ALL In Display
IN Display by Gallery COLLECTIONAL Dubai
Laurids Gallée
In ancient cosmologies, the Empyrean was believed to be a heavenly place in the highest of heavens, occupied by the element of fire. The warm glow of the ceiling light Empyrean suspended 02 pays homage to this antiquated concept, as Gallée experiments with light through material hues, transparency, and luminosity.
Verdi
Elevate your space with the playful elegance of the Casablanca Weave Rug. Its rich textural pattern adds depth to any room, while the geometric design and natural fiber materials create a sense of classic sophistication and warmth. Handcrafted with care in Colombia, this rug is a unique and ethical addition to your home.
Vincent Poujardieu
24-carat Matt Gold Structure, Honeycombs Numbered edition 02/08
SERAFINI
The table is carved from two contrasting sweeps of solid marble – both selected for their tonal depth and swirling, painterly patterns that express dramatic variations in scale and a vivid sense of movement. A wave-like profile presents a delicate contrast to the elemental heft of these materials, as gentle undulations imbue the table’s monumentality with a softer, organic edge. The table is a distinctive style statement that melds sinuousness with solidity, gravitas with grace, playing with tensions between the hard and the soft to exude fluidity and grandeur with contemporary flair.
SERAFINI
Arthur marble coffee table is created from a single piece leveraging 2 opposite materials, finding a balance in their patinas and visual contrast. This piece is truly a sight to behold, captivating viewers with its striking fusion of materials and textures duality, all of which convey a sense of discovery and serendipity through a fragmented design. This coffee table is not just a functional piece of furniture but a true statement piece, imbued with elegance and charm that elevate any space
SERAFINI
The Ana Chair, designed by Searfini, is a unique take on a statement chair that brings timeless materials together in a new way. The Chair is made using two marble slabs connected with brass hardware and elegant details to hold the sling seat in place. Gravity pulls the seat to emphasize its natural curve between the marble slabs. The simplicity of the pieces connected by clean lines calls into question the very nature of a chair. The experience inside the chair is to be enveloped in the textures of the stone and the upholstery, at once elevated by them and cocooned.
Alexander Lamont
Hand-carved from solid wood into the shape of a clam shell, this deceivingly simple box is covered with many layers of natural black lacquer inside and out and sanded to make a perfect fit. Finishes: Teak, Natural Lacquer
Faina
Ztista Indoor Chair, designed by Victoria Yakusha, is a plastic silhouette and slightly primitive form of ZTISTA furniture line for the indoor chair in dark blue color. The chair's frame is upcycled steel covered with a blend of materials recycled paper, linen, clay, wood chips. The chair''s design is a cultural inspiration bridging links between a sustainable approach to contemporary living and the spiritual relations of ancestors with nature. ZTISTA is a Ukrainian word for made of dough.
Tiffany Loy
Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.
Tiffany Loy
Day and Night stand as a captivating pair of woven sculptures, each intricately reflecting the dynamic cityscape with its varied materials and hues. Crafted on industrial jacquard looms, these pieces feature an exaggerated weave structure that artfully captures the elusive third dimension of textiles. Their expansive faceted forms seamlessly marry the inherent mathematical beauty of their structure with the urban architectural silhouettes that inspire them. Reminiscent of sunlight dancing on glass skyscrapers, the colour palette harmoniously blends warm amber tones with cool, muted greens, creating a mesmerising interplay of light and shadow across their surfaces.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Kensaku Oshiro
The Crystal collection is a harmonious interaction between geometry and light. Due to the natural translucency of onyx and the mass of the gemstones employed, a shadow is drawn that delicately emphasises and outlines the geometry at play. Oshiro experimented with several variations before settling on an angle of 120 degrees, which yielded the best result in terms of both geometric and shadow contrast. From any viewpoint, the proportions and combination of elements are devised to never be identical from one to another while always maintaining composite harmony.
Teo Yang
The collection Remaining Things comprises eight distinct objects, each offering a unique reinterpretation of historical elements. Among the initial four pieces unveiled are: the Mobile Divider, which redefines spatial boundaries through the integration of wood veneer and chrome into found hanok panels, resulting in a multifaceted sculptural room divider; the Mobile Bookstand, a minimalist storage unit that pays homage to the scholarly tradition with its mobility and geometric design; the Floating Shelf, repurposed from old hanok ceiling remnants and embellished with chrome and marble accents; and the Table Centrepiece, an artful composition featuring a glass tabletop balanced on a chrome base and a hanok column.
