DÉCOR
Beautiful design is all about the details. We know how the perfect piece can change the entire feel of a room. Browse our favorite accent pieces that can tie your space together or home decor items that are conversation-starters all on their own.
Alexander Lamont
The banana flower is encased with wonderful thick leaves that curl and roll as they dry. South African sculptress Astrid Dahl has created the Musa vessel for Alexander Lamont as an undulating bowl that sits in tropical splendour on any piece of furniture. Finishes: Bronze Patina
Alexander Lamont
Raw and planetary the Lava Vases are like orbs in formation. Beautiful as sculptural pieces or when supporting wonderful arrangements of flora. The Lava vases suggest the elemental forces of the universe with richly-applied patina over strong and beautiful textures. Finishes: Bronze Patina
Alexander Lamont
In rock pools and coral reefs, soft anemones hold onto rocks as the tides rise and fall; opening, closing, moving with the water. The vases suggest this form-changing idea and their patina and shapes change as viewed from different sides. Finishes: Bronze Patina
Alexander Lamont
Inspired by an early twentieth century bracelet, the inter-locking elements of the mirror-frame's structure presented a wonderful technical challenge. Finishes: Silvered Straw, Calligrapher’s Silver, Mirror Beechwood Straw, Calligrapher’s Gold, Mirror
Alexander Lamont
A group of mirrors or wall sculpture. Like meteors or ancient discs, they seem to be formed from molten rock, exposing precious metals within. Finishes: Mercury Gold, Bronze Patina, Mirror Pure Gold, Bronze Patina, Mirror White Gold, Bronze Patina, Mirror
Alexander Lamont
Inspired by Monet's mirror pond, water-lillies are cast, assembled and gilded. The piece has a delicate, Art Nouveau sensibility. Finishes: Gold Leaf Patina Bronze Patina
Alexander Lamont
Finishes: Patinated Brass, Mirror, Gradient Straw Patinated Brass, Mirror, Natural Speckle Shagreen, Natural Chocolate Shagreen
Alexander Lamont
Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry
Alexander Lamont
Sculpted facets draw and attract the light while amulets of straw marquetry in ombre tones adorn the warmly patinated cast mirrors. Finishes: Mirror, Patinated Brass, Straw Marquetry
Alexander Lamont
The Gemstone Mirror takes the jewel-like colours and reflective beauty of natural dyed straw and applies it in a faceted pattern.The mirrors are framed by solid patinated brass. Finishes: Patinated Brass, Mirror, Aqua Straw Patinated Brass, Mirror, Burnished Metals Straw
Alexander Lamont
Aquifer is a modernist wall sculpture and mirror. Asymmetrical parchment elements rise and fall to create a bracelet-surround accented with bronze cuffs. It has both a casual yet artistic presence in any room. Finishes: Café au lait Parchment - Lacquered | Bronze Patina
Alexander Lamont
Tribute has a mica frame that shimmers behind bronze leaves and a ‘floating’ mirror. Ancient, like a Mayan headress, the mirror creates a sensual accent that varies in different light conditions. Available in Deep Amber mica with pale bronze leaves or Pewter mica with dark bronze leaves. Finishes: Deep Amber Mica | Patinated Brass, Pewter Mica | Patinated Brass
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
