WALL LIGHTS
WALL LIGHTS collection by COLLECTIONAL Dubai
Draga&Aurel
Inspired by minimalism, the Jud lamps are an homage to the artist Donald Judd. Made in translucent glass, different tones have been fused together to reflect a harmonious color palette.⠀⠀⠀⠀⠀⠀ The item is composed by a brass structure, a melted glass plate, a led lighting and a light filter in colored resin. Available in a wide range of vibrant colour variations. Handcrafted in Draga & Aurel atelier in Como, each piece is unique.
Draga&Aurel
Inspired by the 1970s and the Space Age, this organic light “circles” feature deep colors resulting from combined layers of coloured epoxy resin and dimmable neon lighting. Complementary shades are layered to create a soft, blended glow effect when lit. Entirely handcrafted in the Draga&Aurel workshop in Como, this wall lamp is available in a wide range of vibrant colour variations, achieved after many tests in order to find the perfect combination of colours.
Apparatus
The Vanity Sconce by Apparatus is a modern interpretation of classic dressing room lights. Hang them flanking a mirror for flattering, warm light.
Apparatus
Using a strict arrangement of semi-precious stones, Talisman Loop Sconce by Gabriel Hendifar for Apparatus recalls the delicate details found on statues in the ancient Persepolis. Agate, jasper, or jade beads are pierced by finely fluted pins, affixing them to a leather-bound brass structure. LIMITED EDITION
Apparatus
The Sarlet Sconce combines a hand-finished brass armature with a domed shade that is wrapped in tonal suede and satin. The fixture casts a soft sunburst of light.
Apparatus
Reprise Sconce is one of the newest pieces in Apparatus ACT FOUR Collection. Reminiscent of Joe Colombo KD27 Boom Microphones, from this globe wall fixture emits a subtle source of light, gracefully resting in a brass armature hand-wrapped in leather case.
Apparatus
Referencing traditional Middle Eastern jewelry while pushing it through a futurist lens, the translucent alabaster planes of the Median Sconces—a collection of wall lights by Apparatus—are intersected by a fluted brass form. The stone glows from a light source that remains hidden, illuminating the relationship between the solid and the permeable.
Apparatus
Lariat Sconce by Gabriel Hendifar for Apparatus is reminiscent of forms found in jewelry—etched glass teardrops hang from finely woven brass mesh. Taut lines and graceful swags are weighted by elongated orbs, addressing an intersection of geometry and gravity. Also available in multiple pendant variations.
Apparatus
The slip-cast porcelain forms of the LANTERN floats along a rigid brass structure. Their glow is punctuated by finely incised fluting, connecting to the essential element of historical lanterns - light passing through a delicate protective form. Repeating spheres act as a counterpoint to the sizeable shades.
Apparatus
The Circuit creates rhythm with the repetition of pure shapes. A glowing glass capsule nests in a brass shade, becoming a contained form that multiplies to construct larger fixtures. The Circuit 3 can be ceiling or wall mounted.
Apparatus
The Circuit creates rhythm with the repetition of pure shapes. A glowing glass capsule nests in a brass shade, becoming a contained form that multiplies to construct larger fixtures. The Circuit 2 can be ceiling or wall mounted.
Jan Garncarek
Spun metal sheet, rounded and swollen forms. The light emanates from within the sphere and reflects on the plate. It was giving off a fiery glow. These are perfect shapes that bring out the beauty of the brass—captured in an elegant minimalist form—the condition results from a long process of searching for the ideal proportions. The lamp gives a soft decorative light.
Jan Garncarek
Combination of brass and oxidized steel. The lamp can be mounted in unusual places, such as a column. Its movable parts allow the direction of light to be modeled. Its form results only from its function and is the most technical of Jan Garncarek's designs. An unusual solution is separating the lamp mounting element from the rosette from which the lamp draws its current.
Jan Garncarek
(from the Italian 'dragonfly') is a fin-shaped sconce that emerges from the wall. The sphere-shaped glass shade intersects a brass sheet and illuminates the space evenly. The slender form topped with an oval was inspired by observations of insects, to be precise, by a dragonfly. Hence the name. The lamp was produced in techniques of brass casting and glass blowing.
Jan Garncarek
What determines how we perceive beauty comes from the play of associations and references to our past experiences. The designer's aim was to capture one such association by giving it a simplified and minimalist form. The object seems to be bloated and gently descends. It is finished with a luminous protuberance, giving off a warm light.
