CASEGOODS
Faina
Ztista Indoor Console, designed by Victoria Yakusha, is a plastic silhouette and slightly primitive form of ZTISTA furniture line for the indoor console. The support and upcycled steel frame are in a blend of cellulose, clay, flax fiber, wood chips, and biopolymer cover. The console's design is a cultural inspiration bridging links between a sustainable approach to contemporary living and the spiritual relations of ancestors with nature. ZTISTA is a Ukrainian word for made of dough.
Gallotti & Radice
Navigli B Shelving System, designed by Massimo Castagna, is a bookcase/shelving system with a hand-burnished copper structure and shelves. The hand-burnished copper finish looks naturally spotted and irregular. Due to this craft-made processing, each product is unique and exclusive. It is a perfect addition to a bedroom to display artifacts.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Lucas Recchia
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Man of Parts
Situated between the town and coast, Surfside Drive curves to follow the natural contours of Nantucket’s harbour and the primary building material of its coastal architecture. Reflecting the bends and curves of the street, Workshop/APD’s rounded design nest or stand alone.
Man of Parts
Wynwood’s building exteriors serve as a canvas for cutting-edge works from leading fine artists, graffiti artists, and muralists. Synonymous with the neighborhood’s vibrant murals, Sebastian Herker disguises abstraction in the Wynwood console. The visual language of the carved shapes, forms, and lines balance spontaneity and structure.
Hessentia
Luke coffee tables with rounded shapes and corners perfectly match the soft look of the Lowell modular sofa. They are available in a glossy finish, but always with a marble top.
Christopher Duffy
The Flying Saucer coffee table combines vibrant pop colours and patterns in nostalgia-drenched, maximalist fashion. A statement design that refuses to follow convention and serves as a constant reminder to live one’s life to the fullest – go bigger, go bolder, be adventurous, have fun and don’t take life too seriously!
Christopher Duffy
An irregular, rock-like configuration splits apart to form the base. Each structure echoes the other’s form, emphasising where they were once joined together
EMMEMOBILI
UFO TT, designed by EMMEMOBILI. During these twenty years of production, the UFO TT coffee table has become a great classic. Its elegant timeless shape, the perfect execution technique and the meticulous details of its components have transformed it over time into a formal reference for the world of contemporary furniture. The particularity of the design of the shell of the undertop, its invisible and perfectly studied connection with the top, as well as the connection with the finely flared truncated conical central foot, have so far been interpreted in numerous materials and finishes.
EMMEMOBILI
Birignao, designed by EMMEMOBILI. The different volumes that form Birignao, from the base to the top, play by merging to create a single table. Its pure geometries harmoniously overlap forming a succession of curves and refined elements.
EMMEMOBILI
Antinomia, designed by EMMEMOBILI. It could balance their strength so that their shapes, their materials, their peculiarities, so precious, but so different, can dialogue harmoniously. It is from this research that the Antinomia coffee table was born, made up of two founding elements, a monolithic base and a large shaped support surface, elements that like an oxymoron manage to live in a unicuum and enhance each other. The more particular and fragmented forms are combined with the more regular and sober ones in order to create a mix of elements which, despite having the same semantics, manage to furnish without being excessive.
EMMEMOBILI
Sparkle, designed by EMMEMOBILI. Sparkle was also born to be an architectural element that can, also developed on great heights, be used as a partition wall for large rooms. An object that can therefore also become a design element, which is characterized by almost ethereal surfaces whose thicknesses are enhanced and embellished by the insertion of a brass profile that gives precious but never blatant flashes to the materiality of the wood. The vertical elements have been designed in such a way as to enhance the possibilities of the double-sided use of Sparkle and have been shaped in such a way as to be able to accommodate different types of coverings. A great versatility that allows the object to fit into different contexts.