceted elegant structure. Finishes: Patinated Steel

Simplicity can also be sexy! A bijou desk or console table or vanity with hand-carved shoulders and a single draw lined in Maple. Natural Distress Shagreen covers the entire piece creating a wonderful texture and tone. Bronze feet. Finishes:Natural Distress Shagreen, Bronze Patina, Maple

The Orpheus Console table exudes a spirit of music and dance evoked by this most alluring of ancient Greek personas. The playful movement of triangles in eggshell marquetry moves lightly across a plain of rich black natural lacquer. Six legs in cast bronze stretch and stand beneath and bronze details the table ends and the visually striking caps on the top itself. Finishes:Lacquered Eggshell, Bronze Patina

Inspired by jewellery, the Vespers Console rises on six strongly textured caste bronze tapered legs that support a top that has been inlaid with eggshell. The eggshell is applied piece-by-piece and finally lacquered to reveal the geometric pattern beneath. Finishes:Smoked Ivory Eggshell Red, Bronze Patina

Six monumental textured bronze legs, inspired by Brasilian modernism, raise this sumptuous desk with a curved top combining polished black lacquer with Natural Chocolate shagreen. Designed by Brazilian designer Antonio da Motta. Finishes:Natural Chocolate Shagreen, Black Lacquer, Patinated Brass

Voluptuous forms balance elegantly in this spot table – the ’eggs‘ held between bronze top and base, are available in three Finishes: luscious onyx marble in natural variations with a honed finish; natural calcite crystal, or finely applied eggshell covered with natural black lacquer.

An open space joins two elements to create a sculptural and textural accent to the room cast in a bronze patinated subtle texture. Finishes:Bronze Patina

Inspired by the reflection of water, an undulating, gently worn bronze disc is lifted by a narrowing coil of rope to create a timeless, intriguing drinks table.

A sculptural table in lost-wax cast bronze with sunburst lines scarred into its top; an eternal graphic motif found in many other AL pieces. Raised on rounded legs strengthened by a ring of bronze. The surface has been patinated to a dark burnt finish that has been burnished to bring out warm tones.

Finishes: Bronze Patina, Brushed Red Lacquer Bronze Patina, cinnabar-red lacquer Bronze Patina, straw marquetry top

Cast sculpted fins support the hand-honed black stone top that reflects the light like water. Finishes: Black Marble, Bronze Patina Onyx Marble, Bronze Patina

Conversation piece side table between or aside seating. Bronze with a butchers block top surface. Finishes:Bronze Patina

Inspired by the famous sculptor's work, this side table in darkly patinated bronze has clean elegant lines and a smooth spiral top surface. Finishes:Bronze Patina

Finishes: Bronze Patina, Lacquered Straw Bronze Patina, Cracked Lacquer Gesso Bronze Patina, Antique Ivory Tusk Gesso Bronze Patina, Pure Gold Shagreen

Any great drinks table should have beautiful sensuous legs and a top that mystifies and asks to be touched. Fine shiburi dyeing with natural indigo is used to accent the parchment top with a beautiful pattern. The bronze legs lean sensuously together.

Every beautiful room needs some jewelery. Lapis tables are made with layered lapis lazuli and turquoise-pigmented lacquer that is rubbed through and polished to create tops for the elegant small side/spot tables. The softly irregular forms sit on bronze legs cast from models made from straw. Finishes: Turquoise Lacquer, Bronze Patina

Small furniture to adorn the room. Elegant side table with sculpted bronze legs and a variety of top Finishes from chic dark/ivory parchment to textured grey shagreen to a powerful artistic lacquer creation. Finishes: Bronze Patina, Charcoal Grey Shagreen Bronze Patina, Ivory Parchment Bronze Patina, Pepper Grey Parchment Bronze Patina, Red Moon Lacquer

Ancient and contemporary arts meet. Lacquered eggshell in gentle rings creates reflection and lustre, recalling a time when meticulous handworked detail and decoration was everything. Edged in dark brass and raised on cast legs with faceted feet. Finishes: Lacquered Eggshell, Bronze Patina

Craftsmanship and sculpture combine in opulent elegance. Four individually cast bronze legs in a widely meandering carved form meet at certain points to create the supports for a top that is exquisitely made by hand from eggshell and natural lacquer. Finishes: Lacquered Eggshell, Bronze Patina

