Remaining Things Mobile Divider

Teo Yang

The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.

Remaining Things Mobile Bookstand

Teo Yang

The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.

Remaining Things Mobile Floating Shelf

Teo Yang

The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.

Remaining Things Table Centrepiece

Teo Yang

The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.

Crystal I

Kensaku Oshiro

The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.

Crystal II

Kensaku Oshiro

The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.

Crystal III

Kensaku Oshiro

The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.

Day

Tiffany Loy

Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.

Night

Tiffany Loy

Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.

Ana Chair | Picasso Green

SERAFINI

The Ana Chair, designed by Searfini, is a unique take on a statement chair that brings timeless materials together in a new way. The Chair is made using two marble slabs connected with brass hardware and elegant details to hold the sling seat in place. Gravity pulls the seat to emphasize its natural curve between the marble slabs. The simplicity of the pieces connected by clean lines calls into question the very nature of a chair. The experience inside the chair is to be enveloped in the textures of the stone and the upholstery, at once elevated by them and cocooned.