Products
COLLECTIONAL partners with exclusive design brands and commissions pieces by individual designers alike. Whether you know which designer you are looking for or want to discover the latest up-and-comers, you can browse by brand to find the right piece to fit your collection.
Gabriel Scott
Welles Double Blown Glass Wall Sconce, designed by Gabriel Kakon and Scott Richler, is a new type of modular elegance and a perfect blend of strength and sophistication. This wall sconce has a distinctive Alabaster white glass diffuser formed through a mold-blown process to generate a gem-like form and create a bright diffused light. The frame and canopy are in satin copper metal.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Michael Anastassiades
White Porcelain Series is a lighting collection comprising of sconces with an emphasis on materiality and simplicity of form. It is distinguished by refined proportions and sophisticated, invisible fixture details that reintroduce porcelain within a contemporary context and distances it from the utilitarian language with which it is often associated. Referring to the Bauhaus porcelain lights used in the 1930s, this simplified version is slip casted to provide a tough, resistant finish. Due to the manufacturing process, each piece is inherently unique.
Vitra
The Wiggle Side Chair, designed by Frank Gehry, is a beautiful side chair that is a part of Frank Gehry's 1972 furniture series 'Easy Edges', in which he succeeded in bringing a new aesthetic dimension to such an everyday material as cardboard. The sculptural chair is not only very comfortable, it is also strong and robust. It features a finish is available in Natural Beige. The structure is made up of corrugated cardboard. Edges are made up of hardboard.
Vitra
Wiggle Stool, designed by Frank Gehry, is part of his 1972 furniture series 'Easy Edges', which successfully introduced a new aesthetic dimension to such an everyday material as cardboard. The iconic stool is robust and lends a striking note to any interior.
EMMEMOBILI
Wind Chime, designed by EMMEMOBILI. Light, lightness, sobriety. These are the characteristics of Wind Chimes, a family of lamps whose light source is protected by a precious curved sheet of metal. Games of lightness, curved lines that transform into soft surfaces that give life to a chandelier with different configurations.
Alexander Lamont
A piece of sculpture to sit upon. Distressed and generous with sinuous structural lines. A gentle lip protrudes to support the seat cushion. Hand-woven Thai silk finishes the top. The bronze patinated surface has a gently worn finish that comes forth when observed. Finishes:Raw Silk, Bronze Patina
Flos
Wirering Grey Wall Lamp, designed by Formafantasma, is an indirect light wall lighting device with a body in calendered, extruded aluminum with a black color finish. Wirering design is inspired by the philosophy of embracing what's usually hidden and, in the case of a wall lamp, that is, a power cable. The unique tangent gray-colored rubber cable fixed with the wall is the center of the lamp design provides the power and switch pedal for dimming.
Flos
Wirering Grey Wall Lamp, designed by Formafantasma, is an indirect light wall lighting device with a body in calendered, extruded aluminum with a pink color finish. Wirering design is inspired by the philosophy of embracing what's usually hidden and, in the case of a wall lamp, that is, a power cable. The unique tangent pink-colored rubber cable fixed with the wall is the center of the lamp design provides the power and switch pedal for dimming.
Alexander Lamont
Any great drinks table should have beautiful sensuous legs and a top that mystifies and asks to be touched. Fine shiburi dyeing with natural indigo is used to accent the parchment top with a beautiful pattern. The bronze legs lean sensuously together.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
