Gallery In Display
Browse our gallery to discover more about our latest selection of exclusive design pieces and the inspiration behind them.
Meet the designers and hear their stories to learn more about how they think design is shaping our lives.
Collection Particuliere
Vases in marble, Grey Saint-Laurent, Fior di Pesco, white Carrara marble, Nero Marquina, Black & Gold, Grand Antique, Calcutta Viola, Roman Travertine
Collection Particuliere
The Rosae Pedestals demonstrate the designers Goula/Figuera's ability to tame and constrain a material while creating a unique duality. These solid Walnut or Brushed Oak side tables have a textured base and legs that have been gouged and scooped out that starkly oppose the smooth and silky tabletop. The finish is different than the actual product finish
Alexander Lamont
A beautiful 3-panel screen designed by Antonio de Motta, bringing Brazilian curves and flair with playful use of negative space and texture. Finished in silvered straw marquetry and grey Koto veneer. Finishes: Ebony Straw, Wenge Silvered Straw, Koto
Alexander Lamont
The surface texture of these bronze vessels is rough and ancient. The gold interior emits a wonderful light. Finishes: Bronze, Gold Leaf
Alexander Lamont
Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry
Alexander Lamont
Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry
Alexander Lamont
Inspired by an early twentieth century bracelet, the inter-locking elements of the mirror-frame's structure presented a wonderful technical challenge. Finishes: Silvered Straw, Calligrapher’s Silver, Mirror Beechwood Straw, Calligrapher’s Gold, Mirror
Alexander Lamont
Any great drinks table should have beautiful sensuous legs and a top that mystifies and asks to be touched. Fine shiburi dyeing with natural indigo is used to accent the parchment top with a beautiful pattern. The bronze legs lean sensuously together.
Alexander Lamont
A glowing evening sun shimmers. Hewn legs cast in lost wax bronze support a dramatically elegant top. The straw marquetry is dyed by hand in our own workshops to five subtle tones of Burnt Coral before being inlaid in a sunburst pattern. Designed by Antonio da Motta, the inspiration draws from Yoruba ideas of power and belief. Finishes: Burnt Coral Straw, Bronze Patina
Christophe De La Fontaine
Serpentine sofa designed by Christophe de la Fontaine, is a modern sofa incorporating different seating solutions in one object. Serpentine looks like a conclusive singular but is a system available in various sizes and finishes.
Corine Van Voorbergen
Mixed media, acrylic paint, natural pigment powder, ink and expoy, messing
Collection Particuliere
The Roi stools evoke the outline of chess pieces or a pommel horse. It draws its stylistic vocabulary from the tradition of turned wood, in this precious and fine art consisting in subtracting, hollowing out, and redrawing the material so as to glorify it.Materials: Base in dark grey ceramic. Seat made in wood lined with foam and covered with leather (Stolz)Made in France
Bonacina 1889
“Joe Colombo has opened the way to the imaginative Italian design” Rattan and rattan-core structure, cushion in polyurethane foam with removable fabric. NASTRO Armchair Rattan Laccato with Cushion in blue color fabric.
CC-Tapis
Single Slinkie is a rug designed by Patricia Urquiola and hand-knotted in the cc-tapis atelier in Kathmandu, Nepal. It is a design story revolving around color, a succession of chromatic evolutions developed in a composite universe of organic shapes. The rug is made with a cotton weave, Himalayan wool, and pure silk.
Hector Esrawe
Parabola III is a Layers Floor Lamp specially designed for reflection based on how the light travels through a solid surface, the beginning and the end, the darkness, the gloom to the dawn, on tension and flexion. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. The poetry of the shadows, the absence of light which is as relevant as its presence. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. Parabola III was represented by MASA Galería, which opened its first exhibition, 'Collective/Collectible' on the 7th of February 2019 in Mexico City. MASA blurs the line between art and design and exhibits works by contemporary artists, architects, and designers parallel to contextual artworks.
