SHOP BY ARTIST
Gallery COLLECTIONAL represents artists from around the globe and showcases unique pieces.
Each curation creates an invocation to anticipate unlimited possibilities. Beauty and form blur the lines of functionality and materiality. Historical icons in conversation with the contemporary and shifting the discourse into the future. Light, density, and ephemerality are all in dynamic tension. The minimal, the voluptuous, and the exquisite harmony of both together. Join us on this journey to experience the unexpected ways design evolves, innovates, and inspires.
Christopher Duffy
An irregular, rock-like configuration splits apart to form the base. Each structure echoes the other’s form, emphasising where they were once joined together
Marco Guazzini
A collection inspired by the ellipse which repeats itself in the geometric forms of elements, enhanced by the sinuous sections and propositions. Pieces are created for MINT Gallery and presented at the Saatchi Gallery (London).
Stefan Leo
Forged iron black or nickel plated (shiny or patinated) Made to measure Different tops
Stefan Leo
SILA is a creation of various craftsmen from the talented Berlin-based Atelier Stefan Leo. Thought as a side-table this piece of gem shows the intricate work of straw marquetry and solid brass. These two unexpected materials give the piece, despite their incompatible looks, an unexpectedly elegant and poetic allure.
Hector Esrawe
Solsticio revisits the interest in light’s journey through different surfaces, continuing the explorations in pieces like ‘Parabola’ and ‘Shifting Parabola’, it analyzes the passing of light on metallic surfaces to understand refraction, paths and fragmentation in different planes that gradually highlight its many faces. Solsticio displays a series of luminous metal pieces, radially articulated and assembled, where the light fragments and bounces its spectrum in several directions. The absence of light becomes as relevant as its presence. The resulting objects present as industrial quality machines, as if in laboratory or a research facility — manifesting a dystopian vision of the future as imagined by our ancestors; specially alluding to time machines and space travels of the 40’s and 50’s, and even analogies found in dystopias like ‘Metropolis’ (1927) by Fritz Lang.
Manu Bañó
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw brass material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
Manu Bañó
OBJ-04 is a modular shelving system. It starts from a steel sheet obtained in commercial format to which only several laser cuts are made to give it the function of displaying objects. It is made of hot rolled steel, which is left raw without eliminating scratches or defects resulting from its manufacture and can grow in any direction, vertically and horizontally, as much as desired. You can display objects or leave the shelf empty as a sculptural piece, eliminating its practical function and increasing its aesthetic ambition.
Manu Bañó
Obj-03 is born from a sheet of paper, a gesture, a cut, and a fold. The cut, once folded, allows the sheet to stand on its own, without falling, and in turn serves as a screen to receive the light. The led stripe is hidden on the back and contained in a solid steel bar. The weight of this part is essential to give stability to the lamp. Thus, all the parts fulfill an indispensable function for the object. The idea was to design a lamp with the minimum possible elements and a single material, steel. The lamp is composed of a square of 18 gauge sheet metal and on its back, a solid machined steel bar that contains the led lighting. I decided to oxidize the entire lamp to make it matte so that the light reflection would be soft and diffused.
Manu Bañó
OBJ-02 stool is composed of a repetition of brass tubes. Each one is cut in half and bent independently, creating the seat and legs. The brass is preserved unsealed and with all the defects of its manufacture and handling. Also, when bending the tube halves, the tube must be heated and this creates the darker visible parts of the bench. Over time the entire bench will age and change its appearance.
Manu Bañó
OBJ-02 bench is composed of a repetition of brass tubes. Each one is cut in half and bent independently, creating the seat and legs. The brass is preserved unsealed and with all the defects of its manufacture and handling. Also, when bending the tube halves, the tube must be heated and this creates the darker visible parts of the bench. Over time the entire bench will age and change its appearance.
Manu Bañó
OBJ-01 is an understandable simple gesture, an object that needs no explanation. At a glance, it reveals its material, its manufacturing process, its function, and its use. A plate of raw steel material cut by laser and assembled by hand with a rubber hammer and no welding joinery, Its size responds to the modulation and format of the material in its commercial standards. Pure geometric figures build the lighting fixture; a rectangle, a circle, and a cylinder at the back which contains the LED light spot. The circle, then cut out, adopts the function of a screen and can rotate 360 degrees to direct the light at will. OBJ-01 is the first solo work by the Valencian designer, resident in Mexico City, Many Bano. It is part of an open collection of simple objects based on the purity of raw materials, industrial processes, and simple gestures that cause a specific function.
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
Jan Ernst
The WOMB lighting collection evokes our deep seated feeling of ‘the primal’ and unlocks the unknown potential that is hidden in the cavities of our world while celebrating life through luminescence. “Walking these ancestral grounds prompts a feeling of reverence and mystique for the people who once inhabited the interleaving Stadsaal Caves. Tremendous voids and cracks shaped by the natural elements created shelter for the first humans who settled in this region. I was fascinated and humbled to witness such signs of life depicted through intricate murals on the cave walls. These moments spent in the caves were a revelation for me on both a personal and artistic level, and inspiration for the new collection.”