The Alexandria Side Table has a greater surface size than the Alexandria Salon Table to allow for use as a lamp table or to sit alongside larger seating. Polished brass feet support ebonized wood legs and a new table surface; mica. Mica is a naturally ocurring material with gorgeous tones and an inherent reflective quality. We have selected 'pewter' and 'deep amber' colours and inlaid oblongs in a varigated brick-like pattern reminiscent of Parisian tables of the 1920's. Finishes: Polished Brass, Ebonized Teak, Pewter Mica Polished Brass, Ebonized Teak, Deep Amber Mica

A signature elegant side table; hexagonal fluted ebonized legs fall to a unique polished brass base. The top is covered with cast bronze shagreen panels set within a brass frame. Finishes: Bronze Shagreen, Polished Brass, Ebonized Teak

Bracelets, gauntlets, cuffs – ancient sculpted forms as room accents creating a group of unique surfaces that work beautifully together or apart. Polished shagreen tops with inlaid eggshell - a unique combination of two of the greatest decorative Finishes - sit above the rings of deeply textured lost-wax cast brass. Finishes: Smoked Ivory Eggshell, Polished Brass, Burnished Brass, 1,3 Natural Chocolate Shagreen 2 Natural Speckle Shagreen

Inspired by Monet's mirror pond, water-lillies float on meandering stems. Silvered cast bronze. The tables are beautiful alone or as a pair. Finishes: Silvered Bronze Bronze Patina

Silvered lilypads floating on stems form a pair of whimsical side tables. Finishes: Silvered Bronze

A low generous table covered with shagreen inlaid in a paving stone pattern that is sanded and polished revealing the subtle contrast of ivory beads and natural chocolate tone. Bronze feet. Finishes: Natural Chocolate Shagreen, Patinated Brass Bronze Straw Sunbursts, Natural Lacquer, Patinated Brass

An architectural cocktail table made from shagreen and a floating bronzed panel. Finishes: Natural Chocolate Shagreen, Black Steel

Simple structure with gorgeous Finishes. Parchment is hand-dyed in suji technique creating a shimmering linear effect that flows across the surface of this panelled table. Parchment has an organic softness to its texture but is extremely durable. The table is raised on veneer blocks. Finishes: Suji Parchment, Anigre

A piece that draws from our adored Alexandria Salon Table. For the top surface we have developed an entirely new surface material; varying lines of ivory shagreen have been covered with white lacquer to create a gorgeous subtle contrast of whites set within a polished brass frame. Finishes: Ivory over Ivory Shagreen, Polished Brass, Ebonized Teak

Timeless simplicity in luxurious Finishes and craftsmanship. Cast bronze legs support a field of shagreen, here shown in Natural Chocolate tone. Finishes: Natural Chocolate Shagreen, Bronze Patina

Almost Japanese in its detailing and lines. A contemporary table raised on subtly textured bronze legs and wrap-around bronze stretchers. It is skillfully covered with myriad rectangular panels of raw shagreen inlaid in parallel lines to create an overall surface of mottled, natural beauty. Finishes: Natural Distress Shagreen, Bronze Patina

Dark surfaces and elegant form; a flowing cast bronze form supports an contemporary top of Ebonized Oak marquetry. See also the Strada side table as the perfect complement. Finishes: Ebonized Oak, Bronze Patina

The Largo is a geometrically-patterned surface made with individually wrapped tiles of natural parchment that have been selected to contrast the rich tone and grain of this famous material. Cast bronze in a warmly architectural structure raises and surrounds the Largo Coffee Table. Finishes: Bronze Patina, Natural Parchment Bronze Patina, Pepper Grey Parchment

A luxurious plain of shagreen to lie at the centre of the room. Powerful bronze legs clasp and lift a top of muted, unpolished raw stingray skin; a by-product of the fish industry and one of the most celebrated decorative Finishes in the world. Finishes: Natural Speckle Shagreen Unpolished, Bronze Patina

Shield and disc make an elegant sculptural surface. Irregular sheets of natural parchment, full of tonal variation, are laid over an asymmetrical slab and fully lacquered. The tables are lifted by five deeply textured bronze legs. A Black Marble oval rests on the top as a sculptural accent and 'tray'. The table also works beautifully when two are placed beside each other; skins and form reflecting with relaxed imperfection.

