COLLECTIBLE DESIGN
Browse our gallery to discover more about our latest selection of exclusive design pieces and the inspiration behind them.
Meet the designers and hear their stories to learn more about how they think design is shaping our lives.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
This coral inspired candelabra has 6 Arms and can hold up to 6 candles. Although it is functional, the shape of this candelabra also suggests the curves of a sculpture. You can place it on your dinner table, coffee table, kitchen island, countertop. The choice is yours.
Tarquini Martensson And Michael Tarp Jensen
Tarquini Mårtensson, Michael Tarp Jensen, armchairs, black lacquered plywood, metal, wool, Denmark, 1974 Danish architects Tarquini Mårtensson and Michael Tarp Jensen designed this rare pair of chairs for Idrættens Hus ('House of Sports'). This impressive Brutalist complex was situated in Brøndby, a few kilometers outside of Kopenhagen and built in 1974. The spacious venue featured sports facilities, offices and meeting rooms. Today, the Danish Sports Confederation is still held in Idrættens Hus together with Team Denmark, Anti Doping Denmark and a number of special federations. Inside the building, the function-driven and well constructed furniture compliments the sturdy exterior of the building. The black lacquered chairs show an honest construction with all metal joints and mounts visible. The rounded seats are upholstered in a bright green wool. The open construction of the chairs contribute to the architectural feeling the chairs evoke. Seat Height: 44 CM
Yrjo Kukkapuro
This 'Karuselli' swivel lounge chair by Yrjö Kukkapuro, originally designed in 1964 features a strong fiberglass shell, soft black leather upholstery, and a chromed steel swivel mechanism that rotates and tilts to achieve the most comfortable sitting position. Designed with ergonomics in mind and perfectly proportioned to cradle the human body Finnish architect and designer Alvar Aalto established a legacy of durable and modern decor options with Artek, founded in 1935. This 'Karuselli' swiveling lounge chair by Yrjö Kukkapuro would work great in a Post-Modern, Mid-Century Modern, Space Age Mod, Scandanavian Modern or Danish Modern home or penthouse apartment but could also look fantastic in a Contemporary or Zen / Minimalism room. Also consider mixing it up in a Traditional, Transitional, Hollywood Regency, Classical or Art Deco room with a splash of juxtaposition. Would also be an apt choice in a commercial project such as a hotel lobby lounge or members club, creative design studio or high-rise executive office. Sold As: Set of 2 Seat Height: 36.8 CM
Giotto Stoppino
This 'Cobra' chair was designed by Giotto Stoppino during the 1970s and produced in Italy. The chair features a tubular structure in chrome metal, winding from the base to the seat and backrest. The seat and back are made from foam covered in black leatherette. Seat Height: 53 CM
Toni Zuccheri
Toni Zuccheri for Venini, table light 'Membrane', glass, chromed metal, Italy, 1960s. An Italian Space Age table lamp called 'Membrane' by Toni Zuccheri. The large bulb is executed in milky and crystal glass, which creates an interesting light partition in combination with the pink light source. It's supported by a chromed base.
Vittorio Introini
Vittorio Introini for Saporiti, pair of lounge chairs, in suede and chrome, Italy,1969 This set of two lounge chairs is designed by Vittorio Introini and produced by Saporiti in chrome and dar green upholstery. The lounge chairs feature a steel shell with thick, comfortable cushions inside. The steel is polished and therefore works as a mirror. This cubist designed is finished with elegant details and nifty buttons and connections. The large cushions makes sure these easy chairs are highly comfortable. Upholstered in dark navy-green fabric, which makes these chairs slightly extravagant. The fabric is in good condition. If desired reupholstery is possible in any kind of leather or fabric of your choice. The very experienced craftsman of our in-house atelier are specialist on reupholstery of design furniture. With high attention for the original, they make sure every piece retains it's value and is ready for the many years to come. Seat Height: 40 CM
Jan Ernst
Parts of the legs were shaped to look like rock extending out of the earth while scarification detailing references a man-made object. The concealed light fitting in the clay body illuminates the sphere and gives the impression of an eye watching.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Manu Bañó
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw steel material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
