Gallotti & Radice
413 Armchair, designed by Studio G&R, it is a modern dining armchair characterized by an exclusive design and by the particular back leg directly connected to the backrest in order to offer even more comfort and stability.
Gallotti & Radice
0417 lounge chair with low back, designed by Studio G&R, is an essential purchase for any sophisticated contemporary interior scheme. This modern interpretation of a mid century modern classic by Gallotti & Radice will enhance either the most flamboyant or paired down design theme. Whether accenting elaborate printed walls and textiles or punctuating subtle and muted palettes the versatile 0417 Armchair is equally at home in the dining room or the drawing room.
Gallotti & Radice
0419 armchair, designed by Studio G&R, is a stunning stool with a black lacquered open pore solid curved ash structure. It is an elegant stool that features a sleek and simple design with a footrest and armrest. Seat and backrest with internal wood structure and by-product padding in non-deformable polyurethane foam. The covers of the seat and backrest are a non-removable greyish fabric.
Angelo Mangiarotti
A furnishing system made entirely of wood, imagined and patented more than fifty years ago, and which still has not ceased to amaze for the versatility and functionality it offers. Much loved at the time of its debut, published by the main international magazines of the time, present in many designer furnishings of those years, the “Cavalletto” system returns to new life today.
Angelo Mangiarotti
An armchair with an admittedly architectural flavor, still highly expressive and happily functional today. Here the classic inverted V design, which characterizes the system, becomes the profile of a leg at the top of which the armrest finds an ideal support point, in an overall profile that helps to streamline this small domestic presence, making it even more elegant, dry and austere: in a word, distilled from over fifty years of sedimentation, absolute.
Angelo Mangiarotti
While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.
Angelo Mangiarotti
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Angelo Mangiarotti
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Angelo Mangiarotti
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Gallotti & Radice
1968 Coffee Table, designed by Studio G&R, is a stylish design coffee table with luxurious material and precise color combination. The elegant brass blends beautifully with the contrasting blacktop, which has hints of beautiful marble veins that run elegantly through the top. A phenomenal coffee table for anyone who appreciates classical, contemporary design. 1968 Coffee table has a Hand-burnished brass structure with black open pore lacquered wooden parts and greenish-blue marble top, i.e., Verde Alpi.
Angelo Mangiarotti
In M, form and elegant solution design an extremely stable table, the first example in Mangiarotti's work of using marble for the construction of furnishing objects for the domestic environment. The M marbles are offered with a particular finish that best enhances the characteristics of the stone material, caressing and supporting the rounded profiles of this “sculpture” for the interior architecture of exemplary proportions.
Angelo Mangiarotti
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Angelo Mangiarotti
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Angelo Mangiarotti
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Angelo Mangiarotti
In the Tre 3 project, a sheet of leather is inserted into the higher rear leg which gently draws the backrest and seat as it descends. A reinterpretation of a type of chair already reinterpreted on other occasions by the protagonists of Nordic design, the "3T" brings Angelo Mangiarotti closer to the work of another great master of the twentieth century, Carlo Scarpa, whose lesson influenced all the authors who saw in the attention to the details a universe to be explored and honored.
Angelo Mangiarotti
A real constructive record, the "Eccentrico" table leads Angelo Mangiarotti towards the supremacy of some great "builders" of twentieth century furniture, such as Franco Albini from the "Veliero" bookcase and Carlo Mollino from the "Cremona" table: projects that the limits to which they were pushed showed theoretical goals never achieved before.
