Gallery In Display
Browse our gallery to discover more about our latest selection of exclusive design pieces and the inspiration behind them.
Meet the designers and hear their stories to learn more about how they think design is shaping our lives.
Christopher Duffy
A study of depth and our perception of it, the Abyss Horizon uses the interplay between light and layers of the natural Birchwood coloration and sculpted blue glass to forge a mesmerizing three-dimensional canvas – reminiscent of our perception of water and how we observe its color transform at different depths. The perceived change in color becomes the element that gives true meaning to the piece, conjuring up ideas of a great oceanic topography and transforming the flowing design into an expressive object.
Steven John Clark
PEARLY SKELP begs no camouflage, no pardons, and nothing further from the finest. Pearly skelp dons a military issue flat top as if it were a tiara. A commando of elegance and femininity, destined for the obstacle course of the evening's grand ball. HURRY NOW. Stand this fair lady up, she’ll knock your block quicker than you are to know better. A vision of beauty so rare.
Laurids Gallée
In ancient cosmologies, the Empyrean was believed to be a celestial place in the highest of heavens, occupied by the element of fire. The warm glow of the ceiling light Empyrean suspended 01 pays homage to this antiquated concept, as Gallée experiments with light through material hues, transparency, and luminosity. Paired with studies of space from today, Gallée observed the warped behavior of light around black holes and translated it into the refraction of light in the Empyrean light. 24m of LED-light strips illuminate the dark resin centerpieces from within, while the rounded edges contort the light rays, creating a floating effect that moves around the geometric composition. The thickness of the resin blocks with the intangible translucence of the light creates a compelling juxtaposition that constitutes a balanced yet playful aesthetic that teases the eye. Empyrean suspended 01 is the first light in the Empyrean collection. As Gallée experiments with the light bending qualities of translucent resin, the Empyrean collection will grow and continue to catch the light.
Salvatori
The Village Novecento Pietra d’Avola, designed by Rodolfo Dordoni, is a decorative object expressed in a pair of houses, with the clean, precise lines of each piece recalling the style of Italy’s Novecento movement, the inspiration for the name he chose. The design sees an interchange of high and low arches, artfully cut so as to highlight the distinctive characteristic. It features a vivid rich dark tones of Pietra d’Avola.
Gabriel Hendifar
The slip-cast porcelain forms of the lantern series float along a rigid brass structure. Their glow is punctuated by finely incised fluting, connecting to the essential element of historical lanterns – light passing through a delicate protective form. Repeating spheres act as a counterpoint to the sizeable shades. A dimmer ball sits on the base.
Jan Ernst
The fossil floor light was inspired by my fascination with shells, exoskeletons, and stone imprints. The coastline of South Africa varies from rugged and dramatic cliffs crashing into the oceans to sandy beaches that are gentle.
Dirk Van Der Kooij
The Meltingpot table designed by Kooij plays a keystone role in the circular design practice at Kooij. Discarded recycled plastic prototypes, production faults, and color tests form the basis of the conglomerate Meltingpot. Meltingpots are made available online as they are produced.
Kameh
Introduces a new material, sand, inspired by the designer’s connection to his home, the UAE. The breaking sand collection continues the iconic KAMEH designs finished with sand from the Dubai desert. Its imperfect, sculpted form allows each piece to be wildly idiosyncratic, which KAMEH calls 'breaking the sand.' "There is un-perfectness in the objects," designer KAMEH says, "There is no beauty in perfection, only imperfection." KAMEH finds inspiration in various artistic elements, such as art, nature, and the human self. The sand from the UAE's desert represents the versatility of the nation's natural elements and was chosen by the designer to show the versatility of the craftsmanship. It mimics the desert's dunes, rough, with a sandy finish on the exposed surface by unforgiving nature and uniquely formed on the inside.
Draga&Aurel
A superb and inimitable showcase of craftsmanship, this unique coffee table is part of the Transparency Matters Collection. Entirely crafted by hand through the casting techniques of both resin and brass, it is composed of a one-of-a-kind resin top boasting a polished emerald green tone that results from a unique combination of three layers of mold. The finished piece looks like a precious gem. The elegant column-style base is a cylinder made of brass enriched by a natural golden finish. Also available in other colors and measures, any variation in the top is not to be considered a flaw but a stylistic choice of the designer.
Faina
In Ukrainian, PLYN means fluidity. Taking inspiration from water, a new design piece by Faina manifests soft power. Primitive massive blocks recall the outlines of coastal stones, which forms were naturally polished by water."Water is soft and accepting. At the same time, it overcomes all the rigid and rock. This soft power is revealed in PLYN sofa”, comments Victoria Yakusha, founder of Faina."I started thinking about acceptance and fluidity after the pandemic when we all felt on our skin that we couldn't affect some things. In today's world, acceptance is often equated with weakness and vulnerability. But it has its hidden power. Water moves stones with its softness.”PLYN sofa was presented at the personal Faina exhibition in Paris, which took place during Summer Solstice, the time of natural renewal. A Series of art photos crossed the parallel between the PLYN sofa and a human — consonant in their fluid lines and keeping the soft power inside.“We must learn from Water. Flexible and accepting, it changes its forms but never loses its essence. Accepting the outer world and interacting with it, we’ll reveal our soft power”.This piece is handcrafted from wood, natural textile, and soft filling. Besides a big sofa, PLYN soft range includes a bed, a small sofa, an armchair, and a bench. With soft, fluid lines yet a strong character, it brings natural calmness to the space.
Gabriel Hendifar
Using a strict arrangement of semi-precious stones, Talisman 14 Pendant Light by Gabriel Hendifar for Apparatus recalls the fine details found on statues in the ancient city of Persepolis. Agate, jasper, or jade beads are pierced by finely fluted pins, affixing them to a leather-bound brass structure.
Christopher Boots
Meteors slash through the sky, dazzling all who witness their strangeness. It is this primal, cosmic energy that is captured in METEOR. METEOR implements a delicate hand-picked selection of gradations of natural smoky quartz and natural clear quartz, conveying the dynamism and movement of cosmic matter plummeting to Earth. Warm light emanates through the naturally uncut crystals, providing a dramatic glow through dimmable LED technology.
Kameh
Introduces a new material, sand, inspired by the designer’s connection to his home, the UAE. The breaking sand collection continues the iconic KAMEH designs finished with sand from the Dubai desert. Its imperfect, sculpted form allows each piece to be wildly idiosyncratic, which KAMEH calls 'breaking the sand.' "There is un-perfectness in the objects," designer KAMEH says, "There is no beauty in perfection, only imperfection." KAMEH finds inspiration in various artistic elements, such as art, nature, and the human self. The sand from the UAE's desert represents the versatility of the nation's natural elements and was chosen by the designer to show the versatility of the craftsmanship. It mimics the desert's dunes, rough, with a sandy finish on the exposed surface by unforgiving nature and uniquely formed on the inside.
Christophe Delcourt
Vases in marble, Grey Saint-Laurent, Fior di Pesco, white Carrara marble, Nero Marquina, Black & Gold, Grand Antique, Calcutta Viola, Roman Travertine
George Geara
Backrest: Handcarved solid wood. Seating: Full upholstered seat in "velvet" fabric. Legs: 10mm laser cut, powder-coated steel with polyamide detail
Gabriel Hendifar
A robust study of material evokes the grace and strength of its equine contributor. Wefts of horsehair are combined with brass and etched glass, implying a structural weight-bearing function for the coarse hair.