Dorsal shapes in sculpted form and parchment top. Lost-wax cast bronze creates a unique table that is finished with panels of ivory-toned goatskin. Finishes: Natural Parchment, Bronze Patina

Natural parchment panels are separated by inlaid bronze lines creating a minimal shield-like table with a fine profile. Raised on strong curving bronze feet. Finishes: Natural Parchment, Patinated Brass, Bronze Patina

A duo of overlapping coffee tables in Bamboo Lacquer supported by textured bronze legs that rise and clasp the tops. By lacquering bamboo leaves we capture the wonderful mottling and fine linearity of the leaves; intriguing aspects that add lustre and beauty when seen through warm natural translucent lacquer. Finishes: Bamboo Lacquer, Bronze Patina

“My first idea for the base was elephant tusks. The tusks became leaves as I worked with the wax model and the ergonomics of a dining table. The leaves gave shape to a table that has an air of fin de siècle Europe.” Finishes: Bronze Patina, Lacquered Natural Chocolate Shagreen Bronze Patina, Calligrapher’s Lacquer

A magnificent dining table, rich with sculptural and material depth. Raised on tripod legs of hewn bronze holding striking Charred Eggshell ovals, the Êres is a masterpiece of sophisticated form and craftsmanship. The top is made from Larch with Fumed Oak ends. Narrow brass lines run through the centre of the tabletop opening into a sunken space that holds a polished brass epergne tray centrepiece with brass and rock crystal candleholders. The epergne can be removed and replaced with a flush Larch panel when preferred. Design by Brasilian designer Antonio da Motta. Finishes: Fumed Larch, Fumed Oak, Charred Eggshell, Bronze Patina, Polished Brass, Rock Crystal

A bookcase that brings together three natural elements; wood, straw and gold, to form a striking shelf that emits light from within its straw marquetry interior. It is framed entirely by a delicately inlaid straw trim of gently vibrant tonality. The linear patterns continue with a chiselled texture in gold-plated cast-brass shelf-supports. Finishes: Burnished Metals Straw, Fumed Larch, Gold Plated Brass

Curving lines and glowing dark surfaces suggest the Brazilian influences of this nightstand. Straw marquetry is edged with patinated brass while textured bronze handles and legs elevate the details. Finishes: Ebony Straw, Anigre, Bronze Patina Burnished Metals Straw, Koto, Bronze Patina

A tall cabinet in parchment and polished brass. “I wanted the octopus to emerge from the depths through a forest of light-scattered coral beneath the ocean. To achieve this effect I developed a way to apply coral patterns onto the dark parchment while retaining the natural organic quality of the goatskins.” Interior lined with Ivory parchment. Finishes: Coral Parchment | Walnut

Lustrous contrasting Finishes make a bedroom piece that is both gentle and reassuring to touch - the perfect element for a comfortable bedroom. A tray on top can be over-turned to create a stand. Ivory parchment wraps every surface and custom bronze feet and pulls, like ancient worn axe heads, provide gentle details. Drawer lined in ivory leather. Finishes: Natural Parchment, Oak, Lie de Vin Nappa Leather, Bronze Patina

A dresser cabinet covered in a whirl of hand-dyed straw marquetry rings that ripple out from sculpted handles. Bronze is also used to cast the powerful top and base. The interior is finished in succulent dark Wenge veneer that has been lacquered and hand polished. Finishes: Bronze Patina, Wenge, Opal Straw

A shadow cabinet. The base is made from layered cast bronze that evokes the rawness of sculpted rock. The body of the cabinet is covered in black ebony straw meticulously inlaid in a dark sunburst pattern around the central bronze handles. The interior is finished in rich dark Wenge veneer that has been lacquered and hand polished. Finishes: Bronze Patina, Wenge, Ebony Straw

An entertaining cabinet that exudes the spirit of the French Riviera in summer; shimmering waters, floating insects on the breeze and the sounds of jazz and laughter. Smokey figured Eucalyptus exterior meets the tones of natural mica on the front and a powerful bronze cicada handle sits at centre above bamboo-inspired wrapped legs. Inside cool figured Maple and mirror create a glowing interior to finish the beautiful bijoux drinks cabinet. Finishes: Mixed Mica, Smoked Eucalyptus, Figured Maple, Bronze Patina, Mirror

