ALL In Display
IN Display by Gallery COLLECTIONAL Dubai
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
Mario Tsai
Moved by wind or through human touch, the poised metal chimes sway with elegant fluidity. When they collide with one another, they resonate and produce bursts of light reminiscent of sparks. As these sparks emerge, they gracefully follow the trajectory of the chimes' collisions, their movement oscillating back and forth in synchrony with the crisp, melodic sound emanating from the installation. This artistic creation stands as a minimalist representation of the genesis of essential human senses. Here, the origins of sound and the warm glow of sparks are found in the simple yet profound act of objects colliding with one another. Within this kinetic light installation, the transformative power of collision becomes palpable. It is as if the energy from each collision is harnessed and channelled, manifesting as both visible light and audible sound. Yet, as time passes, this energy gradually dissipates, leaving behind a lingering sense of wonder and contemplation. Edition of 20
Mario Tsai
Moved by wind or through human touch, the poised metal chimes sway with elegant fluidity. When they collide with one another, they resonate and produce bursts of light reminiscent of sparks. As these sparks emerge, they gracefully follow the trajectory of the chimes' collisions, their movement oscillating back and forth in synchrony with the crisp, melodic sound emanating from the installation. This artistic creation stands as a minimalist representation of the genesis of essential human senses. Here, the origins of sound and the warm glow of sparks are found in the simple yet profound act of objects colliding with one another. Within this kinetic light installation, the transformative power of collision becomes palpable. It is as if the energy from each collision is harnessed and channelled, manifesting as both visible light and audible sound. Yet, as time passes, this energy gradually dissipates, leaving behind a lingering sense of wonder and contemplation. Edition of 20
Kwangho Lee
Cutting Lines features ten new works, showcasing Lee's boundary-pushing approach to unlocking the potential of 3D printing, reinterpreting the process of knot making, and allowing the concept to evolve and mutate through the interplay of materiality and digital-manual processes.
Kuo Duo
A vibrant collection of upcycled plastic furniture, Kerf Plastic explores innovative materiality and construction techniques. Kuo Duo experimented with shaping three-dimensional objects using upcycled plastic boards, akin to plywood but with greater flexibility. They applied 'kerf bending', a woodworking technique traditionally used on wood, to mold the plastic boards into contoured shapes. The process requires no heat, glue, or chemicals, enhancing both visual design and functional comfort, showcasing the potential of upcycled plastic in design, marrying sustainability with creativity. In the Dubai edition created for Urban Fabric Series 001, Kuo Duo introduced a new iteration of the upcycled plastic board in a speckled dark green hue. The color was inspired by the shade of South Korea’s representative tree, the Korean red pine (Pinus densiflora), symbolizing eternity and sustainability in Korean culture.
Kuo Duo
A vibrant collection of upcycled plastic furniture, Kerf Plastic explores innovative materiality and construction techniques. Kuo Duo experimented with shaping three-dimensional objects using upcycled plastic boards, akin to plywood but with greater flexibility. They applied 'kerf bending', a woodworking technique traditionally used on wood, to mold the plastic boards into contoured shapes. The process requires no heat, glue, or chemicals, enhancing both visual design and functional comfort, showcasing the potential of upcycled plastic in design, marrying sustainability with creativity. In the Dubai edition created for Urban Fabric Series 001, Kuo Duo introduced a new iteration of the upcycled plastic board in a speckled dark green hue. The color was inspired by the shade of South Korea’s representative tree, the Korean red pine (Pinus densiflora), symbolizing eternity and sustainability in Korean culture.
Apparatus
The TASSEL series condenses the warmth and decadence of a traditional sconce to a concise, modern conclusion. Emanating from a brass dome the light is amplified as it refracts through mold-blown glass cylinders.
Apparatus
The TASSEL series condenses the warmth and decadence of a traditional sconce to a concise, modern conclusion. Emanating from a brass dome the light is amplified as it refracts through mold-blown glass cylinders.
Apparatus
Using a strict arrangement of semi-precious stones, Talisman Loop Sconce by Gabriel Hendifar for Apparatus recalls the delicate details found on statues in the ancient Persepolis. Agate, jasper, or jade beads are pierced by finely fluted pins, affixing them to a leather-bound brass structure. LIMITED EDITION
Apparatus
Signal reverberates light through the concentric circles of its pressed glass diffuser, informed by the fresnel lens. Recalling the architecture of satellites, the series is punctuated by rhythms of code articulated in the dots and antennae that delicately encircle its brass body. The fixtures create soft gradients of light, like the silent communication of a satellite emitting waves across the ether.
Apparatus
Reprise Table is one of the newest pieces in Apparatus ACT FOUR Collection. Reminiscent of Joe Colombo KD27 Boom Microphones, from this globe wall fixture emits a subtle source of light, gracefully resting in a brass armature hand-wrapped in leather case.
Apparatus
Reprise Pendant is one of the newest pieces in Apparatus ACT FOUR Collection. Reminiscent of Joe Colombo KD27 Boom Microphones, from this globe wall fixture emits a subtle source of light, gracefully resting in a brass armature hand-wrapped in leather case.
Apparatus
Lariat Pendant by Gabriel Hendifar for Apparatus is reminiscent of forms found in jewelry—etched glass teardrops hang from finely woven brass mesh. Taut lines and graceful swags are weighted by elongated orbs, addressing an intersection of geometry and gravity.
