Curated
Curated collection by COLLECTIONAL Dubai
Alexander Lamont
Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass
Alexander Lamont
Serac lamps are stacked and asymmetric sculptural forms that balance alluringly on soft bronze bases. Raw, distressed shagreen meets lines or slabs of cast bronze to exude an understated contrast of Finishes. Lamps that would sit timelessly in a stylish study or the grand room of a super yacht. Finishes: Natural Distress Shagreen, Bronze Patina, Ivory Linen, Patinated Brass
Alexander Lamont
Isola spot and side tables are versatile pieces that bring the great contrasting Finishes of bronze and parchment together. Designed as subtly figurative, modernist sculptures, they meet and interact beautifully together while being stately alone.Richly lacquered parchment is full of raw natural variety and also extremely durable and user-friendly. Finishes: Cocoa Parchment - Lacquered, Bronze Patina
Alexander Lamont
Portico are delicious functional side tables bringing an accent of luxurious parchment to any living room. Asymmetric architecture with legs that curve upwards and around the edges bring elegant lines to the duo - great together or apart. Finishes: Café au lait Parchment - Lacquered, Bronze Patina, Patinated Brass
Alexander Lamont
Lattice side table is a minimalist, relaxed designs with a shiver of Art Deco. Ribbed angled bronze legs reflect the light while the table surfaces are a material developed in Alexander’s studio. The cool textured console tops are finished with strong Japanese lacquer. The tables are perfect for a beach location or a cool urban retreat. Finishes: Tundra Lacquer Bronze Patina
Alexander Lamont
Lattice console is a minimalist, relaxed designs with a shiver of Art Deco. Ribbed angled bronze legs reflect the light while the table surfaces are a material developed in Alexander’s studio. The cool textured console tops are finished with strong Japanese lacquer. The consoles are perfect for a beach location or a cool urban retreat. Finishes: Tundra Lacquer Bronze Patina
Alexander Lamont
Mirador armchair is designed for Alexander Lamont by Brazilian designer Antonio da Motta. The seat is lifted by a flowing bronze line that glides beneath and around the chair in a seductive form. Parchment armrests bring an unexpected luxurious natural element. The upholstery uses eight-way, hand-tied springs providing a very comfortable seat that maintains its shape. The Finishes are Espresso woven fabric with bronze patina and cocoa parchment. Available Finishes: Upholstery in Woven Fabric, Body in Bronze Patina | Patinated Brass
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A few years after the project of the SK207 table, convinced by the mechanical characteristics and the high corrosion resistance of the material, Angelo Mangiarotti returns to work with bronze. With the CAP53 series of vases, the ancient technique of "lost wax" casting returns to its original field of application, the creation of sculptures.
Agapecasa
A furnishing system made entirely of wood, imagined and patented more than fifty years ago, and which still has not ceased to amaze for the versatility and functionality it offers. Much loved at the time of its debut, published by the main international magazines of the time, present in many designer furnishings of those years, the “Cavalletto” system returns to new life today.
Agapecasa
Loico is a program of interlocking bookcases with modular measures both in height and in width, an impressive result of Mangiarotti's research on materials and technologies.
Agapecasa
In the Tre 3 project, a sheet of leather is inserted into the higher rear leg which gently draws the backrest and seat as it descends. A reinterpretation of a type of chair already reinterpreted on other occasions by the protagonists of Nordic design, the "3T" brings Angelo Mangiarotti closer to the work of another great master of the twentieth century, Carlo Scarpa, whose lesson influenced all the authors who saw in the attention to the details a universe to be explored and honored.
Agapecasa
An armchair with an admittedly architectural flavor, still highly expressive and happily functional today. Here the classic inverted V design, which characterizes the system, becomes the profile of a leg at the top of which the armrest finds an ideal support point, in an overall profile that helps to streamline this small domestic presence, making it even more elegant, dry and austere: in a word, distilled from over fifty years of sedimentation, absolute.
Agapecasa
A seat characterized by a cantilevered top supported by a central support. Sinuous and streamlined, Clizia appears in contrast with the hardness and static nature of the stone material from which it is obtained. A carefully calibrated sign, which refers in complexity to some studies by Escher, makes the upper profile of the seat coincide with the lower one, so that the monolithic bodies of the "Clizia" are made from the same block of marble through a single cut, made with machines. numerical control, which simultaneously defines two sessions, optimizing the material, after having reduced waste to a minimum. The concrete version has now been added to the original marble version. Indoor or outdoor seat made of white Carrara marble, black Marquina marble or fiber-reinforced concrete with oxidized iron base.
Agapecasa
While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.
