LIGHTING
Our selection of lighting combines beauty with functionality. Whether you are looking for something to complement your interiors or want a show-stopping piece to add some glamour to your space, we have lighting for every mood. Our lighting lines include floor and table lamps, pendants, chandeliers, and custom lighting fixtures to elegantly illuminate your home.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
Parts of the legs were shaped to look like rock extending out of the earth while scarification detailing references a man-made object. The concealed light fitting in the clay body illuminates the sphere and gives the impression of an eye watching.
Toni Zuccheri
Toni Zuccheri for Venini, table light 'Membrane', glass, chromed metal, Italy, 1960s. An Italian Space Age table lamp called 'Membrane' by Toni Zuccheri. The large bulb is executed in milky and crystal glass, which creates an interesting light partition in combination with the pink light source. It's supported by a chromed base.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
There is a monolithic quality to it due to its size and visual mass that anchors this collectible design body of work. The work is influenced by his fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum
Michael Anastassiades
A mouth-blown opaline sphere rests on a solid brass bar, evoking a play of balance and stillness. The idea of a movement caught in a second of suspension is a recurring theme in Michael Anastassiades’ designs, which often trigger the imagination of the viewers, offering them a playful yet meditative moment of contemplation.
Michael Anastassiades
The Onyx Light is carved from a single block of onyx, carefully selected for its transparency and veins. There are about 20 pieces that come out of a single block, with each batch bearing similarities in terms of character and colour. Each Onyx Light series is a unique edition, created when we are lucky enough to find blocks of onyx that carry the necessary qualities.
Michael Anastassiades
Tip of the Tongue consists of a table lamp, wall and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
Michael Anastassiades
The Composition series includes a floor and table lamp. They consist of sculptural, elementary forms stacked to create simple, balanced compositions. Each fixture is formed of two cylindrical legs balancing a circular disk, with the Floor Composition grounded by a solid sphere. Illumination is through a bespoke LED circuit with a perspex diffuser, which softly distributes the light downward. Both Floor Composition and Table Composition are produced in an earthen red, powder-coated finish based on a brass patina developed specially by the Studio.
Michael Anastassiades
On My Mind is a table or floor lamp that resembles a head resting on its side, or a balloon lightly touching the ground. The shape of the lamp allows it to roll freely on surfaces, allowing the light to be expressed through movement, rather than just as a stationary object.
Michael Anastassiades
One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
