COLLECTIBLE DESIGN
Browse our gallery to discover more about our latest selection of exclusive design pieces and the inspiration behind them.
Meet the designers and hear their stories to learn more about how they think design is shaping our lives.
Ewe Studio
The Táas desk is constructed out of patinated brass, with its curvatures offering a blend of the enigmatic and functional. Inspired by architectural steppes and collumns from Mesoamerican constructions, the piece’s geometry is made up of folded metal surfaces. In a direct allusion to the act of piercing or cutting, the metal sheets have been transformed into a sculptural entity that links traditional metallurgy practices to a contemporary design expression.
Ewe Studio
The Táas cabinet draws inspiration from traditional metalwork in Mesoamerica. The piece is made up of openings and stepped geometries which reveal and conceal both form and content, offering a balance between the pristine and raw. Comprised of sculptural forms, the cabinet is shaped with curves of patinated brass. The piece embodies the transition between the solid and void, open and closed, light and shadow, concrete and imaginary.
Hector Esrawe
The Frecuencia Chairs are built from a single silhouette and intention, they introduce subtle variations in height and length, providing both structure and a sense of rhythm. These continuous bent steel bars vibrate along its length and polished surfaces, creating a visual effect that the piece is fading. Through repetition, the bars define the chairs’ form and evoke the idea of an endless functional vibration.
Hector Esrawe
The Gear Desk is constructed out of cast polished bronze with patina finish. The honeycomb-shaped cardboard grid is the source of inspiration, when cut into irregular shapes it reveals aleatory vertical patterns along the edges, creating a sculptural expression. These patterns, materialized and contained in bronze with radial cuts, take on different formats and scales, defining objects with utilitarian functions, such as coffee tables, light sculptures, and now The Desk, all expressed as over-scaled jewels or geared ornaments.
Hector Esrawe
The Gear Side Table is constructed out of cast aluminum with an aged finish and cast polished bronze with a patina finish. The honeycomb-shaped cardboard grid is the source of inspiration, when cut into irregular shapes it reveals aleatory vertical patterns along the edges, creating a sculptural expression. These patterns, materialized and contained in bronze with radial cuts, take on different formats and scales, defining objects with utilitarian functions, such as coffee table, light sculptures, and now The Side Table, all expressed as over-scaled jewels or geared ornaments.
Hector Esrawe
The Gear Side Table is constructed out of cast aluminum with an aged finish and cast polished bronze with a patina finish. The honeycomb-shaped cardboard grid is the source of inspiration, when cut into irregular shapes it reveals aleatory vertical patterns along the edges, creating a sculptural expression. These patterns, materialized and contained in bronze with radial cuts, take on different formats and scales, defining objects with utilitarian functions, such as coffee table, light sculptures, and now The Side Table, all expressed as over-scaled jewels or geared ornaments.
