COLLECTIBLE DESIGN
Browse our gallery to discover more about our latest selection of exclusive design pieces and the inspiration behind them.
Meet the designers and hear their stories to learn more about how they think design is shaping our lives.
Pietro Franceschini
Slice Me Up Coffee Table reflects Pietro Franceschini's architectural background. Its imposing presence is reflected in its profile, reminiscent of a building's architecture. The soft lines juxtaposes with the precise leveling create an illusion of discs, in various diameters, layered in tops the other, in different heights. This clustering resulted to the tables architectural appeal. Slice Me Up Coffee Table is available in Cedar Wood and in different finishes of plaster. This is Pietro's exploration of the boundaries of realism and pushing the limits of convention to create surreal, thought-provoking pieces in labile dialogue of what is digital and what is real.
Giobagnara
The Bivio console, designed by Stéphane Parmentier, is an artistic piece characterized by an architectural base made of three folded wooden slabs covered with Mud color suede leather. The base is combined with a rectangular top covered in Ice-white Printed Calfskin Golf leather. This console possesses a strong presence that reminds the futuristic shapes of Villa Girasole, an icon of 20th-century Italian architecture.
Christopher Boots
The IRIS collection encompasses a series of pendants and wall fixtures with multiple expressions, from the single IRIS MONO through to the elaborate IRIS COMPLEX ARRAY. IRIS combines cool alabaster with the warmth of brass, delicately balancing smooth stepped cupping forms suggesting a steady heavenly ascent. In Greek mythology, the goddess messenger IRIS bridges heaven and earth. Born of sea and sky, she links gods with humanity, bearing a message of hope and beauty amongst the storm.
CC-Tapis
A simple brush stroke is what this area rug conveys, in grade A+, Hand-knotted Himalayan wool.
Stefan Leo
Lutatia brass coffee table - Is shaped according to the artist’s view, their work is displayed in several famous art galleries worldwide and knowledged by collectors.
Giobagnara
Scala Coffee Table, designed by Stéphane Parmentier, is a distinctive table inspired by the “stacked” shape often seen at the base of some buildings in Italy. It is covered with Nappa leather in Cappuccino color, resting on a three-legs base. The key to this table's elegance is the absolute precision of proportions, materials, and colors.
Steven John Clark
Nine weirdos sculptures designed by Steve John Clark is a handmade product, and each sculpture is one of a kind with different designs.
Giobagnara
La Linea Console, designed by Stéphane Parmentier, is a neat leather-covered piece that features perfect geometry curves of the legs that resemble the shapes occur in nature, supporting a rectangular top. The console is covered with Printed Calfskin Golf leather in Cappuccino color, while the separating thin lines are in Moka color.
Christopher Boots
Portal 600 and Prometheus IV Table Lamps embody the cyclical nature of existence, emanating luminescence from a minimalist form. Looking through the lamps, one is drawn through a metaphysical passageway connecting two environments, dimensions, or points in time. A Portal is a gateway, a liminal transition space, a link to beyond with a solid boundary and void. In a charged area, portals have magical resonance and hint at multi-dimensional adventure. Portal Table Lamp draws on this promise while Prometheus stole fire from the Gods of Olympus and gave it to humankind. More than the means for survival- light, and technology, Prometheus’ gift represented creative potential. The spark of creation, previously limited to the Gods, gave mortals the power to dream, create, imagine, and challenge. Prometheus IV is an implosion of blazing crystal quartz, venerating its namesake in a flame ring.
Hector Esrawe
Parabola III is a Layers Floor Lamp specially designed for reflection based on how the light travels through a solid surface, the beginning and the end, the darkness, the gloom to the dawn, on tension and flexion. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. The poetry of the shadows, the absence of light which is as relevant as its presence. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. Parabola III was represented by MASA Galería, which opened its first exhibition, 'Collective/Collectible' on the 7th of February 2019 in Mexico City. MASA blurs the line between art and design and exhibits works by contemporary artists, architects, and designers parallel to contextual artworks.
Ewe Studio
Inspired by flat-topped blocks used for religious rituals and ceremonies, especially for sacrifices or offerings to the deities. Altar hand-carved tables are the synthesis of this expression. The high detailed artisanal work makes them an eye-catching piece in any environment they are placed in.
Giobagnara
Campo Tray, available in small, medium, and large sizes, designed by Stéphane Parmentier, is a rectangular leather-covered elegant tray that has a metal structure with a brushed brass frame. The tray is covered with Royal-blue Calfskin Suede leather.
Ewe Studio
Inspired by flat-topped blocks used for religious rituals and ceremonies, especially for sacrifices or offerings to the deities. Our tables have been hand carved and are related to objects that, through their expression, have become symbolic pieces in the spaces which they are placed, called Altares.
Niko Koronis
GRT low table designed by Niko Koronis is a resin low table in G collection created with precision on a resin block, creating a dynamic interplay of lights, shapes, and shadows. It is a 2020 Limited Edition 8+4AP.
Hector Esrawe
Characterized by visual balance, the 2.6 meter long dining table achieves its shape from the counterweight formed of a large piece of black Orizaba marble stone. The marble creates the necessary weight to support the steel structure, which is then attached to the burnt countertop. The marble stone is obtained directly from the quarry in one piece, specifically chosen by the studio according to its weight, size and character. The natural shape of the marble is the result of the environmental conditions of the mountain, giving a unique personality to each table. The burning of the two inch thick wooden countertop is done through a Japanese technique known as Yakisugi. The process is carried out with the objective to seal the wood and protect it, giving it a distinctive color and texture.
Christopher Boots
STALACTITE exudes warm light through cracks and crevices, illuminating the beautiful imperfections of natural quartz crystals.
