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Agapecasa
In the Tre 3 project, a sheet of leather is inserted into the higher rear leg which gently draws the backrest and seat as it descends. A reinterpretation of a type of chair already reinterpreted on other occasions by the protagonists of Nordic design, the "3T" brings Angelo Mangiarotti closer to the work of another great master of the twentieth century, Carlo Scarpa, whose lesson influenced all the authors who saw in the attention to the details a universe to be explored and honored.
Agapecasa
An armchair with an admittedly architectural flavor, still highly expressive and happily functional today. Here the classic inverted V design, which characterizes the system, becomes the profile of a leg at the top of which the armrest finds an ideal support point, in an overall profile that helps to streamline this small domestic presence, making it even more elegant, dry and austere: in a word, distilled from over fifty years of sedimentation, absolute.
Agapecasa
A seat characterized by a cantilevered top supported by a central support. Sinuous and streamlined, Clizia appears in contrast with the hardness and static nature of the stone material from which it is obtained. A carefully calibrated sign, which refers in complexity to some studies by Escher, makes the upper profile of the seat coincide with the lower one, so that the monolithic bodies of the "Clizia" are made from the same block of marble through a single cut, made with machines. numerical control, which simultaneously defines two sessions, optimizing the material, after having reduced waste to a minimum. The concrete version has now been added to the original marble version. Indoor or outdoor seat made of white Carrara marble, black Marquina marble or fiber-reinforced concrete with oxidized iron base.
Agapecasa
While working on prefabricated concrete elements that can be produced on an industrial scale for architecture, with witty intelligence, Mangiarotti chooses the ancient technique of "lost wax" casting for the construction of his first bronze table. Used mainly in the making of sculptures, this particular technique makes each piece unique as the mold must be destroyed to extract the product of the casting.
Agapecasa
In M, form and elegant solution design an extremely stable table, the first example in Mangiarotti's work of using marble for the construction of furnishing objects for the domestic environment. The M marbles are offered with a particular finish that best enhances the characteristics of the stone material, caressing and supporting the rounded profiles of this “sculpture” for the interior architecture of exemplary proportions.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Agapecasa
A real constructive record, the "Eccentrico" table leads Angelo Mangiarotti towards the supremacy of some great "builders" of twentieth century furniture, such as Franco Albini from the "Veliero" bookcase and Carlo Mollino from the "Cremona" table: projects that the limits to which they were pushed showed theoretical goals never achieved before.
Agapecasa
The Asolo table investigates the exceptional resistance qualities of the stone material, used here as the only construction material. When you don't get to “minimal” by following fashion but through knowledge of the material, always ahead of style issues.
Giobagnara
Agora Large Bowl, designed by Stéphane Parmentier, is an elegant decorative bowl covered with Printed Calfskin leather. It is an artistic presentation that is generously proportioned to be used as a striking centerpiece.
Giobagnara
Agora Long Oval Tray, designed by Stéphane Parmentier, is an elegant serving tray covered with Printed Calfskin Clouds leather. It is an artistic presentation that is generously proportioned to be used as a striking centerpiece.
Ewe Studio
Inspired by flat-topped blocks used for religious rituals and ceremonies, especially for sacrifices or offerings to the deities. Altar hand-carved tables are the synthesis of this expression. The high detailed artisanal work makes them an eye-catching piece in any environment they are placed in.
Ewe Studio
Inspired by flat-topped blocks used for religious rituals and ceremonies, especially for sacrifices or offerings to the deities. Our tables have been hand carved and are related to objects that, through their expression, have become symbolic pieces in the spaces which they are placed, called Altares.
Ewe Studio
Inspired by flat-topped blocks used for religious rituals and ceremonies, especially for sacrifices or offerings to the deities. Our tables have been hand carved and are related to objects that, through their expression, have become symbolic pieces in the spaces which they are placed, called Altares.
Ewe Studio
The meticulous craftsmanship of the Altar collection, in its desire to honor the process and raw materials, is inspired by the flat-surfaced pieces used in pre-Hispanic rituals and ceremonies, especially in sacrifices or offerings to the gods.
