CATEGORY
Vitra
Eames elephant, designed by Charles and Ray Eames, initially developed out of plywood in 1945 is available in plastic – as a toy or decorative object in a variety of colours, and not just for children's rooms. It is made with using dyed-through polypropylene with a matt finish. It comes in a variety of different colors like white, black, ice grey, and green.
Vitra
Sunflower Clock, designed by George Nelson, With his collection of Wall Clocks (1948-1960), conceived a wide array of timepieces, many of which have since become icons of 1950s design. Sunflower clock is made with various types of wood and metal. It has a high-quality quartz Wall Clock movement, 1.5 volt battery included. It is available in a black ash finish.
Vitra
Ball Clock, designed by George Nelson, With his collection of Wall Clocks (1948-1960), conceived a wide array of timepieces, many of which have since become icons of 1950s design. Sunflower clock is made with various types of wood and metal. It has a high-quality quartz Wall Clock movement, 1.5 volt battery included. It is available in a multicolored finish.
Vitra
Flock of butterflies Wall Clock, designed by George Nelson, With his collection of Wall Clocks (1948-1960), conceived a wide array of timepieces, many of which have since become icons of 1950s design. Sunflower clock is made with various types of wood and metal. It has a high-quality quartz Wall Clock movement, 1.5 volt battery included. It is available in a aluminium finish.
Agglomerati
Alessio is a square coffee table enclosed by four cylindrical legs which sit seamlessly flush under the tabletop.
Sabine Marcelis
The donut-shaped Boa Pouf by Sabine Marcelis is perfectly sculp- tural; a bold graphic form that interrupts interior landscapes with its faultless chunky geometry. This piece of upholstered occasional furniture is rounded and soft, encased in a seamless outer layer that gives it an air-brushed finish: The smooth shape-knit textile that covers the Boa Pouf is a milestone in technologically innovative furniture making. Boa Pouf is as perfect for perching on, propping up feet, lounging against, as it is for making a sculptural statement and is the ideal expression of designer Sabine Marcelis, whose work is characterised by resonating clear, single, notes of absolute material, textile and colour.
Hector Esrawe
Solsticio revisits the interest in light’s journey through different surfaces, continuing the explorations in pieces like ‘Parabola’ and ‘Shifting Parabola’, it analyzes the passing of light on metallic surfaces to understand refraction, paths and fragmentation in different planes that gradually highlight its many faces. Solsticio displays a series of luminous metal pieces, radially articulated and assembled, where the light fragments and bounces its spectrum in several directions. The absence of light becomes as relevant as its presence. The resulting objects present as industrial quality machines, as if in laboratory or a research facility — manifesting a dystopian vision of the future as imagined by our ancestors; specially alluding to time machines and space travels of the 40’s and 50’s, and even analogies found in dystopias like ‘Metropolis’ (1927) by Fritz Lang.
Kettal
Band Armchair, designed by Patricia Urquiola, is a beautifully designed dining armchair. The idea behind the BAND collection is the breakdown of structure. An object is designed using an ensemble of pieces. The chair’s design intentionally challenges the classic sophisticated lines of furniture design and becomes something schematic, a conceptual program. A structure made up of repetitive angular shapes that give center stage to its raw materials and is formed entirely of aluminum with terrain elements lamination. Band Armchair is available in a range of beautiful colors.
Kettal
Cala Stackable Armchair, designed by Doshi Levien, is a high-backed armchair inspired by the iconic Emanuelle. The chair has a majestic spatial presence with transparent and light surfaces. The open weave of the rope provides a latticed window for visual privacy while maintaining a connection to the natural elements. ‘Cala’ may be used for outdoor dining as well as a chair to lounge in. The wide selection of metal coatings, rope colors, and cushion fabrics offer many possibilities to tailor the identity of the chair to suit different projects. Cala is available in a variety of different colors.
Kettal
Cala Dining Armchair, designed by Doshi Levien, is a high-backed armchair inspired by the iconic Emanuelle. The chair has a majestic spatial presence with transparent and light surfaces. The open weave of the rope provides a latticed window for visual privacy while maintaining a connection to the natural elements. ‘Cala’ may be used for outdoor dining as well as a chair to lounge in. The wide selection of metal coatings, rope colors, and cushion fabrics offer many possibilities to tailor the identity of the chair to suit different projects. Cala is available in a variety of different colors.
