Soap TriColore

Corine Van Voorbergen

Bubbles of soap, eternalization of the temporary

Mirage Mirror | Green

Sabine Marcelis

A piece from the Mirage series by Sabine Marcelis. Through the interplay of shifting shapes and merging colors, Marcelis skillfully harmonizes these dualities, creating a mesmerizing fusion of light and reflection. Limited Edition 2023

Mirage Mirror | Red

Sabine Marcelis

A piece from the Mirage series by Sabine Marcelis. Through the interplay of shifting shapes and merging colors, Marcelis skillfully harmonizes these dualities, creating a mesmerizing fusion of light and reflection. Limited Edition 2023

Striped Infusions

Jamie Harris

Infusion sculptures are made by using the Italian-trained techniques of layering and banding multiple colored bubbles of glass as a way to generate washes of sensuous, painterly color in a kiln-cast solid mass. Jamie invented a process to create these sculptures, beginning by creating the colored motifs as bubbles of blown glass that are transformed into groups of solid-glass, which are finally cast into blocks and carved and polished into the final shape. So much of the fabrication of these pieces is invested in the science of prediction: anticipating how the color of a bubble blown at the furnace will dilute days later when cast as a solid object, forecasting how fields will distort and move as elements are joined in the casting. These pieces are stop-motion reinterpretations of the traditional Italian-glass “incalmo” format, tracking in place the flowing movement of molten glass, capturing the subtle gradation from a whisper of transparent color to a saturated intensity.

Fade Mirror

Sabine Marcelis

Fade is an exquisite fusion of function and artistry. With a border that fades from clear to tranquil blue, this piece showcases Marcelis's ability to manipulate light and color. This progressive tint mirrors the enchanting transition from day to dusk, infusing the piece with a dream-like quality.

Shadow Chair

Christopher Duffy

A chair suspended above its own shadow First exhibited in Milan in 2009, the Shadow Chair is a visual trompe l’oeil piece that plays on our perception with its gravity-defying, cantilevered design. The Shadow Chair has been reimagined for 2023 with a new fragmented design emphasizing contrast through light and shadow. Available in glistening mirror-polished stainless steel and gold finishes.

Gear Side Table 1

Hector Esrawe

Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.

Gear Side Table 2

Hector Esrawe

Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.

OBJ-08 Wall Mirror

Manu Bañó

This series explores the reflective property of copper, which, when polished, generates a mirror surface. With the purpose of being sculptural pieces, they occupy the space that would normally be taken by a painting on a wall. It consists of the same object duplicated in symmetry, one concave and the other convex, designed to be displayed together as a single work. Copper, tempered by fire, abandons its two-dimensional form to occupy a three-dimensional space through human manipulation. In its finish, the marks of the material's production process are evident, without patinas or polish.

OBJ-08 Floor Mirror

Manu Bañó

Two identical and symmetrical pieces, polished on both faces, make up the floor mirror. Hammering not only aims to give texture to the piece but also to deform it to create volume and structure, allowing it to stand on its own. It is a monolithic object that occupies the space normally taken by a sculpture. The piece is approached as an honest testimony to its own manufacturing, a formal exercise without intellectual pretensions.