Ancient and contemporary, this credenza is raised on eight carved wood tapered legs supported by bronze flared feet. A bronze trim underlines the top section that is covered with natural chocolate shagreen inlaid in an unsual meandering pattern. The top surface is made from a 30kg (66 lb) single caste bronze slab with rich sculpted texture. Drawers house silent closure mechanisms. The hinges and handles of the doors and drawers are custom made for this piece. Interior in dark wood. Finishes: Natural Chocolate Shagreen, Bronze Patina, Walnut

A serious yet delightful credenza that blends a myriad of Finishes into a functional and elegant whole. Both light and dark, raw and refined, this piece dazzles gently. The front and sides are in our unique indigo and burnished straw marquetry inlaid with abalone, mother-of-pearl and patinated copper. This is a finish conceived and created in our own workshops -an example of our important work in innovation and design using prestigious Finishes. Oh, and our cabinets are almost as beautiful on the back as the front. Fine smoked Eucalyptus trims cover the screws that create a beautiful tailored experience on the verso of the Prism. Finishes: Prism Straw, Smoked Eucalyptus, Figured Maple, Bronze Patina

Exuberant style and elegance of form. Antonio da Motta brings a Brasilian energy to this sideboard that features curving concave drawer fronts, rounded corners, rock crystal pulls and bronze patina cast legs. Natural Chocolate Parallel Lines Shagreen covers the body along with Koto veneer. Finishes: Natural Chocolate Shagreen, Koto, Rock Crystal, Bronze Patina

A curvaceous and tailored cabinet in cool luxe Finishes that exudes modernist Brasilian architecture. Round-edged cabinet with lost wax cast ‘leg pulls’. Natural Speckle shagreen. Koto veneer chevron top. Designed by Antonio da Motta. Finishes: Natural Speckle Shagreen, Koto, Bronze Patina

Cliff faces of ivory and dove grey. Encased in warm Grey Ash, drawer faces in natural parchment have been embossed to create dimension and play with the light. Cast handles and feet are custom. Soft-close Maple drawers are lined with ivory leather.

A dappled, sparkling surface lights up this chest-of-drawers in a new finish created in our studio. Layers of straw create depth and reflection. Drawer handles in warm textured cast brass emerge from the surface. Soft-close Maple drawers are lined with ivory leather. Back in Maple. Finishes: Burnished Woven Straw, Patinated Brass, Maple, Leather

The Acadia cabinet is both intricate and raw; a stunning material created in Alexander’s studio, ‘Embers Straw’ is made with layers of straw marquetry in subtle dyed tones that are pressed and abraded to reveal deep layers and cross-currents of reflective light. Grey Ash brings a muted counterpoint and a golden bamboo interior completes the delicately crafted Finishes. Knife hinges and rod lock in patinated brass with custom cast feet and key. Back in Grey Ash. Finishes: Embers Straw, Grey Ash, Bamboo, Patinated Brass

The pulse of the Aurora hand made in exquisite detail. Eggshell columns fade to black lacquer and return, creating a cabinet that will reflect and animate any room. Meticulous workmanship and considerable time achieves a cabinet that evokes textures and light while expressing the finest skills and detailing. Lacquered Walnut exterior with scalloped frame. Knife hinges and rod lock in patinated brass with custom cast feet and key. Back and interior in satin Walnut. Finishes: Lacquered Eggshell, Lacquered Walnut, Patinated Brass, Walnut

Aloe is a new Alexander Lamont collaboration with South African sculptor Astrid Dahl. Like much of her work, the inspiration is the natural world. Like a shell or a succulent petal, the Aloe sconce glows and changes its mood whether lit or unlit. Finishes: Gesso

During the 1920’s, ivory was used on luxurious furniture. Sliced thinly, it would gradually crack in beautiful ways. We have followed exactly these lines and cracks to create large scale gesso panels that we feel are the closest surface to real ivory it is possible to achieve. With our ‘Ivoire’, everything is created by the hand of the skilled gesso maker.

