Floor & Table Lights
Floor & Table Lights collection by COLLECTIONAL Dubai
Veronese
Anémone, designed by Maurizio Galante and Tal Lancman, is a beautiful table light in platinum color made with Chrome & polycarbonate. The designers have drawn their inspiration from the aquatic world to create Anémone collection. The idea was to assemble a multitude of glass elements entirely shaped by hand. The Murano glass “flags” invite the caresses and give a dynamic miles away from traditional lighting fixtures.
Veronese
Bijou Bijou, designed by Laurence Brabant, is an elegant table lamp inspired by majestic jewels. The collection includes three pendant suspensions that can be hung individually or endlessly linked together and 3 lamps that can either be for a table or the floor.
Veronese
Bijou Bijou, designed by Laurence Brabant, is an elegant table lamp inspired by majestic jewels. The collection includes three pendant suspensions that can be hung individually or endlessly linked together and 3 lamps that can either be for a table or the floor.
Veronese
Highlight, designed by Dan Yeffet, is an elegant and beautiful table light. It is a collection of contemporary floor and table lamps that gracefully combine Murano glass and marble. With its three different heights (45 cm, 75 cm and 110 cm) the collection shows striking dimensions. Each design, including the one towering at 110 cm in height, is made of one single piece of blown Murano glass.
Kettal
Bela Lamp, designed by Doshi Levien, is lovely lamp . It was designed in 2017 as a new outdoor material for Kettal’s material palette. designed primarily as a textile material to be used on Furniture, Doshi Levien saw an opportunity to illuminate the 17 different colors of Bela ropes by creating lamps for outdoors. The aim was to make a lamp with a continuous length of rope in a form referencing the texture and lightness of traditional handwoven lanterns. Every year in India, there is a kite festival, and the streets are lined with enormous spinning frames wound with colorful kite strings. These light wooden structures gave Doshi Levien the idea for the frames or spools onto which the Bela ropes are clipped.
Kettal
Bela Floor Lamp, designed by Doshi Levien is lovely lamp. It was designed in 2017 as a new outdoor material for Kettal’s material palette. designed primarily as a textile material to be used on Furniture, Doshi Levien saw an opportunity to illuminate the 17 different colors of Bela ropes by creating lamps for outdoors. The aim was to make a lamp with a continuous length of rope in a form referencing the texture and lightness of traditional handwoven lanterns. Every year in India, there is a kite festival, and the streets are lined with enormous spinning frames wound with colorful kite strings. These light wooden structures gave Doshi Levien the idea for the frames or spools onto which the Bela ropes are clipped.
MANU BAÑÓ
Obj-03 is born from a sheet of paper, a gesture, a cut, and a fold. The cut, once folded, allows the sheet to stand on its own, without falling, and in turn serves as a screen to receive the light. The led stripe is hidden on the back and contained in a solid steel bar. The weight of this part is essential to give stability to the lamp. Thus, all the parts fulfill an indispensable function for the object. The idea was to design a lamp with the minimum possible elements and a single material, steel. The lamp is composed of a square of 18 gauge sheet metal and on its back, a solid machined steel bar that contains the led lighting. I decided to oxidize the entire lamp to make it matte so that the light reflection would be soft and diffused.
MANU BAÑÓ
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw brass material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
MANU BAÑÓ
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw steel material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
Parts of the legs were shaped to look like rock extending out of the earth while scarification detailing references a man-made object. The concealed light fitting in the clay body illuminates the sphere and gives the impression of an eye watching.
Toni Zuccheri
Toni Zuccheri for Venini, table light 'Membrane', glass, chromed metal, Italy, 1960s. An Italian Space Age table lamp called 'Membrane' by Toni Zuccheri. The large bulb is executed in milky and crystal glass, which creates an interesting light partition in combination with the pink light source. It's supported by a chromed base.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
There is a monolithic quality to it due to its size and visual mass that anchors this collectible design body of work. The work is influenced by his fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum
Michael Anastassiades
A mouth-blown opaline sphere rests on a solid brass bar, evoking a play of balance and stillness. The idea of a movement caught in a second of suspension is a recurring theme in Michael Anastassiades’ designs, which often trigger the imagination of the viewers, offering them a playful yet meditative moment of contemplation.