SHOP BY ARTIST
Gallery COLLECTIONAL represents artists from around the globe and showcases unique pieces.
Each curation creates an invocation to anticipate unlimited possibilities. Beauty and form blur the lines of functionality and materiality. Historical icons in conversation with the contemporary and shifting the discourse into the future. Light, density, and ephemerality are all in dynamic tension. The minimal, the voluptuous, and the exquisite harmony of both together. Join us on this journey to experience the unexpected ways design evolves, innovates, and inspires.
Jan Ernst
This coral inspired candelabra has 6 Arms and can hold up to 6 candles. Although it is functional, the shape of this candelabra also suggests the curves of a sculpture. You can place it on your dinner table, coffee table, kitchen island, countertop. The choice is yours.
Michael Anastassiades
The Greek philosopher Socrates urged young people to look at themselves in mirrors so that, if they were beautiful, they would become worthy of their beauty. The Beauty Mirror takes inspiration from those ancient polished surfaces, offering a reflective image with a golden glow. This mirror challenges the notion of what a true reflection is, both in terms of consistency and colour.
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The work is influenced by Jan Ernst's fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum. Handmade in Capetown.
Jan Ernst
The Womb Lamp series is inspired by the mountain landscape near Cape Town. The area is known for its sculptural rock formations in shades of terracotta, amber, and ochre.
Jan Ernst
Parts of the legs were shaped to look like rock extending out of the earth while scarification detailing references a man-made object. The concealed light fitting in the clay body illuminates the sphere and gives the impression of an eye watching.
Jan Ernst
The work is influenced by Jan Ernst's fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum. Handmade in Capetown.
Jan Ernst
The work is influenced by Jan Ernst's fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum. Handmade in Capetown.
Jan Ernst
There is a monolithic quality to it due to its size and visual mass that anchors this collectible design body of work. The work is influenced by his fascination with natural structures such as corals, fungi, and geological formations. The designs have evolved into functional art and sculptural furniture expressed mainly through ceramics and gypsum
Michael Anastassiades
The Meditation Stool acts as an elevated platform to meditate and an abstract geometric object for a living environment. Carved from a solid block, it is available in white statuary marble or black Marquiña.
Michael Anastassiades
‘A few years ago I saw an acorn vase by Estrid Ericson, produced by Svenskt Tenn. I loved the simple poetry of an object of that nature, growing a single acorn. It was the hope for early spring, especially coming from a country with such heavy and dark winters. I became obsessed with the simple idea of suspending a seed on the surface of the water, submerged. Just the right level for it to germinate, with the possibility of it supporting itself in the absence of soil, allowing it to stand upright; exposed, all in clear view.’ The series consists of seven different models to be positioned over a drinking glass of your choice, each designed to suit a specific seed or stone.
Michael Anastassiades
Tip of the Tongue consists of a table lamp, wall and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
A mouth-blown opaline sphere rests on a solid brass bar, evoking a play of balance and stillness. The idea of a movement caught in a second of suspension is a recurring theme in Michael Anastassiades’ designs, which often trigger the imagination of the viewers, offering them a playful yet meditative moment of contemplation.
Michael Anastassiades
The Onyx Light is carved from a single block of onyx, carefully selected for its transparency and veins. There are about 20 pieces that come out of a single block, with each batch bearing similarities in terms of character and colour. Each Onyx Light series is a unique edition, created when we are lucky enough to find blocks of onyx that carry the necessary qualities.
