Curated
Curated collection by COLLECTIONAL Dubai
Christopher Duffy
The Abyss Console table is a beautiful new addition to the Abyss range. The base of the Abyss Console takes a more fluid approach to representing the geological erosion of the Earth’s Crust; it moves and flows in greater detail, like billowing fabric or distorted rock at high pressures.
SERAFINI
The Ana Chair, designed by Searfini, is a unique take on a statement chair that brings timeless materials together in a new way. The Chair is made using two marble slabs connected with brass hardware and elegant details to hold the sling seat in place. Gravity pulls the seat to emphasize its natural curve between the marble slabs. The simplicity of the pieces connected by clean lines calls into question the very nature of a chair. The experience inside the chair is to be enveloped in the textures of the stone and the upholstery, at once elevated by them and cocooned.
Tiffany Loy
Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.
Tiffany Loy
Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Lucas Recchia
Material Distortion refers to the phenomenological relationship the pieces establish with materials and space. Colored glasses are transformed by cutting, stacking, and baking, which results in more thickness and subtly rounded surfaces and small bubbles. The bronze is cast in molds to form frames for the glass, and then undergoes oxidation creating patinas on unique colors and textures. When the light passes through them, the design of the pieces reverberates in the form of colored light contained by the shadows of the metal.
Lucas Recchia
Material Distortion refers to the phenomenological relationship the pieces establish with materials and space. Colored glasses are transformed by cutting, stacking, and baking, which results in more thickness and subtly rounded surfaces and small bubbles. The bronze is cast in molds to form frames for the glass, and then undergoes oxidation creating patinas on unique colors and textures. When the light passes through them, the design of the pieces reverberates in the form of colored light contained by the shadows of the metal.
Lucas Recchia
The Osso marble stool was meticulously composed of Brazilian quartzite with special color variations. The blend of rigid quartzite and permeable pink glass, acquired from precious metals, creates a captivating contrast. This rarest pink glass hue is a result of a chemical reaction involving gold during the glass-heating process.
Lucas Recchia
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Ewe Studio
ALTAR is a project that showcases a unique approach to design and celebrates the beauty of the tools and techniques used in stone craftsmanship. Just like an ALTAR, the collection offers a range of tables that act as places for awe, praise, and treasuring daily objects in the home. It is part of SRO (Sacred Ritual Objects), a collection that departs from sacred rituals and traditions in Mexico. The idea for the ALTAR came from a curiosity for shrines, ALTARs, and pedestals, which are the sacred spaces where rituals are performed and the place where ceremonial objects are placed. We wanted to create our own version of an ALTAR, but we wanted it to be more than just a functional object. We wanted it to be a sculptural piece that celebrates the process of creation.
Apparatus
The TASSEL series condenses the warmth and decadence of a traditional sconce to a concise, modern conclusion. Emanating from a brass dome the light is amplified as it refracts through mold-blown glass cylinders.
Christopher Boots
Meteors slash through the sky, dazzling all who witness their strangeness. It is this primal, cosmic energy that is captured in METEOR. METEOR implements a delicate hand-picked selection of gradations of natural smoky quartz and natural clear quartz, conveying the dynamism and movement of cosmic matter plummeting to Earth. Warm light emanates through the naturally uncut crystals, providing a dramatic glow through dimmable LED technology.
Jeremy Maxwell Wintrebert
The Space Nugget Stool in ivory white is a truly exceptional piece of furniture that combines artistry and functionality. Crafted from freehand-blown glass, this stool is a stunning example of the fusion of form and material. It is a substantial and robust piece that exudes both elegance and strength.
Jeremy Maxwell Wintrebert
The Space Nugget Stool in bronze mirror is a truly exceptional piece of furniture that combines artistry and functionality. Crafted from freehand-blown glass, this stool is a stunning example of the fusion of form and material. It is a substantial and robust piece that exudes both elegance and strength.
