Ceiling Lights
Ceiling Lights collection by COLLECTIONAL Dubai
Jan Garncarek
(from the Italian 'dragonfly') is a fin-shaped sconce that emerges from the wall. The sphere-shaped glass shade intersects a brass sheet and illuminates the space evenly. The slender form topped with an oval was inspired by observations of insects, to be precise, by a dragonfly. Hence the name. The lamp was produced in techniques of brass casting and glass blowing.
Jan Garncarek
What determines how we perceive beauty comes from the play of associations and references to our past experiences. The designer's aim was to capture one such association by giving it a simplified and minimalist form. The object seems to be bloated and gently descends. It is finished with a luminous protuberance, giving off a warm light.
Jan Garncarek
The sconce is the first lamp that is designer made in stone. It consists of a marble collar subtly emerging from the wall and a topping semi-sphere made from brass from under which the light comes out. The idea was born during a trip through Switzerland, and the first sketches were made near a town named Pfaffikon. The lamp is also available in a version made entirely from casted brass.
Veronese
Ysa Wall Light, designed by Tristan Auer, is an elegant wall sconce. It is the interplay of complementary yet diverse Murano glass techniques, textures, and colors. The design's simple shape masks its intricate game of contrasts and endless details. Ysa is a collection of three overlapping sheets of Murano glass, each of which has its own unique attribute. The top smaller layer is of streaked frosted crystal Murano glass. The second layer is smoked Murano glass with a stripe motif applied under heat. The third layer is a Murano glass with an application of a mirror. Further adding to the details of each sheet is a soft crystal border outlining each one like a well-tailored hem.
Veronese
Cell Wall Light, designed by Patrick Naggar, with a steel structure and a lampshade in Murano's glass. This beautiful lamp is made with harmonic and sinuous curves; the lamp presents a high aesthetic value and detailed finishes. The designer was inspired by the Chromosome collection by Art Basel of the year 2015.
Veronese
Obre Gong Wall Light, designed by Patrick Naggar, is a stylish and graceful wall light. Veronese creates genuine French designs inspired by creative minds exploring new ideas whilst remaining true to tradition. The beautiful Veronese Orbe light is composed of hand-blown Murano glass and fastened with bronze, brushed nickel, chrome, or copper finished fixtures. The exceptional expertise, history, and passion in glass decorative art continue in the newer designs of Veronese lighting elements.
Hector Esrawe
Solsticio revisits the interest in light’s journey through different surfaces, continuing the explorations in pieces like ‘Parabola’ and ‘Shifting Parabola’, it analyzes the passing of light on metallic surfaces to understand refraction, paths and fragmentation in different planes that gradually highlight its many faces. Solsticio displays a series of luminous metal pieces, radially articulated and assembled, where the light fragments and bounces its spectrum in several directions. The absence of light becomes as relevant as its presence. The resulting objects present as industrial quality machines, as if in laboratory or a research facility — manifesting a dystopian vision of the future as imagined by our ancestors; specially alluding to time machines and space travels of the 40’s and 50’s, and even analogies found in dystopias like ‘Metropolis’ (1927) by Fritz Lang.
Gallotti & Radice
Bolle Orizzontale Hanging Lamp, designed by Massimo Castagna, is a hanging lamp with LED point light. Transparent blown glass sphere. Metal parts in hand burnished brass. The hand-burnished brass finish looks naturally spotted and irregular. Due to this craft-made processing, each product is unique and exclusive.
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Michael Anastassiades
One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Michael Anastassiades
The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Michael Anastassiades
One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Michael Anastassiades
One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Michael Anastassiades
The Philosophical Egg was realised as an homage to the mysterious pendant that appears in the famous altar painting Brera Madonna by Piero della Francesca. The various fixtures featured reflect the same architectural approach that the artist represents in the painting. The refined composition of primordial shapes with an illuminated ostrich-egg-shaped oval allows the light to become the central focus of the space. The collection comprises various pendants and sconces and features a new petrol blue powder-coated finish.
Michael Anastassiades
The Mobile Chandeliers are delicate structures balanced in perfect equilibrium. Constructed following the principles of a mobile, these are arrangements of linear tubes, geometric light sources, reflective surfaces and counterbalancing weights. The pieces rotate freely and delicately, creating an ever-changing lighting configuration unique to the space they occupy. Each Mobile Chandelier is individually tailored to ensure the balance of its approximately 200 hand-crafted patinated-brass components. Every piece is unique in its dimension and compositional balance, due to the varying weight of the mouth-blown opaline glass.