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Agapecasa
An armchair with an admittedly architectural flavor, still highly expressive and happily functional today. Here the classic inverted V design, which characterizes the system, becomes the profile of a leg at the top of which the armrest finds an ideal support point, in an overall profile that helps to streamline this small domestic presence, making it even more elegant, dry and austere: in a word, distilled from over fifty years of sedimentation, absolute.
Agapecasa
A seat characterized by a cantilevered top supported by a central support. Sinuous and streamlined, Clizia appears in contrast with the hardness and static nature of the stone material from which it is obtained. A carefully calibrated sign, which refers in complexity to some studies by Escher, makes the upper profile of the seat coincide with the lower one, so that the monolithic bodies of the "Clizia" are made from the same block of marble through a single cut, made with machines. numerical control, which simultaneously defines two sessions, optimizing the material, after having reduced waste to a minimum. The concrete version has now been added to the original marble version. Indoor or outdoor seat made of white Carrara marble, black Marquina marble or fiber-reinforced concrete with oxidized iron base.
Agapecasa
While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.
Agapecasa
In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".
Agapecasa
In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".
Agapecasa
In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".
Agapecasa
In M, form and elegant solution design an extremely stable table, the first example in Mangiarotti's work of using marble for the construction of furnishing objects for the domestic environment. The M marbles are offered with a particular finish that best enhances the characteristics of the stone material, caressing and supporting the rounded profiles of this “sculpture” for the interior architecture of exemplary proportions.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
A system of marble tables as a milestone in research into interlocking furniture without joints or locks: for the "Eros" tables the construction solution involves a gravity joint between the top and the leg, obtained thanks to the truncated conical section of the itself.
Agapecasa
A system of marble tables as a milestone in research into interlocking furniture without joints or locks: for the "Eros" tables the construction solution involves a gravity joint between the top and the leg, obtained thanks to the truncated conical section of the itself.
Agapecasa
A system of marble tables as a milestone in research into interlocking furniture without joints or locks: for the "Eros" tables the construction solution involves a gravity joint between the top and the leg, obtained thanks to the truncated conical section of the itself.
Agapecasa
A system of marble tables as a milestone in research into interlocking furniture without joints or locks: for the "Eros" tables the construction solution involves a gravity joint between the top and the leg, obtained thanks to the truncated conical section of the itself.
Agapecasa
A real constructive record, the "Eccentrico" table leads Angelo Mangiarotti towards the supremacy of some great "builders" of twentieth century furniture, such as Franco Albini from the "Veliero" bookcase and Carlo Mollino from the "Cremona" table: projects that the limits to which they were pushed showed theoretical goals never achieved before.
Agapecasa
Tables made with thin plywood elements that stiffen through the curves to which they are subjected, giving stability and resistance to a very dry structure, and which find momentum and lightness in the tapered design of the leg. A constructive system initially planned to be demountable, a project that had impressed and received the approval of the great Alvar Aalto, a solution that still appears brilliant today for its compositional rigor, constructive clarity and the happy harmony of the proportions that define it.