Products
COLLECTIONAL partners with exclusive design brands and commissions pieces by individual designers alike. Whether you know which designer you are looking for or want to discover the latest up-and-comers, you can browse by brand to find the right piece to fit your collection.
Gabriel Scott
Welles Double Blown Glass Wall Sconce, designed by Gabriel Kakon and Scott Richler, is a new type of modular elegance and a perfect blend of strength and sophistication. This wall sconce has a distinctive Alabaster white glass diffuser formed through a mold-blown process to generate a gem-like form and create a bright diffused light. The frame and canopy are in satin brass metal.
Gabriel Scott
Welles Double Blown Glass Wall Sconce, designed by Gabriel Kakon and Scott Richler, is a new type of modular elegance and a perfect blend of strength and sophistication. This wall sconce has a distinctive Alabaster white glass diffuser formed through a mold-blown process to generate a gem-like form and create a bright diffused light. The frame and canopy are in satin copper metal.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Delcourt Collection
WHO boasts a triangular table top—a shape not often seen in furniture and is relatively more common in architecture. This is one of the more architectural pieces in Delcourt’s “Give Me Shelter” collection. Much like a piece of architecture, light may enter through the gap between the legs allowing the table to play with changing sunlight throughout the day. The legs each have a triangular profile where they alternate the taper of the shape being at the top or bottom—creating a visual rhythm that is typical to Christophe Delcourt’s design philosophy.
Gebrüder Thonet Vienna Gmbh (GTV)
The Wiener Box coffee table, designed by Cristian Mohaded, is an identifying mark of Gebrüder Thonet Vienna GmbH that adopts a refined compositional balance of wood and metal. It shows a perfect compositional balance with wood and metal. The table is composed of pure and essential lines of a light brass-finished metal structure, with wooden top and base surfaces in black lacquered beechwood, while the borders are defined by Woven Cane Vienna straw side panels.
Gebrüder Thonet Vienna Gmbh (GTV)
Wiener Stuhl Chair, designed by Gebrüder Thonet, has an embracing, simple design. The backrest and the back legs are moulded from a single piece of Squirrel grey lacquered bent beechwood, joined with natural stained beechwood as back legs. The seat is in squirrel grey lacquered plywood.
Gebrüder Thonet Vienna Gmbh (GTV)
Wiener Stuhl Chair, designed by Gebrüder Thonet, has an embracing, simple design. The structure is in white lacquered bent beechwood. The seat is in white lacquered plywood.
Gebrüder Thonet Vienna Gmbh (GTV)
Wiener Stuhl Chair, designed by Gebrüder Thonet, has an embracing, simple design. The backrest and the back legs are moulded from a single piece of white lacquered bent beechwood, joined with natural stained beechwood as back legs. The seat is in woven cane.
Vitra
The Wiggle Side Chair, designed by Frank Gehry, is a beautiful side chair that is a part of Frank Gehry's 1972 furniture series 'Easy Edges', in which he succeeded in bringing a new aesthetic dimension to such an everyday material as cardboard. The sculptural chair is not only very comfortable, it is also strong and robust. It features a finish is available in Natural Beige. The structure is made up of corrugated cardboard. Edges are made up of hardboard.
Vitra
Wiggle Stool, designed by Frank Gehry, is part of his 1972 furniture series 'Easy Edges', which successfully introduced a new aesthetic dimension to such an everyday material as cardboard. The iconic stool is robust and lends a striking note to any interior.
EMMEMOBILI
Wind Chime, designed by EMMEMOBILI. Light, lightness, sobriety. These are the characteristics of Wind Chimes, a family of lamps whose light source is protected by a precious curved sheet of metal. Games of lightness, curved lines that transform into soft surfaces that give life to a chandelier with different configurations.