Products
COLLECTIONAL partners with exclusive design brands and commissions pieces by individual designers alike. Whether you know which designer you are looking for or want to discover the latest up-and-comers, you can browse by brand to find the right piece to fit your collection.
Atelier Caracas
Credenza low sculptural cabinet designed by Atelier Caracas is with a three-center drawer and four symmetric doors. Crafted in baltic birch plywood with different finishes. The knobs and standoffs are made of sandblasted blackened steel. Also available in different finishes.
Alexander Lamont
Perfect, smooth reflective dishes hold naked flames within deeply textured patinated brass table sculptures. Finishes: Bronze
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Andy Kerstens
CTM, an amorphous shaped coffee table is characterized by the metal trim around the tabletop. It stands out because of the soft and elegant curves, while also preserving the divided legs. The metal frame around the wooden counter is hold in place by visible screws, finished in the same patina.
Andy Kerstens
CTS is characterized by the solid milled natural stone element. It was born out of the structure of the coffee table with metal trim. An honest and screwless construction is created by using mortise and tenon constructions out of wooden elements only. The elegant amorphous, oval inspired form is available in an oval, or more circular shape. When removing the wooden lid, the table’s construction and metal engraved plate will be visible
Andy Kerstens
CTW has a strong relationship to the original dining table, preserving the idea of duplicating every element. Together with the simple rectangular shape, it has a strong reference to the Japanese design aesthetics. Because of its wide range in dimensions, multiple coffee tables could be combined to one larger collection of pieces. Ideal to become a bigger setup for larger spaces
Contardi
Cube, designed by Massimiliano Raggi, is a table lantern in two dimensions. The external structure, in composite material, is finished in bronze using new painting techniques with metal powders: the satin bronze effect is so flawless that it is virtually impossible to tell whether it is metal or not. The inner part of the lantern is in gold-painted metal, which creates an elegant contrast. The ribbed glass of the diffuser enhances the product.
Contardi
Cube, designed by Massimiliano Raggi, is a table lantern in two dimensions. The external structure, in composite material, is finished in bronze using new painting techniques with metal powders: the satin bronze effect is so flawless that it is virtually impossible to tell whether it is metal or not. The inner part of the lantern is in gold-painted metal, which creates an elegant contrast. The ribbed glass of the diffuser enhances the product.
Alexander Lamont
Contemporary yet ancient, a luminous play of rings and ovals in rare materials. The hand-ground and polished interior of these sculptural pendant lamps creates a ring of liquid light in either an upward or downward plane. The cupola is cast brass covered with lacquered eggshell. The suspension ring, unique chain and ceiling bracket are dark bronze. Finishes: White Eggshell Lacquer, Bronze Patina, Polished Brass
Alexander Lamont
An elemental form is rendered in striking textures and finishes. A cast brass dome is entirely covered in lacquered eggshell and suspended inside an oval void and lifted by an elegant tapering stand to create a hauntingly beautiful ring of light. Finishes: White Eggshell, Polished Brass, Bronze Patina
Alexander Lamont
A lamp impossibe not to touch and admire up close. A cast brass egg is covered with lacquered eggshell and lifted on a base of subtly textured bronze. Finishes: White Eggshell, Polished Brass, Bronze Patina
Kwangho Lee
Cutting Lines features ten new works, showcasing Lee's boundary-pushing approach to unlocking the potential of 3D printing, reinterpreting the process of knot making, and allowing the concept to evolve and mutate through the interplay of materiality and digital-manual processes.
