Floor Lamps
Floor Lamps collection by COLLECTIONAL Dubai
Pierre Augustin Rose
Eole(Named after the keeper of the winds in greek mythology) is a sculpturatl light in jesmonite plaster with an artisanal finish
Alexander Lamont
The text of a wonderful poem by WH Auden, 'The More Loving One' becomes the structure of this lantern. In the poem Auden muses on unrequited love - how he would choose to love even if it was not returned; as we might love the stars above us.
Refractory
The Promontory Standing Lamp, designed by Refractory, is a sculptural light in which two unusually asymmetrical halves lean into one another, echoing the way in which layers of armor must flex in order to move with the wearer.
Caste
The Camus Floor Light is a stunning piece of lighting designed by TY Best, featuring a cast bronze base with a clay patina and a French paper shade. The lamp has a timeless design that exudes sophistication and elegance.
Apparatus
Metronome Floor Lamp by Gabriel Hendifar for Apparatus evokes the measure and balance of its namesake. A patinated brass sphere perches atop the conical base, which is hand wrapped in suede to provide a lush tactile contrast. A channel in the firmly grounded base reveals an intimate connection between the two forms.
Apparatus
The Axon Table Lamp by Gabriel Hendifar for Apparatus features slumped glass sitting over a brass hemisphere. The scale of the small lamp lends itself to tabletop use. The large version is weighty and oversized, conceived to sit confidently on the floor. Operates via brass turn-dimmer knob.
Man of Parts
Mainkai, designed by Sebastian Herkner. Mainkai, or Main River Quay in English, is the riverside boulevard in Frankfurt, Germany, close to where designer Sebastian Herkner grew up and still calls home today. The spherical fishing floats and mooring buoys that bob along the river with an ethereal glow at night inspired the Mainkai's lamps' design.
Man of Parts
Takayama, designed by Yabu Pushelberg, is an Edo-era mountain town in Japan’s mountainous Gifu Prefecture, is famed for Ukai fishing. The Fishermen employ a 1300-year-old technique using trained Cormorant birds. The birds swoop in and catch fish using the light of burning baskets hung on rods over the edge of boats to see their prey. The arc of the Takayama floor lamp by Yabu Pushelberg bears an uncanny resemblance to the fisherman’s friend..
Apparatus
The slip-cast porcelain forms of the lantern series float along a rigid brass structure. Their glow is punctuated by finely incised fluting, connecting to the essential element of historical lanterns – light passing through a delicate protective form. Repeating spheres act as a counterpoint to the sizeable shades. A dimmer ball sits on the base.
Jan Ernst
The fossil floor light was inspired by my fascination with shells, exoskeletons, and stone imprints. The coastline of South Africa varies from rugged and dramatic cliffs crashing into the oceans to sandy beaches that are gentle.
Kettal
Bela Lamp, designed by Doshi Levien, is lovely lamp . It was designed in 2017 as a new outdoor material for Kettal’s material palette. designed primarily as a textile material to be used on Furniture, Doshi Levien saw an opportunity to illuminate the 17 different colors of Bela ropes by creating lamps for outdoors. The aim was to make a lamp with a continuous length of rope in a form referencing the texture and lightness of traditional handwoven lanterns. Every year in India, there is a kite festival, and the streets are lined with enormous spinning frames wound with colorful kite strings. These light wooden structures gave Doshi Levien the idea for the frames or spools onto which the Bela ropes are clipped.
Kettal
Bela Floor Lamp, designed by Doshi Levien is lovely lamp. It was designed in 2017 as a new outdoor material for Kettal’s material palette. designed primarily as a textile material to be used on Furniture, Doshi Levien saw an opportunity to illuminate the 17 different colors of Bela ropes by creating lamps for outdoors. The aim was to make a lamp with a continuous length of rope in a form referencing the texture and lightness of traditional handwoven lanterns. Every year in India, there is a kite festival, and the streets are lined with enormous spinning frames wound with colorful kite strings. These light wooden structures gave Doshi Levien the idea for the frames or spools onto which the Bela ropes are clipped.
Manu Bañó
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw brass material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
Manu Bañó
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw steel material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
