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COLLECTIONAL partners with exclusive design brands and commissions pieces by individual designers alike. Whether you know which designer you are looking for or want to discover the latest up-and-comers, you can browse by brand to find the right piece to fit your collection.
Fornace Brioni
Variegated Cotto, designed by Fornace Brioni, is steeped in a sophisticated history of its own. Between the sixteenth and seventeenth centuries, it was one of the most popular materials for flooring in many churches and historic mansions in the Po Valley. Its unusual marbled surface is obtained by expert hand-crafting techniques. Clays with different compositions are first mixed individually, then together, creating a very graphic pattern of layers that is never the same. Once they have been fired, the different types of clay maintain and intensify their chromatic diversity to define a marbled effect that is very vivid and reminiscent of certain rocks and ornamental stones.
Fornace Brioni
Grey Cotto, designed by Fornace Brioni, the technique used to make grey cotto is one of the secrets of Fornace Brioni. This material derives from an ancient clay firing method, which has been perfected over the years and passed on verbally from one worker to another. Grey cotto is available in different shades, ranging from light grey and reaching black. The various shades are obtained by an equally unusual application of natural products, such as waxes and oils, during the final treatment given to protect the material.
Fornace Brioni
Traditional Cotto, designed by Fornace Brioni, is an ancient yet contemporary material. It is shaped by hand using wooden molds and gives a contemporary appearance thanks to the unique combination of colors, shapes, and finishes. The research conducted by Fornace Brioni on the many types of clay makes it possible to achieve an even cotto body in numerous different shades: from intense red to delicate pink, from straw yellow to flame red, and rich in contrasts.
Christopher Duffy
An irregular, rock-like configuration splits apart to form the base. Each structure echoes the other’s form, emphasising where they were once joined together
Dirk Van Der Kooij
The Helm lamp designed by Kooij is a belted sphere grown additively from syrupy ribbons of molten, recycled plastic. When passing through the corrugated structure, light breaks, softens and multiplies into an engulfing spread.
Michael Anastassiades
The Meditation Stool acts as an elevated platform to meditate and an abstract geometric object for a living environment. Carved from a solid block, it is available in white statuary marble or black Marquiña.
Michael Anastassiades
‘A few years ago I saw an acorn vase by Estrid Ericson, produced by Svenskt Tenn. I loved the simple poetry of an object of that nature, growing a single acorn. It was the hope for early spring, especially coming from a country with such heavy and dark winters. I became obsessed with the simple idea of suspending a seed on the surface of the water, submerged. Just the right level for it to germinate, with the possibility of it supporting itself in the absence of soil, allowing it to stand upright; exposed, all in clear view.’ The series consists of seven different models to be positioned over a drinking glass of your choice, each designed to suit a specific seed or stone.
Michael Anastassiades
The Greek philosopher Socrates urged young people to look at themselves in mirrors so that, if they were beautiful, they would become worthy of their beauty. The Beauty Mirror takes inspiration from those ancient polished surfaces, offering a reflective image with a golden glow. This mirror challenges the notion of what a true reflection is, both in terms of consistency and colour.
Michael Anastassiades
Tip of the Tongue consists of a table lamp, wall and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
A mouth-blown opaline sphere rests on a solid brass bar, evoking a play of balance and stillness. The idea of a movement caught in a second of suspension is a recurring theme in Michael Anastassiades’ designs, which often trigger the imagination of the viewers, offering them a playful yet meditative moment of contemplation.
Michael Anastassiades
The Onyx Light is carved from a single block of onyx, carefully selected for its transparency and veins. There are about 20 pieces that come out of a single block, with each batch bearing similarities in terms of character and colour. Each Onyx Light series is a unique edition, created when we are lucky enough to find blocks of onyx that carry the necessary qualities.
Michael Anastassiades
The Composition series includes a floor and table lamp. They consist of sculptural, elementary forms stacked to create simple, balanced compositions. Each fixture is formed of two cylindrical legs balancing a circular disk, with the Floor Composition grounded by a solid sphere. Illumination is through a bespoke LED circuit with a perspex diffuser, which softly distributes the light downward. Both Floor Composition and Table Composition are produced in an earthen red, powder-coated finish based on a brass patina developed specially by the Studio.
Michael Anastassiades
On My Mind is a table or floor lamp that resembles a head resting on its side, or a balloon lightly touching the ground. The shape of the lamp allows it to roll freely on surfaces, allowing the light to be expressed through movement, rather than just as a stationary object.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Michael Anastassiades
Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
