Curated
Curated collection by COLLECTIONAL Dubai
Agapecasa
The Asolo table investigates the exceptional resistance qualities of the stone material, used here as the only construction material. When you don't get to “minimal” by following fashion but through knowledge of the material, always ahead of style issues.
Manu Bañó
At a glance, it reveals its material, its manufacturing process, its function and its use. A plate of raw metal, that can be steel, stainless steel or brass, cut by laser and assembled by hand with a rubber hammer and no welding joinery. Its size responds to the modulation and format of the material in its commercial standards.
Vincent Poujardieu
Signed and numbered model. The Onid lamp comprises a honeycomb structure in aeronautical aluminum and a 24-carat gold-filled, stainless steel base. Thanks to its innovative materials properties, the lamp offers subtle diffraction of the light to become a kinetic art piece filled with poetry Materials: 8 hand-cut slices of aeronautical aluminum honeycomb. 304 stainless steel tubes, chrome, and 24-carat gold with a matt or glossy finish. Lighting: Globe bulb frosted, E27, Leds, 60W, Ø 80 mm
Vincent Poujardieu
Onid floor lamp is made in a limited series, signed in eight pieces. The Onid floor lamp comprises a honeycomb structure in aeronautical aluminum and a 24-carat gold-filled, stainless steel base. Thanks to its innovative materials properties, the lamp offers subtle diffraction of the light to become a kinetic art piece filled with poetry. Materials: Eight hand-cut slices of aeronautical aluminum honeycomb. 304 stainless steel tubes, chrome, and 24-carat gold with a matt or glossy finish Lighting: Globe bulb frosted, E27, Leds, 60W, Ø 95 mm
Corine Van Voorbergen
Mixed media, acrylic paint, natural pigment powder, ink and expoy, messing
Manu Bañó
OBJ-02 is a low chair composed of a repetition of brass tubes. Each one is cut in half and bent independently, creating the back, seat, and legs. The brass is preserved unsealed and with all the defects of its manufacture and handling.
Hector Esrawe
Trama II Shelve is a part of the Trama Collection, limited edition made from wood and brass, consists of three formats, two vertical and one horizontal made from both natural and stained holm oak wood and aged or natural brass.Trama Collection was presented in Mexico City at the International Zona Maco Exhibition in 2019. Limited Edition of 20 pieces per size.
Hector Esrawe
Trama Collection is a limited edition made from wood and brass, consists of three formats, two vertical and one horizontal made from both natural and stained holm oak wood and aged or natural brass. Trama Collection was presented in Mexico City at the International Zona Maco Exhibition in 2019. Limited Edition of 20 pieces per size.
Collection Particuliere
The Roi stools evoke the outline of chess pieces or a pommel horse. It draws its stylistic vocabulary from the tradition of turned wood, in this precious and fine art consisting in subtracting, hollowing out, and redrawing the material so as to glorify it.Materials: Base in dark grey ceramic. Seat made in wood lined with foam and covered with leather (Stolz)Made in France
Giobagnara
Scala Large Vase & Lantern, designed by Stéphane Parmentier, is a distinctive decorative vase inspired by the “stacked” shape often seen at the base of some buildings in Italy. The base is covered with White Printed Calfskin Golf leather, while the shade is in transparent glass.
Bonacina 1889
“Joe Colombo has opened the way to the imaginative Italian design” Rattan and rattan-core structure, cushion in polyurethane foam with removable fabric. NASTRO Armchair Rattan Laccato with Cushion in blue color fabric.
Christopher Boots
Portal 600 and Prometheus IV Table Lamps embody the cyclical nature of existence, emanating luminescence from a minimalist form. Looking through the lamps, one is drawn through a metaphysical passageway connecting two environments, dimensions, or points in time. A Portal is a gateway, a liminal transition space, a link to beyond with a solid boundary and void. In a charged area, portals have magical resonance and hint at multi-dimensional adventure. Portal Table Lamp draws on this promise while Prometheus stole fire from the Gods of Olympus and gave it to humankind. More than the means for survival- light, and technology, Prometheus’ gift represented creative potential. The spark of creation, previously limited to the Gods, gave mortals the power to dream, create, imagine, and challenge. Prometheus IV is an implosion of blazing crystal quartz, venerating its namesake in a flame ring.
CC-Tapis
Single Slinkie is a rug designed by Patricia Urquiola and hand-knotted in the cc-tapis atelier in Kathmandu, Nepal. It is a design story revolving around color, a succession of chromatic evolutions developed in a composite universe of organic shapes. The rug is made with a cotton weave, Himalayan wool, and pure silk.
Hector Esrawe
Parabola III is a Layers Floor Lamp specially designed for reflection based on how the light travels through a solid surface, the beginning and the end, the darkness, the gloom to the dawn, on tension and flexion. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. The poetry of the shadows, the absence of light which is as relevant as its presence. The starting points where the brass layer touches base establish the origin for every light element, meaning the number of brass layers indicates each piece's number of light factors. Parabola III was represented by MASA Galería, which opened its first exhibition, 'Collective/Collectible' on the 7th of February 2019 in Mexico City. MASA blurs the line between art and design and exhibits works by contemporary artists, architects, and designers parallel to contextual artworks.
Ewe Studio
EWE Studio in collaboration with Nouvel Limited produced a special golden edition of Magma lighting fixtures for Design. The process began with creating molds varying in size and scale, hand carved in volcanic stone by local stonemasons. The volcanic stone was chosen for the molds as it is not affected by the heat of the blown glass, due to its origin. Being an artisanal process, the shape, thickness and tonality differs, as a result giving unique characteristics to each one of the Magma ‘bubbles’. The ethereal golden light is generated through acid finish that was applied on the amber glass surface, together with the hand hammered brass surface contained within the bubbles. Amber blown glass with acid finish, steel, hammered brass, LED lights
