FURNITURE
Our curated selection of furniture includes pieces from some of the world's most respected design ateliers as well as our favorite up-and-coming designers. With a focus on materiality, form, and craftsmanship, our furniture makes a statement. View individual pieces alone or in a curated space to see how you can add them to your life.
COLLECTIONAL carries furniture for your bedroom, living room, kitchen and dining, and lounge spaces to create the home of your dreams.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Kuo Duo
A vibrant collection of upcycled plastic furniture, Kerf Plastic explores innovative materiality and construction techniques. Kuo Duo experimented with shaping three-dimensional objects using upcycled plastic boards, akin to plywood but with greater flexibility. They applied 'kerf bending', a woodworking technique traditionally used on wood, to mold the plastic boards into contoured shapes. The process requires no heat, glue, or chemicals, enhancing both visual design and functional comfort, showcasing the potential of upcycled plastic in design, marrying sustainability with creativity. In the Dubai edition created for Urban Fabric Series 001, Kuo Duo introduced a new iteration of the upcycled plastic board in a speckled dark green hue. The color was inspired by the shade of South Korea’s representative tree, the Korean red pine (Pinus densiflora), symbolizing eternity and sustainability in Korean culture.
Kuo Duo
A vibrant collection of upcycled plastic furniture, Kerf Plastic explores innovative materiality and construction techniques. Kuo Duo experimented with shaping three-dimensional objects using upcycled plastic boards, akin to plywood but with greater flexibility. They applied 'kerf bending', a woodworking technique traditionally used on wood, to mold the plastic boards into contoured shapes. The process requires no heat, glue, or chemicals, enhancing both visual design and functional comfort, showcasing the potential of upcycled plastic in design, marrying sustainability with creativity. In the Dubai edition created for Urban Fabric Series 001, Kuo Duo introduced a new iteration of the upcycled plastic board in a speckled dark green hue. The color was inspired by the shade of South Korea’s representative tree, the Korean red pine (Pinus densiflora), symbolizing eternity and sustainability in Korean culture.
Manu Bañó
Two identical and symmetrical pieces, polished on both faces, make up the floor mirror. Hammering not only aims to give texture to the piece but also to deform it to create volume and structure, allowing it to stand on its own. It is a monolithic object that occupies the space normally taken by a sculpture. The piece is approached as an honest testimony to its own manufacturing, a formal exercise without intellectual pretensions.
Manu Bañó
This series explores the reflective property of copper, which, when polished, generates a mirror surface. With the purpose of being sculptural pieces, they occupy the space that would normally be taken by a painting on a wall. It consists of the same object duplicated in symmetry, one concave and the other convex, designed to be displayed together as a single work. Copper, tempered by fire, abandons its two-dimensional form to occupy a three-dimensional space through human manipulation. In its finish, the marks of the material's production process are evident, without patinas or polish.
Lucas Recchia
The Osso marble stool was meticulously composed of Brazilian quartzite with special color variations. The blend of rigid quartzite and permeable pink glass, acquired from precious metals, creates a captivating contrast. This rarest pink glass hue is a result of a chemical reaction involving gold during the glass-heating process.
Lucas Recchia
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Jeremy Maxwell Wintrebert
The Space Nugget Stool in mustard is a truly exceptional piece of furniture that combines artistry and functionality. Crafted from freehand-blown glass, this stool is a stunning example of the fusion of form and material. It is a substantial and robust piece that exudes both elegance and strength.
Jeremy Maxwell Wintrebert
The Space Nugget Stool in ivory white is a truly exceptional piece of furniture that combines artistry and functionality. Crafted from freehand-blown glass, this stool is a stunning example of the fusion of form and material. It is a substantial and robust piece that exudes both elegance and strength.
