Wall
Wall collection by COLLECTIONAL Dubai
Salvatori
Urano Table Lamp, designed by Elisa Ossino, is a small sphere-like table light created by hollowing out a cube of Bianco Carrara marble shedding a soft and romantic light. The carving is done by a diamond drill to make a hollow for the light installation. Finally comes the “sanding” step which is done by hand.
Apparatus
Reprise Table is one of the newest pieces in Apparatus ACT FOUR Collection. Reminiscent of Joe Colombo KD27 Boom Microphones, from this globe wall fixture emits a subtle source of light, gracefully resting in a brass armature hand-wrapped in leather case.
Apparatus
Metronome Table Lamp by Gabriel Hendifar for Apparatus evokes the measure and balance of its namesake. A patinated brass sphere perches atop the conical base, which is hand wrapped in suede to provide a lush tactile contrast. A channel in the firmly grounded base reveals an intimate connection between the two forms.
Apparatus
Referencing traditional Middle Eastern jewelry while pushing it through a futurist lens, the translucent alabaster planes of the Median Table Lamps—a collection of wall lights by Apparatus—are intersected by a fluted brass form. The stone glows from a light source that remains hidden, illuminating the relationship between the solid and the permeable.
Apparatus
Metronome Reading Lamp by Gabriel Hendifar for Apparatus evokes the measure and balance of its namesake. A patinated brass sphere perches atop the conical base, which is hand wrapped in suede to provide a lush tactile contrast. A channel in the firmly grounded base reveals an intimate connection between the two forms.
Apparatus
The slip-cast porcelain forms of the LANTERN floats along a rigid brass structure. Their glow is punctuated by finely incised fluting, connecting to the essential element of historical lanterns - light passing through a delicate protective form. Repeating spheres act as a counterpoint to the sizeable shades.
Jan Garncarek
A lamp was created as a result of a fascination with the possibilities offered by metallurgy. The light exposes what is most beautiful in brass. Here I see beauty in two different forms. The first are various types of dishes or shields. Their phenomenon is the occurrence of irresolvable conditions. The flat sheet is flaccid and prone to deformation. Only after its extrusion and giving its sphericity it gains its constitutionality. The second form is the heavy machine parts, simple and perfectly matched "geometries." Metropolis is a clash of both of these fascinations. The lamp is made by hand with entire brass, using traditional methods of metalworking and other ways, slowly fading into obscurity. An example of which are the plates executed by the metal spinning method.
Man of Parts
Mainkai, designed by Sebastian Herkner. Mainkai, or Main River Quay in English, is the riverside boulevard in Frankfurt, Germany, close to where designer Sebastian Herkner grew up and still calls home today. The spherical fishing floats and mooring buoys that bob along the river with an ethereal glow at night inspired the Mainkai's lamps' design.
Veronese
Drop-Table Light, designed by Patrick E. Naggar, is a very tasteful and sophisticated table light. Patrick wished for a pure design to emphasize two know-how: blown glass and metal. The organic shape of the drop can be transparent or sanded and can receive a large number of colors. The association with brass, in finishes chrome-plated, bronze, nickel brushed, and copper-colored brings a particular visual charm. Thanks to the possible overall combination of all these finishes, the DROP line can perfectly adapt itself to its environment.
Veronese
Obre Gong Table Light, designed by Patrick Naggar, is a stylish and graceful table light. Veronese creates genuine French designs inspired by creative minds exploring new ideas whilst remaining true to tradition. The beautiful Veronese Orbe light is composed of hand-blown Murano glass and fastened with bronze, brushed nickel, chrome, or copper finished fixtures. The exceptional expertise, history, and passion in glass decorative art continue in the newer designs of Veronese lighting elements.
Veronese
Obre Table Light, designed by Patrick Naggar, is a stylish and graceful table light. Veronese creates genuine French designs inspired by creative minds exploring new ideas whilst remaining true to tradition. The beautiful Veronese Orbe light is composed of hand-blown Murano glass and fastened with bronze, brushed nickel, chrome, or copper finished fixtures. The exceptional expertise, history, and passion in glass decorative art continue in the newer designs of Veronese lighting elements.
Veronese
Anémone, designed by Maurizio Galante and Tal Lancman, is a beautiful table light in platinum color made with Chrome & polycarbonate. The designers have drawn their inspiration from the aquatic world to create Anémone collection. The idea was to assemble a multitude of glass elements entirely shaped by hand. The Murano glass “flags” invite the caresses and give a dynamic miles away from traditional lighting fixtures.
Veronese
Bijou Bijou, designed by Laurence Brabant, is an elegant table lamp inspired by majestic jewels. The collection includes three pendant suspensions that can be hung individually or endlessly linked together and 3 lamps that can either be for a table or the floor.
Veronese
Bijou Bijou, designed by Laurence Brabant, is an elegant table lamp inspired by majestic jewels. The collection includes three pendant suspensions that can be hung individually or endlessly linked together and 3 lamps that can either be for a table or the floor.
Veronese
Highlight, designed by Dan Yeffet, is an elegant and beautiful table light. It is a collection of contemporary floor and table lamps that gracefully combine Murano glass and marble. With its three different heights (45 cm, 75 cm and 110 cm) the collection shows striking dimensions. Each design, including the one towering at 110 cm in height, is made of one single piece of blown Murano glass.
Manu Bañó
Obj-03 is born from a sheet of paper, a gesture, a cut, and a fold. The cut, once folded, allows the sheet to stand on its own, without falling, and in turn serves as a screen to receive the light. The led stripe is hidden on the back and contained in a solid steel bar. The weight of this part is essential to give stability to the lamp. Thus, all the parts fulfill an indispensable function for the object. The idea was to design a lamp with the minimum possible elements and a single material, steel. The lamp is composed of a square of 18 gauge sheet metal and on its back, a solid machined steel bar that contains the led lighting. I decided to oxidize the entire lamp to make it matte so that the light reflection would be soft and diffused.
