FURNITURE
Our curated selection of furniture includes pieces from some of the world's most respected design ateliers as well as our favorite up-and-coming designers. With a focus on materiality, form, and craftsmanship, our furniture makes a statement. View individual pieces alone or in a curated space to see how you can add them to your life.
COLLECTIONAL carries furniture for your bedroom, living room, kitchen and dining, and lounge spaces to create the home of your dreams.
Niko Koronis
Console Material: Marble in 3 finishes 1- Thassos White and Black Marquina 2- Verde Alpi 3- Rosso Levanto 2018 Limited Edition 8+4 AP
Niko Koronis
Low Table Available in Travertino Romano, Travertino Navona, Travertino Silver Carved from a single block 2020 Limited Edition 12 + 4 AP
Niko Koronis
Low Table White Carrara Marble Carved from a single block 2018 Limited Edition 8 + 4AP
Niko Koronis
White Carrara Marble Carved from a single block 2018 Limited Edition 8 + 4AP
Niko Koronis
Low Table Available in Travertino Romano, Travertino Navona, Travertino Silver Carved from a single block 2022 Limited Edition 12 + 4 AP
Niko Koronis
Low Table Available in Travertino Romano, Travertino Navona, Travertino Silver Carved from a single block 2022 Limited Edition 12 + 4 AP
Niko Koronis
Console Sandblasted Verde Alpi Marble Carved from a single block 2021 Limited Edition 8 + 4AP
SERAFINI
The Ana Chair, designed by Searfini, is a unique take on a statement chair that brings timeless materials together in a new way. The Chair is made using two marble slabs connected with brass hardware and elegant details to hold the sling seat in place. Gravity pulls the seat to emphasize its natural curve between the marble slabs. The simplicity of the pieces connected by clean lines calls into question the very nature of a chair. The experience inside the chair is to be enveloped in the textures of the stone and the upholstery, at once elevated by them and cocooned.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
