Gallotti & Radice
413 Armchair, designed by Studio G&R, it is a modern dining armchair characterized by an exclusive design and by the particular back leg directly connected to the backrest in order to offer even more comfort and stability.
Gallotti & Radice
0417 lounge chair with low back, designed by Studio G&R, is an essential purchase for any sophisticated contemporary interior scheme. This modern interpretation of a mid century modern classic by Gallotti & Radice will enhance either the most flamboyant or paired down design theme. Whether accenting elaborate printed walls and textiles or punctuating subtle and muted palettes the versatile 0417 Armchair is equally at home in the dining room or the drawing room.
Gallotti & Radice
0419 armchair, designed by Studio G&R, is a stunning stool with a black lacquered open pore solid curved ash structure. It is an elegant stool that features a sleek and simple design with a footrest and armrest. Seat and backrest with internal wood structure and by-product padding in non-deformable polyurethane foam. The covers of the seat and backrest are a non-removable greyish fabric.
Jan Garncarek
The O11 floor lamp evokes the balance of two forms: globe and glass tubes. O11 lamp is made out of raw brass and frozen glass. Light passes through a delicate glass vertical form. A brass globe is a solid base for this object.
House of Finn Juhl
108 Chair, designed by Finn Juhl, was originally designed in 1946. On the surface, it looks like any ordinary dining chair. Upon closer inspection, surprising details such as angled side bars and sliding cross bars are revealed. These details add unexpected movement and dynamics to the construction. The chair is manufactured in oak, walnut, or black paint.
Agapecasa
A furnishing system made entirely of wood, imagined and patented more than fifty years ago, and which still has not ceased to amaze for the versatility and functionality it offers. Much loved at the time of its debut, published by the main international magazines of the time, present in many designer furnishings of those years, the “Cavalletto” system returns to new life today.
Agapecasa
An armchair with an admittedly architectural flavor, still highly expressive and happily functional today. Here the classic inverted V design, which characterizes the system, becomes the profile of a leg at the top of which the armrest finds an ideal support point, in an overall profile that helps to streamline this small domestic presence, making it even more elegant, dry and austere: in a word, distilled from over fifty years of sedimentation, absolute.
Agapecasa
While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Gallotti & Radice
1968 Coffee Table, designed by Studio G&R, is a stylish design coffee table with luxurious material and precise color combination. The elegant brass blends beautifully with the contrasting blacktop, which has hints of beautiful marble veins that run elegantly through the top. A phenomenal coffee table for anyone who appreciates classical, contemporary design. 1968 Coffee table has a Hand-burnished brass structure with black open pore lacquered wooden parts and greenish-blue marble top, i.e., Verde Alpi.
Agapecasa
In M, form and elegant solution design an extremely stable table, the first example in Mangiarotti's work of using marble for the construction of furnishing objects for the domestic environment. The M marbles are offered with a particular finish that best enhances the characteristics of the stone material, caressing and supporting the rounded profiles of this “sculpture” for the interior architecture of exemplary proportions.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
