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Browse our online catalogue of bespoke design pieces including works from Gallery COLLECTIONAL as well as our curated selection from our exclusive designers and partners.
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Lucas Recchia
Material Distortion refers to the phenomenological relationship the pieces establish with materials and space. Colored glasses are transformed by cutting, stacking, and baking, which results in more thickness and subtly rounded surfaces and small bubbles. The bronze is cast in molds to form frames for the glass, and then undergoes oxidation creating patinas on unique colors and textures. When the light passes through them, the design of the pieces reverberates in the form of colored light contained by the shadows of the metal.
Lucas Recchia
The Osso marble stool was meticulously composed of Brazilian quartzite with special color variations. The blend of rigid quartzite and permeable pink glass, acquired from precious metals, creates a captivating contrast. This rarest pink glass hue is a result of a chemical reaction involving gold during the glass-heating process.
Lucas Recchia
In Incas only the two inclined planes bear the stresses due to the weight of the plan, while the vertical ones do not collaborate in the construction system. Incas is now also available in other stone materials and with suitable finishes, today for the first time it finds an unprecedented and sophisticated solution in solid wood, demonstrating how every great idea can be further developed without losing strength and meaning.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Hector Esrawe
Focusing on the interplay between tradition and innovations, The Gear Collection explores the rich heritage of artisanal craftsmanship in Mexico. The Gear Side Tables find their inspiration in a honeycomb which, after being cut in an irregular shape, reveals on its edges a series of aleatory vertical patterns of sculptural expression.
Ewe Studio
ALTAR is a project that showcases a unique approach to design and celebrates the beauty of the tools and techniques used in stone craftsmanship. Just like an ALTAR, the collection offers a range of tables that act as places for awe, praise, and treasuring daily objects in the home. It is part of SRO (Sacred Ritual Objects), a collection that departs from sacred rituals and traditions in Mexico. The idea for the ALTAR came from a curiosity for shrines, ALTARs, and pedestals, which are the sacred spaces where rituals are performed and the place where ceremonial objects are placed. We wanted to create our own version of an ALTAR, but we wanted it to be more than just a functional object. We wanted it to be a sculptural piece that celebrates the process of creation.
Ewe Studio
ALTAR is a project that showcases a unique approach to design and celebrates the beauty of the tools and techniques used in stone craftsmanship. Just like an ALTAR, the collection offers a range of tables that act as places for awe, praise, and treasuring daily objects in the home. It is part of SRO (Sacred Ritual Objects), a collection that departs from sacred rituals and traditions in Mexico. The idea for the ALTAR came from a curiosity for shrines, ALTARs, and pedestals, which are the sacred spaces where rituals are performed and the place where ceremonial objects are placed. We wanted to create our own version of an ALTAR, but we wanted it to be more than just a functional object. We wanted it to be a sculptural piece that celebrates the process of creation.
Christopher Duffy
A chair suspended above its own shadow First exhibited in Milan in 2009, the Shadow Chair is a visual trompe l’oeil piece that plays on our perception with its gravity-defying, cantilevered design. The Shadow Chair has been reimagined for 2023 with a new fragmented design emphasizing contrast through light and shadow. Available in glistening mirror-polished stainless steel and gold finishes.
Jamie Harris
Infusion sculptures are made by using the Italian-trained techniques of layering and banding multiple colored bubbles of glass as a way to generate washes of sensuous, painterly color in a kiln-cast solid mass. Jamie invented a process to create these sculptures, beginning by creating the colored motifs as bubbles of blown glass that are transformed into groups of solid-glass, which are finally cast into blocks and carved and polished into the final shape. So much of the fabrication of these pieces is invested in the science of prediction: anticipating how the color of a bubble blown at the furnace will dilute days later when cast as a solid object, forecasting how fields will distort and move as elements are joined in the casting. These pieces are stop-motion reinterpretations of the traditional Italian-glass “incalmo” format, tracking in place the flowing movement of molten glass, capturing the subtle gradation from a whisper of transparent color to a saturated intensity.
Christopher Duffy
Realised using the latest 3d printing technologies and eco-friendly materials, the Abyss Wall Tile is a design first for Duffy London, and an exciting new application for the original Abyss design. The tiles are based on Truchet Tiling, a mathematical tiling system, and uniquely designed so that no matter how they are combined, they can be re-arranged to create an entirely new, bespoke flowing pattern, that can be scaled up or down to fit different spaces and environments.
Christopher Duffy
The Flying Saucer coffee table combines vibrant pop colours and patterns in nostalgia-drenched, maximalist fashion. A statement design that refuses to follow convention and serves as a constant reminder to live one’s life to the fullest – go bigger, go bolder, be adventurous, have fun and don’t take life too seriously!
Christopher Duffy
An irregular, rock-like configuration splits apart to form the base. Each structure echoes the other’s form, emphasising where they were once joined together
Bieke Casteleyn
A striking twist on the Out of Line shape with a unique sculptural look. The layered console was designed for those who aren’t afraid of eye-catchers.
Bieke Casteleyn
A striking twist on the Out of Line shape with a unique sculptural look. The layered console was designed for those who aren’t afraid of eye-catchers.
Bieke Casteleyn
From the dining room to the hallway or next to a sunny window in the living room. Allow this bench to be a charmingly designed place to sit down and take a break, no matter where you place it in your home.
Bieke Casteleyn
Inspired by the original Out of Line table, this coffee table stands out with its iconic sculptural identity. No matter your living room set-up, the organic shape always fits and lifts the entire space to a higher level.