BEDROOM Furniture
Hector Esrawe
The Gear Side Table is constructed out of cast aluminum with an aged finish and cast polished bronze with a patina finish. The honeycomb-shaped cardboard grid is the source of inspiration, when cut into irregular shapes it reveals aleatory vertical patterns along the edges, creating a sculptural expression. These patterns, materialized and contained in bronze with radial cuts, take on different formats and scales, defining objects with utilitarian functions, such as coffee table, light sculptures, and now The Side Table, all expressed as over-scaled jewels or geared ornaments.
Hector Esrawe
The Gear Side Table is constructed out of cast aluminum with an aged finish and cast polished bronze with a patina finish. The honeycomb-shaped cardboard grid is the source of inspiration, when cut into irregular shapes it reveals aleatory vertical patterns along the edges, creating a sculptural expression. These patterns, materialized and contained in bronze with radial cuts, take on different formats and scales, defining objects with utilitarian functions, such as coffee table, light sculptures, and now The Side Table, all expressed as over-scaled jewels or geared ornaments.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Collection Particuliere
The Rosae Pedestals demonstrate the designer's Goula/Figuera's ability to tame and constrain a material while creating a unique duality. These solid Walnut or Brushed Oak side tables have a textured base and legs that have been gouged and scooped out that starkly oppose the smooth and silky tabletop. The finish is different than the actual product finish
Ewe Studio
The COPAL table is part of the Syncretism Collection, which explores the convergence of contrasting ideas within the same space and time. Syncretism is the amalgamation of different religions, cultures, and thoughts. This collection celebrates traditional hand-carved techniques and embodies the rich heritage of skilled stonemasons, metalworkers, and woodworkers collaborating with EWE. Just like the idea of syncretism, the objects within this collection are simultaneously functional and sculptural. The inspiration behind the COPAL table comes from the ritual elements found in Mexico, which have facilitated syncretic ideas across different cultures. Specifically, the table draws upon the concept of “COPALeras,” which are objects resembling censers or open cauldrons used to burn COPAL.
Hadge
Undum Side Table, designed by Hadge. A cohesion of simplified curved shapes in different directions reflects the passage of passing by and reflects the passage of time on the other way.
Salvatori
Proiezioni Round Side table, designed by Elisa Ossino, takes its name from the Italian for “projections” and refers to the effect of light on Stonee. The top is made of Bianco (white) Carrara marble, resting elegantly on Table Nero (black) Marquina marble central pedestal base. It is a deceptively simple table made of materials that create a bold decorative statement.
Salvatori
Proiezioni Round side table with Inlay, designed by Elisa Ossino, takes its name from the Italian for “projections” and refers to the effect of light on Stonee. The top is made of Bianco (white) Carrara marble with a pattern created by inlaying Nero Marquina marble, creating a strong geometric shape. The central pedestal base is made of Nero (black) Marquina marble.
Salvatori
Proiezioni Round Side table, designed by Elisa Ossino, takes its name from the Italian for “projections” and refers to the effect of light on Stonee. The top is made of Cipollino green marble, resting elegantly on Verdi Alpi (dark green) marble central pedestal base. It is a deceptively simple table made of materials that create a bold decorative statement.
Salvatori
Proiezioni Round side table with Inlay, designed by Elisa Ossino, takes its name from the Italian for “projections” and refers to the effect of light on Stonee. The top is made of Cipollino green marble, with a pattern created by inlaying Verdi Alpi (dark green) marble which -combining them- is creating a strong geometric shape. The central pedestal base is made of Verdi Alpi marble.
Salvatori
The Pietra L02 side table, designed by Piero Lissoni, is an elegant occasional table that comprises a minimal iron form with a three-sided structure and curved feet. The structure is supporting a round tray that is placed on top, made of an iron frame with high edges, while the tray base is in Rosso Francia Marble.
