TABLES

A piece that draws from our adored Alexandria Salon Table. For the top surface we have developed an entirely new surface material; varying lines of ivory shagreen have been covered with white lacquer to create a gorgeous subtle contrast of whites set within a polished brass frame. Finishes: Ivory over Ivory Shagreen, Polished Brass, Ebonized Teak

Shield and disc make an elegant sculptural surface. Irregular sheets of natural parchment, full of tonal variation, are laid over an asymmetrical slab and fully lacquered. The tables are lifted by five deeply textured bronze legs. A Black Marble oval rests on the top as a sculptural accent and 'tray'. The table also works beautifully when two are placed beside each other; skins and form reflecting with relaxed imperfection.

Timeless simplicity in luxurious Finishes and craftsmanship. Cast bronze legs support a field of shagreen, here shown in Natural Chocolate tone. Finishes: Natural Chocolate Shagreen, Bronze Patina

The Largo is a geometrically-patterned surface made with individually wrapped tiles of natural parchment that have been selected to contrast the rich tone and grain of this famous material. Cast bronze in a warmly architectural structure raises and surrounds the Largo Coffee Table. Finishes: Bronze Patina, Natural Parchment Bronze Patina, Pepper Grey Parchment

Dorsal shapes in sculpted form and parchment top. Lost-wax cast bronze creates a unique table that is finished with panels of ivory-toned goatskin. Finishes: Natural Parchment, Bronze Patina

Natural parchment panels are separated by inlaid bronze lines creating a minimal shield-like table with a fine profile. Raised on strong curving bronze feet. Finishes: Natural Parchment, Patinated Brass, Bronze Patina

A glowing evening sun shimmers. Hewn legs cast in lost wax bronze support a dramatically elegant top. The straw marquetry is dyed by hand in our own workshops to five subtle tones of Burnt Coral before being inlaid in a sunburst pattern. Designed by Antonio da Motta, the inspiration draws from Yoruba ideas of power and belief. Finishes: Burnt Coral Straw, Bronze Patina

Isola spot and side tables are versatile pieces that bring the great contrasting Finishes of bronze and parchment together. Designed as subtly figurative, modernist sculptures, they meet and interact beautifully together while being stately alone.Richly lacquered parchment is full of raw natural variety and also extremely durable and user-friendly. Finishes: Cocoa Parchment - Lacquered, Bronze Patina

Portico are delicious functional side tables bringing an accent of luxurious parchment to any living room. Asymmetric architecture with legs that curve upwards and around the edges bring elegant lines to the duo - great together or apart. Finishes: Café au lait Parchment - Lacquered, Bronze Patina, Patinated Brass

Lattice side table is a minimalist, relaxed designs with a shiver of Art Deco. Ribbed angled bronze legs reflect the light while the table surfaces are a material developed in Alexander’s studio. The cool textured console tops are finished with strong Japanese lacquer. The tables are perfect for a beach location or a cool urban retreat. Finishes: Tundra Lacquer Bronze Patina

Forge is a contemporary modernist low table for chic yet casual cocktails or stylish living. The top is in raw natural shagreen; perhaps the most enigmatic and tactile decorative material. It has been braced by an abstract bronze element that brings great strength and luscious contrast. Below, the sculptural legs lift the top with a similar abstract structure. Whether entertaining or relaxing at home, Forge is designed to exude form and Finishes that please the eye and enhance modern living. Finishes: Natural Speckle Shagreen Unpolished | Bronze Patina | Patinated Brass

While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.

In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".

In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".

In More, at the upper end, at the point of contact with the top, the section of the leg becomes truncated cone, and offers itself to the joint with the top, substantially re-proposing the solution experimented with the "Eros" table, that of the "joint to severity".

In M, form and elegant solution design an extremely stable table, the first example in Mangiarotti's work of using marble for the construction of furnishing objects for the domestic environment. The M marbles are offered with a particular finish that best enhances the characteristics of the stone material, caressing and supporting the rounded profiles of this “sculpture” for the interior architecture of exemplary proportions.