Kettal
Giro Folding Dining Armchair, designed by Vincent Van Duysen, is an elegant folding dining armchair. Giro is a collection which can blend into interiors and exteriors due to its tactility and pure lines. In Giro, we have some variety of shapes, textures and materials (see the difference between the seating items and the coffee and side tables). And still all the items merge harmoniously together to create a warm, tactile and pleasant atmosphere.
Kettal
Ringer Dining Chair, designed by Michael Anastassiades, is a very graceful dining chair. The Ringer Collection is the first collaboration between Kettal and Michael Anastassiades, and was conceived as a minimal approach to Café dining furniture. The title references the traditional Game of Horseshoes and links to the gesture of the armrest sitting on top of the legs. Michael made use of Kettal’s expertise in aluminum fabrication to create a robust collection that is still easy to move and rearrange. The focus is an Armchair with a singular arm and back element. There is a slight flaring on the opening of the armrest as a subtle invitation to occupy the seat, echoing the traditional Chinese Horseshoe Back Chair. The challenge has been to make the individual elements that compose the chair appear as if they touch without visible joints yet provide sufficient structural support.
Kettal
Giro High Side Table, designed by Vincent Van Duysen, is an elegant high side table. Giro is a collection that can blend into interiors and exteriors due to its tactility and pure lines. In Giro, we have a variety of shapes, textures, and materials (see the difference between the seating items and the coffee and side tables). And still, all the items merge harmoniously to create a warm, tactile, and pleasant atmosphere. It is a very versatile and wide collection composed of armchairs, tables, sofas, and club chairs, as well as coffee tables. The materials are the collection's protagonists, which seem almost not designed - it comes naturally together.
Kettal
Roll Bar Stool, designed by Patricia Urquiola, is very good-looking stool. Using a unique intervention of conventional upholstery, Kettal converts an average backrest into two independent ‘wraps’ connected by colorful straps. These straps are connected to the aluminium structure using two pins, allowing our clients to remove them during the wintertime easily. The seat cushion is supported by a semi-transparent micro fabric, allowing the aluminum frames to support the protagonist of our chairs: the cushion. The design of side tables could be considered postmodernist, given its basic yet unexpected forms. The tables are built following a graphic pattern that appears in all of the collection’s pieces, a pattern in which various materials - metals, concrete, and wood - are joined together in unique and unusual ways. The table tops are made up of different materials such as aluminium, Glaze, teak wood, or marble, while the base, resting on architectonic concrete, is made of intentionally oversized aluminium.
Kettal
Roll Club Chair, designed by Patricia Urquiola, is very good-looking club chair. Using a unique intervention of conventional upholstery, Kettal converts an average backrest into two independent ‘wraps’ connected by colorful straps. These straps are connected to the aluminium structure using two pins, allowing our clients to remove them during the wintertime easily. The seat cushion is supported by a semi-transparent micro fabric, allowing the aluminum frames to support the protagonist of our chairs: the cushion. The design of side tables could be considered postmodernist, given its basic yet unexpected forms. The tables are built following a graphic pattern that appears in all of the collection’s pieces, a pattern in which various materials - metals, concrete, and wood - are joined together in unique and unusual ways. The table tops are made up of different materials such as aluminium, Glaze, teak wood, or marble, while the base, resting on architectonic concrete, is made of intentionally oversized aluminium.
Kettal
Roll Dining Chair, designed by Patricia Urquiola, is very good-looking dining chair. Using a unique intervention of conventional upholstery, Kettal converts an average backrest into two independent ‘wraps’ connected by colorful straps. These straps are connected to the aluminium structure using two pins, allowing our clients to remove them during the wintertime easily. The seat cushion is supported by a semi-transparent micro fabric, allowing the aluminum frames to support the protagonist of our chairs: the cushion. The design of side tables could be considered postmodernist, given its basic yet unexpected forms. The tables are built following a graphic pattern that appears in all of the collection’s pieces, a pattern in which various materials - metals, concrete, and wood - are joined together in unique and unusual ways. The table tops are made up of different materials such as aluminium, Glaze, teak wood, or marble, while the base, resting on architectonic concrete, is made of intentionally oversized aluminium.
