Floor & Table Lights
Floor & Table Lights collection by COLLECTIONAL Dubai
Alexander Lamont
Straw marquetry hand dyed in ebony to pale has been inlaid to create an ombre feathered pattern in smokey tones. The lamp rests on a bronze base. Finishes: Natural Ombre Straw, Bronze Patina, Ivory Linen
Alexander Lamont
Dramatic Braszlian hardwood forms an octagonal base and capped with a cast bronze top. The result is a simply striking lamp that exudes a sense of craft and material sophistication. Available Finishes: Ivory Linen, Louro Preto Wood Ivory Linen, Natural Distress Shagreen Ivory Linen, Natural Parchment
Alexander Lamont
A lamp impossibe not to touch and admire up close. A cast brass egg is covered with lacquered eggshell and lifted on a base of subtly textured bronze. Finishes: White Eggshell, Polished Brass, Bronze Patina
Alexander Lamont
A stunning, tall translucent stone vase that was hand-turned and polished, sits on a monumental bronze studded base creating a dramatic, natural lighting element. Antonio da Motta was inspired by African mythology in designing this lamp. Finishes: Amber Calcite, Bronze Patina
Alexander Lamont
A slender bronze base and stem holds a rigid shade that emits a lustrous glow. Finish options for the shade include Natural Chocolate shagreen, or Bronze or Ebony straw marquetry. All are lined inside with pure gold leaf. Finishes: Gold Leaf, Burnished Metals Straw Gold Leaf, Ebony Straw Gold Leaf, Natural Chocolate Shagreen
Alexander Lamont
Torta is a lantern mosaic of raw, strong hand-beaten paper finished in a diversity of textures and hues. The light has a wonderful glowing energy and is raised on a slender cast bronze base. Torta brings together intricate craftsmanship with a relaxed chic mood - a friend to any evening. Finishes:Papier Sauvage, Bronze Patina, Polished Steel
Alexander Lamont
Isola is a whimsical yet elemental meeting of form and Finishes. The dark and light elements dance in a monumental yin and yang of raw parchment and fire-patinated dark bronze. The two halves are designed to sit slightly askew, with an intriguing overlay where they almost touch. Finishes: Café au lait Parchment - Lacquered, Bronze Patina, Ivory Linen
Alexander Lamont
Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass
Alexander Lamont
Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass
MANU BAÑÓ
At a glance, it reveals its material, its manufacturing process, its function and its use. A plate of raw metal, that can be steel, stainless steel or brass, cut by laser and assembled by hand with a rubber hammer and no welding joinery. Its size responds to the modulation and format of the material in its commercial standards.
Vincent Poujardieu
Signed and numbered model. The Onid lamp comprises a honeycomb structure in aeronautical aluminum and a 24-carat gold-filled, stainless steel base. Thanks to its innovative materials properties, the lamp offers subtle diffraction of the light to become a kinetic art piece filled with poetry Materials: 8 hand-cut slices of aeronautical aluminum honeycomb. 304 stainless steel tubes, chrome, and 24-carat gold with a matt or glossy finish. Lighting: Globe bulb frosted, E27, Leds, 60W, Ø 80 mm
Vincent Poujardieu
Onid floor lamp is made in a limited series, signed in eight pieces. The Onid floor lamp comprises a honeycomb structure in aeronautical aluminum and a 24-carat gold-filled, stainless steel base. Thanks to its innovative materials properties, the lamp offers subtle diffraction of the light to become a kinetic art piece filled with poetry. Materials: Eight hand-cut slices of aeronautical aluminum honeycomb. 304 stainless steel tubes, chrome, and 24-carat gold with a matt or glossy finish Lighting: Globe bulb frosted, E27, Leds, 60W, Ø 95 mm
Christopher Boots
Portal 600 and Prometheus IV Table Lamps embody the cyclical nature of existence, emanating luminescence from a minimalist form. Looking through the lamps, one is drawn through a metaphysical passageway connecting two environments, dimensions, or points in time. A Portal is a gateway, a liminal transition space, a link to beyond with a solid boundary and void. In a charged area, portals have magical resonance and hint at multi-dimensional adventure. Portal Table Lamp draws on this promise while Prometheus stole fire from the Gods of Olympus and gave it to humankind. More than the means for survival- light, and technology, Prometheus’ gift represented creative potential. The spark of creation, previously limited to the Gods, gave mortals the power to dream, create, imagine, and challenge. Prometheus IV is an implosion of blazing crystal quartz, venerating its namesake in a flame ring.
Hector Esrawe
Parabola III is a Layers Floor Lamp specially designed for reflection based on how the light travels through a solid surface, the beginning and the end, the darkness, the gloom to the dawn, on tension and flexion. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. The poetry of the shadows, the absence of light which is as relevant as its presence. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. Parabola III was represented by MASA Galería, which opened its first exhibition, 'Collective/Collectible' on the 7th of February 2019 in Mexico City. MASA blurs the line between art and design and exhibits works by contemporary artists, architects, and designers parallel to contextual artworks.
Gallotti & Radice
Bolle Tavolo 3 Table Lamp, designed by Massimo Castagna, is a table lamp characterized by transparent blown glass spheres that provide LED point light. The metal supports are in a hand-burnished brass finish that looks naturally spotted and irregular. Due to this craft-made processing, each product is unique and exclusive. Designed and available with dimmable light.
Gallotti & Radice
Bolle Tavolo 1 Table Lamp, designed by Massimo Castagna, is a single table lamp with LED point light held by a metal part in hand-burnished brass used to shape the base. The hand-burnished brass finish looks naturally spotted and irregular. Due to this craft-made processing, each product is unique and exclusive. It does not support dimmable light.