Aloe is a new Alexander Lamont collaboration with South African sculptor Astrid Dahl. Like much of her work, the inspiration is the natural world. Like a shell or a succulent petal, the Aloe sconce glows and changes its mood whether lit or unlit. Finishes: Gesso

Torta is a lantern mosaic of raw, strong hand-beaten paper finished in a diversity of textures and hues. The light has a wonderful glowing energy and is raised on a slender cast bronze base. Torta brings together intricate craftsmanship with a relaxed chic mood - a friend to any evening. Finishes:Papier Sauvage, Bronze Patina, Polished Steel

Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass

Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass

Isola is a whimsical yet elemental meeting of form and Finishes. The dark and light elements dance in a monumental yin and yang of raw parchment and fire-patinated dark bronze. The two halves are designed to sit slightly askew, with an intriguing overlay where they almost touch. Finishes: Café au lait Parchment - Lacquered, Bronze Patina, Ivory Linen

Aquifer is a modernist wall sculpture and mirror. Asymmetrical parchment elements rise and fall to create a bracelet-surround accented with bronze cuffs. It has both a casual yet artistic presence in any room. Finishes: Café au lait Parchment - Lacquered | Bronze Patina

Tribute has a mica frame that shimmers behind bronze leaves and a ‘floating’ mirror. Ancient, like a Mayan headress, the mirror creates a sensual accent that varies in different light conditions. Available in Deep Amber mica with pale bronze leaves or Pewter mica with dark bronze leaves. Finishes: Deep Amber Mica | Patinated Brass, Pewter Mica | Patinated Brass

Isola spot and side tables are versatile pieces that bring the great contrasting Finishes of bronze and parchment together. Designed as subtly figurative, modernist sculptures, they meet and interact beautifully together while being stately alone.Richly lacquered parchment is full of raw natural variety and also extremely durable and user-friendly. Finishes: Cocoa Parchment - Lacquered, Bronze Patina

Portico are delicious functional side tables bringing an accent of luxurious parchment to any living room. Asymmetric architecture with legs that curve upwards and around the edges bring elegant lines to the duo - great together or apart. Finishes: Café au lait Parchment - Lacquered, Bronze Patina, Patinated Brass

Lattice side table is a minimalist, relaxed designs with a shiver of Art Deco. Ribbed angled bronze legs reflect the light while the table surfaces are a material developed in Alexander’s studio. The cool textured console tops are finished with strong Japanese lacquer. The tables are perfect for a beach location or a cool urban retreat. Finishes: Tundra Lacquer Bronze Patina

Lattice console is a minimalist, relaxed designs with a shiver of Art Deco. Ribbed angled bronze legs reflect the light while the table surfaces are a material developed in Alexander’s studio. The cool textured console tops are finished with strong Japanese lacquer. The consoles are perfect for a beach location or a cool urban retreat. Finishes: Tundra Lacquer Bronze Patina

Mirador Slipper chair has a whimsically chic bronze structure that elevates the strong and comfortable hand-tied sprung seat in Charcoal woven fabric with bronze patina frame. Available Finishes: Upholstery in Woven Fabric | Valvet Fabric , Body in Bronze Patina | Patinated Brass

Mirador armchair is designed for Alexander Lamont by Brazilian designer Antonio da Motta. The seat is lifted by a flowing bronze line that glides beneath and around the chair in a seductive form. Parchment armrests bring an unexpected luxurious natural element. The upholstery uses eight-way, hand-tied springs providing a very comfortable seat that maintains its shape. The Finishes are Espresso woven fabric with bronze patina and cocoa parchment. Available Finishes: Upholstery in Woven Fabric, Body in Bronze Patina | Patinated Brass

Forge is a contemporary modernist low table for chic yet casual cocktails or stylish living. The top is in raw natural shagreen; perhaps the most enigmatic and tactile decorative material. It has been braced by an abstract bronze element that brings great strength and luscious contrast. Below, the sculptural legs lift the top with a similar abstract structure. Whether entertaining or relaxing at home, Forge is designed to exude form and Finishes that please the eye and enhance modern living. Finishes: Natural Speckle Shagreen Unpolished | Bronze Patina | Patinated Brass

Tashi is inspired by the traditional textiles of the Himalayas; soft repeating woven lines are re-imagined in lustrous straw and a wonderful luminosity and sense of depth emerges. Contrasting shell and colours are inlaid into the pattern like ‘loose threads’ that amuse and catch the eye.