Floor & Table Lights
Floor & Table Lights collection by COLLECTIONAL Dubai
Michael Anastassiades
The Onyx Light is carved from a single block of onyx, carefully selected for its transparency and veins. There are about 20 pieces that come out of a single block, with each batch bearing similarities in terms of character and colour. Each Onyx Light series is a unique edition, created when we are lucky enough to find blocks of onyx that carry the necessary qualities.
Michael Anastassiades
Tip of the Tongue consists of a table lamp, wall and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
Michael Anastassiades
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
Michael Anastassiades
The Composition series includes a floor and table lamp. They consist of sculptural, elementary forms stacked to create simple, balanced compositions. Each fixture is formed of two cylindrical legs balancing a circular disk, with the Floor Composition grounded by a solid sphere. Illumination is through a bespoke LED circuit with a perspex diffuser, which softly distributes the light downward. Both Floor Composition and Table Composition are produced in an earthen red, powder-coated finish based on a brass patina developed specially by the Studio.
Michael Anastassiades
On My Mind is a table or floor lamp that resembles a head resting on its side, or a balloon lightly touching the ground. The shape of the lamp allows it to roll freely on surfaces, allowing the light to be expressed through movement, rather than just as a stationary object.
Michael Anastassiades
The Mobile Chandeliers are delicate structures balanced in perfect equilibrium. Constructed following the principles of a mobile, these are arrangements of linear tubes, geometric light sources, reflective surfaces and counterbalancing weights. The pieces rotate freely and delicately, creating an ever-changing lighting configuration unique to the space they occupy. Each Mobile Chandelier is individually tailored to ensure the balance of its approximately 200 hand-crafted patinated-brass components. Every piece is unique in its dimension and compositional balance, due to the varying weight of the mouth-blown opaline glass.
Michael Anastassiades
In Between is a powerful, fully dimmable uplighter consisting of two identical aluminium discs separated by a transparent glass tube. The upper disc appears to be floating as it elegantly projects the light upwards. Running along the middle of the tube is a thin cable that expresses the power source of the light – a subtle reference to the famous Bauhaus table lamp designed by Wilhelm Wagenfeld in 1924.
Michael Anastassiades
The Composition series includes a floor and table lamp. They consist of sculptural, elementary forms stacked to create simple, balanced compositions. Each fixture is formed of two cylindrical legs balancing a circular disk, with the Floor Composition grounded by a solid sphere. Illumination is through a bespoke LED circuit with a perspex diffuser, which softly distributes the light downward. Both Floor Composition and Table Composition are produced in an earthen red, powder-coated finish based on a brass patina developed specially by the Studio.
Dirk Van Der Kooij
The Sunflower lends playful structure to the fresnel family. Positioned atop asymmetrical steel stems, combined blooms exhale a warm, twinkling light. Hot ribbons of recycled plastic build each lens slowly, layer by layer. Sourced from rooftop windows, safety glasses, and industrial chocolate moulds, this unlikely material gifts durability and glasslike transparency to the flowers. Mounted upon a central steel ball, each tactile lens is easily redirected by hand.Recycled plastic, much like wood, carries indicators of its history. Based on the previous life of our plastic, the transparent material can appear cool or warm. The specific tint is not under our control, though is part of the joy in granting material a second life. Textured off black finish frame with 45cm round base.Angle of fixtures manually adjustable by swiveling around ballsIllumination: Replaceable LED modules 86WattsDimming hardware is built into the Sunflower, controlled by a footswitch on the baseplate.
Contardi
Ovale, designed by Contardi Studio, is the reinterpretation of Rettangola, a timeless Contardi light. While maintaining the same structure, the lampshades now have an oval base, to emphasise simple but up-to-date shapes and lines. The lampshades are available in white cotton or white Calacatta marble printed fabric. It is possible to customise the product with coloured trimmings on request.
Contardi
Ovale, designed by Contardi Studio, is the reinterpretation of Rettangola, a timeless Contardi light. While maintaining the same structure, the lampshades now have an oval base, to emphasise simple but up-to-date shapes and lines. The lampshades are available in white cotton or white Calacatta marble printed fabric. It is possible to customise the product with coloured trimmings on request.
Contardi
Ovale, designed by Contardi Studio, is the reinterpretation of Rettangola, a timeless Contardi light. While maintaining the same structure, the lampshades now have an oval base, to emphasise simple but up-to-date shapes and lines. The lampshades are available in white cotton or white Calacatta marble printed fabric. It is possible to customise the product with coloured trimmings on request.